{"title":"Ethnic Dehumanization in Khaled Hosseini’s The Kite Runner","authors":"Vishwa Bhushan","doi":"10.53032/tcl.2022.7.6.09","DOIUrl":"https://doi.org/10.53032/tcl.2022.7.6.09","url":null,"abstract":"Ethnic dehumanization occurs when an ethnic group thinks that the other ethnic group is not equal to it and can be treated as less than human. The debut novel of Khaled Hosseini’s The Kite Runner manifests intangible situation between the Pashtuns and Hazaras who are two different ethnic groups in Afghanistan. The purpose of my paper is to deal with the concept of dehumanization, the reason for dehumanizing ethnicity and to analyses the effect of dehumanization depicted in Hosseini’s The Kite Runner. Theories of sociological and psychological approaches are used in this paper. Apart from Shia and Sunni sects, few Hindu, Sikh and Jew communities inhabit Afghanistan, but in this fragmented nation major issues of the conflict between Hazaras and Pashtuns have resulted in dehumanizing ethnicity. Hazaras are dehumanized by Pashtuns as they consider them as the poorest and weakest ethnic group in Afghan. Pashtuns consider themself superior than Hazaras because of physical appearance, religious’ beliefs and cultural practices. Khaled Hosseini’s The Kite Runner, highlights the issues of dehumanization and dehumanizing ethnicity which is the main reason of the bad effect on psychological health of oppressed ethnic people in Afghanistan. In this novel, Hosseini not only highlights the psychological and social health of Hassan but through Hassan he tries to give the glimpse of all Hazara’s psychological and social status. Dehumanization of ethnicity creates hate in one group of people by their fellow group of people and it divides the people into two groups in which one tries to repress others and sometimes it results in genocide, slavery and molestation. That’s why dehumanizing ethnicity is curse for the society because it creates discrimination at every level of humanity.","PeriodicalId":370788,"journal":{"name":"The Creative Launcher","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131501399","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Revisiting the Idea of Totalitarianism in George Orwell’s Ninety Eighty Four","authors":"Sanam Raza Pahalwi","doi":"10.53032/tcl.2022.7.6.22","DOIUrl":"https://doi.org/10.53032/tcl.2022.7.6.22","url":null,"abstract":"This paper aims to analyse the lessons about truth and relevance that may be gained from literature by reading George Orwell's dystopian novel, Nineteen Eighty-Four in the context of philosopher Stanley Cavell's idea of “living scepticism”. According to the idea, we can view the novel as a representation of life under a totalitarian system. The protagonists in the totalitarian society of the novel experience this experienced scepticism, which is a state of confusion and doubt brought on by indoctrination as well as physical and psychological punishment. The three main types of authoritarian experiences that are imagined in the book are scepticism of the outside world, scepticism of language, and scepticism of other people's brains. The focus of the article is on the scepticism of other minds and totalitarian lived meaning among these three. It explicitly inquires as to who may be the “perfect case” in order for the main character to appreciate the viewpoints of others. Intimacy, privacy, love, brutality, and knowledge are all related in some way in the novel's imagined world. The article contends that through exposing us to The Party's peculiar unlearning pedagogy, Orwell's writing offers us a nightmare image of the elimination of the possibilities for love. What does it mean at the book's conclusion for the main character to “love” Big Brother? In the dystopian society of Nineteen Eighty-Four, the reader might utilise these crucial questions to assess her own moral and intellectual limits. Can you imagine being so obsessed with Big Brother? Or does the use of the term \"love\" in this situation simply aim to provide the reader the ability to distinguish between speech that makes sense and speech that doesn't?","PeriodicalId":370788,"journal":{"name":"The Creative Launcher","volume":"95 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125267489","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mahasweta Devi: The Voice of Dalits and Tribal People","authors":"Dr. Sunil Kumar Dwivedi","doi":"10.53032/tcl.2022.7.5.10","DOIUrl":"https://doi.org/10.53032/tcl.2022.7.5.10","url":null,"abstract":"Writing is a mirror that reflects social recorded, financial and political occasions refracted through nonexistent or anecdotal domains of public sayings. Strangely, in such accounts, writing additionally mirrors the irregular characteristics or complexities that exist in social as well as individual connections. Like many other European writers, Indians also have launched a war against such political, social and economic exploitations of the oppressors. As people know that women are more kind enough by heart, that’s why they have explored the various social evils and maladies that are continuously ruining the lives of the marginalized people in the form of caste, creed and religion. Apart from writing about feminism and gender discrimination, they have also dealt with the other grave issues that destroy the lives of these marginalized outcastes. Their works reveal the true picture of the contemporary society where innocence is exploited through the corrupted ideas of human beings in this man-made society. The present research paper has tried to explore the plight of Dalits and Tribals in the works of Mahasweta Devi, one of the great marginal voices in Indian English Literature.","PeriodicalId":370788,"journal":{"name":"The Creative Launcher","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123747900","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Imagining the Dalit Identity: An Analysis of Narrative Techniques in Select Dalit writing","authors":"Riad Azam","doi":"10.53032/tcl.2022.7.5.06","DOIUrl":"https://doi.org/10.53032/tcl.2022.7.5.06","url":null,"abstract":"This paper analyses the narrative techniques of two Dalit texts; an autobiography called Joothan by Omprakash Valmiki and a novel called Koogai: The Owl by Cho. Dharman. Through this analysis, the paper presents an account of the changing socio-political conditions of the Dalits in India after independence. Using the theoretical framework of narratology, the paper argues that the two very different narrative styles present in these two texts are reflective of the respective conditions within which their writers found themselves in and the larger socio-political questions that the Dalit emancipation movement was dealing with during those periods. Another aspect that the paper covers is how these two texts present the inherent conflicts and contradictions within the Dalit identity. It then asks the question whether these contradictions should be flattened to present a more homogeneous conceptualisation of what it means to be a Dalit or whether the identity should be imagined alongside these contradictions.","PeriodicalId":370788,"journal":{"name":"The Creative Launcher","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125465645","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Philosophical Musings over the Phenomenon of Death: A Thematic Study of Selected Poems of Shiv K Kumar’s Where Have the Dead Gone? And Other Poems","authors":"Arabati Pradeep Kumar","doi":"10.53032/tcl.2022.7.5.08","DOIUrl":"https://doi.org/10.53032/tcl.2022.7.5.08","url":null,"abstract":"This research article makes an attempt to thematically study the philosophical musings of Shiv K Kumar over death in his selected poems of Where Have the Dead Gone? And Other Poems. Kumar’s first love is poetry and, therefore, he is called an intuitive and philosophical poet. In his scholarly collection of poems, he seriously cogitates on the occurrence of death and questions where man goes after he dies. He is quite certain that intellect and reason cannot explain the mystery of life while intuitions can make us comprehend what life is. Through his poems, the poet makes his readers understand that life is balanced between the two absolutely opposite points of birth and death. It is a universally known fact that where there is birth, there is death. Birth is glorified and death is treated as something dreadful and is, hence, mourned. Intertwined in the philosophical riddle of birth and death, man has been trying for ages to delve into the mysteries of life, death, and rebirth. The poet wants to remain calm and composed and takes the life as it comes to him. In his collected poems, it is clearly understood that he treats the death of human beings and animals equally. ","PeriodicalId":370788,"journal":{"name":"The Creative Launcher","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128886094","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Exploring the Elements Dichotomy of Human Relations in Khushwant Singh’s Train to Pakistan","authors":"Smt. Sudha Kumari","doi":"10.53032/tcl.2022.7.5.15","DOIUrl":"https://doi.org/10.53032/tcl.2022.7.5.15","url":null,"abstract":"The Indian partition experience has generally been seen as being extraordinarily complex and violent kind of appearance in literary works. There are manifestations of oppression and violence that are the most recognized themes in the context of postcolonialism. The “decolonization” of writing, which aims to transcend this colonial history, will bring about and illuminate a wide range of subjects through its interpretation. Numerous books have been published about post-colonialism in India, but writers like Khushwant Singh have seen this magnificent historical period as a matter terrifying phenomenon. His novel, Train to Pakistan (1956) was written on the backdrop of Indian partition. The unavoidable reason of partition has been examined in this novel which was a sprout of radicalism and fundamentalism sparked by bolstering community attitudes. They effectively and precisely express the fear and exposure of human existence brought on by the pangs and enigmas of the consequences of the Partition. In addition to offering a wealth of information, Train to Pakistan is also unconventional in the matter of themes, style and narrativity. Khushwant Singh has provided human qualities that would interpret any sense of authenticity, dismay, and credibility rather than presenting the events in political terms. Thus, the story not only describes the existence of man and his struggle to survive, but it also demonstrates that despite social exclusion, people may still be a source of inspiration for others who are unhappy, upset disappointed and misinformed.","PeriodicalId":370788,"journal":{"name":"The Creative Launcher","volume":"148 ","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"113988118","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Recasting Dalit Experience through Graphic Biography: A Critical Analysis of Bhimayana: Experiences of Untouchability","authors":"MK Shamsudheen","doi":"10.53032/tcl.2022.7.5.03","DOIUrl":"https://doi.org/10.53032/tcl.2022.7.5.03","url":null,"abstract":"This paper provides a critical analysis of Bhimayana: Experiences of Untouchability, a graphic biography on the experiences of caste discrimination and resistance that Dr Bhimrao Ambedkar recorded in his autobiographical illustrations, and CNN hailed this book as being among the top five political comic books. Unlike other biographies, which often address those enthusiastic about Dr Ambedkar and his anti-cast struggle. The Bhimayana Provides critical insight into the negligence and caste-ridden mind of the Indian psyche towards the architect of the Indian constitution. This graphic biography also provides a dint to educate non-Dalit who seems to ignore the contributions and drudgeries of Dr Ambedkar.","PeriodicalId":370788,"journal":{"name":"The Creative Launcher","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129286663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Self and Society in Gurinder Chadha’s Bride and Prejudice","authors":"Dr. Kusum Vashisth","doi":"10.53032/tcl.2022.7.5.02","DOIUrl":"https://doi.org/10.53032/tcl.2022.7.5.02","url":null,"abstract":"The research paper attempts to probe into the concept/idea of ‘self’ by analyzing the ‘self’ of the characters in Austen’s novel Pride and Prejudice its Indian cinematic adaptation Bride and Prejudice. It will explore the hybrid or diasporic identities as against the British national identities of Austen’s characters. One of the texts explored is an adaptation of the other thereby resulting in the similarity as far as the plot and characters are concerned. However, society and culture have changed during the process of adaptation. The adapted version has a global approach. It is not only a different culture and society but also a larger world weaved in one thread. The native setting of the original novel is but a part of the larger setting of the adapted movie. The globe has taken place of Britain. Not only that but the source text belongs to the imperial nation whereas the adaptation belongs to the third world. The central setting of the adaptation is a country which was once a colony to the imperial nation of the source text. In spite of this major difference of settings, not only the plot but even the characters remain unchanged. Their position in the plot, their role and the experiences they go through remain the same. Hence, they should be the same too. What is worth exploring here is the impact of the changed society, culture and setting upon these characters. The given paper attempts to explore this aspect.","PeriodicalId":370788,"journal":{"name":"The Creative Launcher","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123062260","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Exploring Caste, Catastrophe and Civilization in Mallabarman’s Titash Ekti Nadir Naam (A River Called Titash) and its Film Adaptation","authors":"Sumit Rajak","doi":"10.53032/tcl.2022.7.5.01","DOIUrl":"https://doi.org/10.53032/tcl.2022.7.5.01","url":null,"abstract":"In the criticism of the novel Titas Ekti Nadir Naam (1956), Mallabarman’s widely read Bengali novel, the life-narratives of the Malos, a Bengali low-caste fisherfolk community, their unique culture, their indomitable fight to survive economically, their fight to save the Malo culture in the face of all kinds of adversary forces have been discussed to a considerable extent. In the criticism of the Ritwik Ghatak’s eponymous 1973 film adaptation of the novel, the major importance has been given to Ghatak’s treatment of the struggling life of the Malo community in a rural set up and Ghatak’s mastery as a director. Less attention has been given to the caste question which determines the social position of the Malos in various ways. In examining both novel and the film text, this paper shows that whereas how caste operates in the Malo life-world and how the system of caste determines the low-caste Malos’ social position vis-à-vis the Brahmins and the Kayasthas, their high-caste counterparts are substantively dealt with in Mallabarman’s novel, Ghatak puts more focus on the human catastrophe faced by the Malos both as individual and as a community in his film, and has attempted to document the Malo life-world, as the acclaimed filmmaker Mani Kaul argues, as a civilization. This paper is concerned with this factor of caste, the catastrophe of the Malo community, and the Malo life-world as a civilization.","PeriodicalId":370788,"journal":{"name":"The Creative Launcher","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115315839","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Decoding Walter Morel- Class Politics in Sons and Lovers","authors":"Avantika Chamoli","doi":"10.53032/tcl.2022.7.5.09","DOIUrl":"https://doi.org/10.53032/tcl.2022.7.5.09","url":null,"abstract":"David Herbert Lawrence’s Sons and Lovers (1913) tells the story of the Morels— a working-class family. Lawrence has referred to Sons and Lovers as his ‘colliery novel’. The present paper attempts to decode the class politics of the novel by closely focussing on Walter Morel, the chief working-class figure in the novel. The novel’s narrative pivots around the domestic concerns of the Morel family, very often in which, Walter Morel, emerges as a villain and an oppressor of his wife and children. The text poignantly portrays domestic discord and the hardships that Gertrude Morel and her children face. However, it fails to delve into or elucidate upon the underlying reasons for the emergence of these hardships in the first place. At the obvious level, Walter Morel seems to be demonised as a brute who causes his family continuous pain. However, it is imperative that the text is read within the larger social, economic, and political structures of its time, which significantly shaped and influenced the lives and action of Walter Morel and his family. This paper attempts to recuperate dispersed evidence from the margins of the novel to gainsay a superficial interpretation of Walter Morel as a mindless violent brute who is solely responsible for the trials and tribulations of the Morel family. It attempts to connect the dots between the representation of Walter Morel with the narrative’s inclination towards the middle-class value system aspired to by the other members of his family, in order to, gain a more nuanced insight into the class politics of the novel.","PeriodicalId":370788,"journal":{"name":"The Creative Launcher","volume":"29 22","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114066740","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}