Theatralia最新文献

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Meaning-making in contemporary operatic performance 当代歌剧表演中的意义建构
Theatralia Pub Date : 2022-01-01 DOI: 10.5817/ty2022-1-12
Šárka Havlíčková Kysová
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引用次数: 0
Alexandra Exter theatre and Ukrainian scenography in the 1910s and 1920s 亚历山德拉·埃克斯特剧院和乌克兰舞台在1910年代和1920年代
Theatralia Pub Date : 2022-01-01 DOI: 10.5817/ty2022-1-4
V. Chechyk
{"title":"Alexandra Exter theatre and Ukrainian scenography in the 1910s and 1920s","authors":"V. Chechyk","doi":"10.5817/ty2022-1-4","DOIUrl":"https://doi.org/10.5817/ty2022-1-4","url":null,"abstract":"The article is devoted to developing Alexandra Exter’s system of decorations on the stages of Ukrainian theatres. The principles of stage design, discovered by Exter in the Moscow productions of Famira Kifared (1916), Salome (1917), and others, were viewed and shared as a specific methodology among Kyiv and Odesa artists in the Ukrainian Soviet Republic. The article focuses on scenographic projects of the Ukrainian theatrical avant-garde paradigmatic figures – Vadym Meller, Anatol Petrytsky, and Oleksandr Khvostenko-Khvostov. The early Isaac Rabinovich and Vadym Meller were in the circle of Ukrainian ad-herents, too. Mykhailo Andriienko-Nechytailo, Mykola Sokolov, and many others considered themselves students and followers of Exter in Kyiv. Their stage experience at the turn of the 1910s – 1920s marked the decisive transition of Ukrainian scenography to volumetric-plastic spatial structures that reflected, supported, and contributed to the development of stage action.","PeriodicalId":37223,"journal":{"name":"Theatralia","volume":"26 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71356710","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Známý neznámý Emil Pirchan 已知未知Emil Pirchan
Theatralia Pub Date : 2022-01-01 DOI: 10.5817/ty2022-2-14
Jitka Ciampi Matulová
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引用次数: 0
Central-European theatre avant-garde : reclamation or reimagination 中欧先锋派戏剧:开垦或再想象
Theatralia Pub Date : 2022-01-01 DOI: 10.5817/ty2022-1-9
D. Kosiński
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引用次数: 1
Poetics and contexts of unofficial drama in a totalitarianism 极权主义下非官方戏剧的诗学与语境
Theatralia Pub Date : 2022-01-01 DOI: 10.5817/ty2022-2-12
Aleš Kolařík
{"title":"Poetics and contexts of unofficial drama in a totalitarianism","authors":"Aleš Kolařík","doi":"10.5817/ty2022-2-12","DOIUrl":"https://doi.org/10.5817/ty2022-2-12","url":null,"abstract":"<jats:p />","PeriodicalId":37223,"journal":{"name":"Theatralia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71356997","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Theatrical mind: from tradition to new frontiers 戏剧思维:从传统到新前沿
Theatralia Pub Date : 2022-01-01 DOI: 10.5817/ty2022-2-16
Tereza Turzíková
{"title":"Theatrical mind: from tradition to new frontiers","authors":"Tereza Turzíková","doi":"10.5817/ty2022-2-16","DOIUrl":"https://doi.org/10.5817/ty2022-2-16","url":null,"abstract":"<jats:p />","PeriodicalId":37223,"journal":{"name":"Theatralia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71357095","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Bodies in archival situations : editorial 在档案情况下的身体:编辑
Theatralia Pub Date : 2022-01-01 DOI: 10.5817/ty2022-2-1
Martin Bernátek, Jitka Pavlišová
{"title":"Bodies in archival situations : editorial","authors":"Martin Bernátek, Jitka Pavlišová","doi":"10.5817/ty2022-2-1","DOIUrl":"https://doi.org/10.5817/ty2022-2-1","url":null,"abstract":"<jats:p />","PeriodicalId":37223,"journal":{"name":"Theatralia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71357173","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Slovene historical avant-garde and Europe in crisis 斯洛文尼亚的历史先锋派和危机中的欧洲
Theatralia Pub Date : 2022-01-01 DOI: 10.5817/ty2022-1-5
Tomaž Toporišič
{"title":"The Slovene historical avant-garde and Europe in crisis","authors":"Tomaž Toporišič","doi":"10.5817/ty2022-1-5","DOIUrl":"https://doi.org/10.5817/ty2022-1-5","url":null,"abstract":"The article explores artistic initiatives giving shape to the multiple relations between the (theatre) avant-garde and the post-war crisis of identity in Slovene and Central European art and culture. It closely examines manifestative thoughts on Europe in crisis by Srečko Kosovel, the leading Slovene avant-garde poet, and Ljubomir Micić, the leader of the Serbian avant-garde movement Zenitism; Ferdo Delak and August Černigoj’s manifestos of New Slovene Stage; and the concept of an expressionist play by Slavko Grum. The aim of the study is to show how the aesthetic revolutions of the historical avant-gardes of the region from the Adriatic Sea to the Western Balkan, were the artistic and human responses of the avant-garde artists to the newly developed crisis in Europe after 1918.","PeriodicalId":37223,"journal":{"name":"Theatralia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71356719","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
My mother's voice : 'a view from ground level, in the thick of things' 我母亲的声音:“从地面上看,在最浓密的地方。”
Theatralia Pub Date : 2022-01-01 DOI: 10.5817/ty2022-2-17
J. Woollard
{"title":"My mother's voice : 'a view from ground level, in the thick of things'","authors":"J. Woollard","doi":"10.5817/ty2022-2-17","DOIUrl":"https://doi.org/10.5817/ty2022-2-17","url":null,"abstract":"<jats:p />","PeriodicalId":37223,"journal":{"name":"Theatralia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71356724","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Günter Brus: a walk through totality <s:1>特纳·布鲁斯:在日全食中漫步
Theatralia Pub Date : 2022-01-01 DOI: 10.5817/ty2022-2-2
T. Kubart
{"title":"Günter Brus: a walk through totality","authors":"T. Kubart","doi":"10.5817/ty2022-2-2","DOIUrl":"https://doi.org/10.5817/ty2022-2-2","url":null,"abstract":"This study focuses on examining a specific artwork of a member of the Austrian action group of Viennese Actionism, Günter Brus through the prism of Trauma Studies. The research question of how the trauma of World War II expressed itself in the art of Günter Brus encompasses a focus on three sub-areas based on the nature and definition of trauma and following neurosis/psychosis: individual trauma (e.g., childhood trauma), societal trauma (a consequence of WWII), and the return of trauma if it has not been consistently processed. The experience of WWII left traumas in the generation of artists such as Brus (e.g., his experience of bombing at an early age) that were individual, society-wide (the complicity of the whole Austrian society in the Nazi crimes and the Shoa), and/or the traumas caused by some recurring trauma. According to a British theatrologist Patrick Duggan, trauma on the individual level is doubled upon recurrence, which is similar to the conclusion at which German researcher Gerald Schröder arrives when he writes about the Wiederholungstrauma of a society on the whole. When the level of social traumatisation reaches a borderline level, it manifests itself through various valves, including artistic ones. Günter Brus became such a materialisation of the repetition of trauma, a living reminder, literally walking through the streets of Vienna during his event Vienna Walk. The study introduces and describes the nature of such trauma in the artwork of the Austrian post-war artist through the framework of Duggan's methodology coupled with trauma-related symptomatology.","PeriodicalId":37223,"journal":{"name":"Theatralia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71356749","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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