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Structuring subjectivity: Pain of Salvation’s The Perfect Element: Part I (2000) 建构主体性:救赎之痛的完美要素(2000)
Metal Music Studies Pub Date : 2021-09-01 DOI: 10.1386/mms_00055_1
Lori A. Burns, P. Armstrong
{"title":"Structuring subjectivity: Pain of Salvation’s The Perfect Element: Part I (2000)","authors":"Lori A. Burns, P. Armstrong","doi":"10.1386/mms_00055_1","DOIUrl":"https://doi.org/10.1386/mms_00055_1","url":null,"abstract":"This article examines how Pain of Salvation’s album The Perfect Element: Part I (2000) develops narrative subjectivity through a range of compositional and performative parameters. We reveal a myriad of ways in which the music contributes to the expression of human subjectivity and offers significant moments of interpretive clarity. Attending to the expressive aspects of music, we focus in particular on how the song structures are articulated through the following elements: formal, harmonic, temporal, thematic and textural/timbral content. Contextualizing the concept album narrative within the genres of progressive rock and heavy metal and offering a framework for analysis derived from narrative theory, we interpret how the musical parameters convey the song lyrics and overall album concept. Pain of Salvation’s narrative of human trauma emerges through musical structures that are channelled to shape storyworld and subjectivity. Presenting analytic snapshots of the twelve album tracks, our aim is to create a sense of analytic ‘immersion’, whereby the reader engages actively with the multifaceted expressive content of words and music.","PeriodicalId":36868,"journal":{"name":"Metal Music Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45780545","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Another Version of the Truth’: The politics of affect and the externalization of threat in Trent Reznor’s Year Zero “真相的另一个版本”：特伦特·雷兹诺《零年》中的情感政治和威胁的外化
Metal Music Studies Pub Date : 2021-09-01 DOI: 10.1386/mms_00056_1
David Deacon
{"title":"‘Another Version of the Truth’: The politics of affect and the externalization of threat in Trent Reznor’s Year Zero","authors":"David Deacon","doi":"10.1386/mms_00056_1","DOIUrl":"https://doi.org/10.1386/mms_00056_1","url":null,"abstract":"This article explores Nine Inch Nails’ album Year Zero (2007) with reference to what Brian Massumi calls the ‘politics of affect’ in the post 9/11 era. The sociopolitical discourse of managed threat both contextualizes and shapes the album’s conceptual basis, but also its lyricism, live manifestation and marketing. I propose a trajectory in Trent Reznor’s lyricism from an early introspective and confessional style to defensive and anxious tropes, emotions within a structure of feeling synonymous with the post 9/11 years. I argue that the album is a document that both reflects and critiques the overlapping social, cultural and political arenas of this era, and was particularly responsive to neoconservative discourse in its delivery, accompanying media and live performance.","PeriodicalId":36868,"journal":{"name":"Metal Music Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46241987","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Espíritu del Metal: LA Conformación de la escena Metalera Peruana (1981–1992) (‘The spirit of metal: Formation of the Peruvian metal scene [1981–1992]’), José Ignacio Lopez Ramirez Gastón and Giuseppe Risica Carella (2018) 《金属精神:秘鲁金属场景的形成[1981 - 1992]》，jose Ignacio Lopez Ramirez gaston和Giuseppe Risica Carella (2018)
Metal Music Studies Pub Date : 2021-09-01 DOI: 10.1386/mms_00060_5
A. Fuentes
{"title":"Espíritu del Metal: LA Conformación de la escena Metalera Peruana (1981–1992) (‘The spirit of metal: Formation of the Peruvian metal scene [1981–1992]’), José Ignacio Lopez Ramirez Gastón and Giuseppe Risica Carella (2018)","authors":"A. Fuentes","doi":"10.1386/mms_00060_5","DOIUrl":"https://doi.org/10.1386/mms_00060_5","url":null,"abstract":"Review of: Espíritu del Metal: LA Conformación de la escena Metalera Peruana (1981–1992) (‘The spirit of metal: Formation of the Peruvian metal scene [1981–1992]’), José Ignacio Lopez Ramirez Gastón and Giuseppe Risica Carella (2018)\u0000Lima: Sonidos Latentes Producciones y Discos Invisible, p/bk, 31 soles","PeriodicalId":36868,"journal":{"name":"Metal Music Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48616956","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Thirty-one years later: A review of Metallica’s ‘Black Album’ and its legacy on alternative metal and alt-right politics 31年后:回顾金属乐队的“黑色专辑”及其对另类金属和另类右翼政治的影响
Metal Music Studies Pub Date : 2021-09-01 DOI: 10.1386/mms_00061_5
Stephen S. Hudson
{"title":"Thirty-one years later: A review of Metallica’s ‘Black Album’ and its legacy on alternative metal and alt-right politics","authors":"Stephen S. Hudson","doi":"10.1386/mms_00061_5","DOIUrl":"https://doi.org/10.1386/mms_00061_5","url":null,"abstract":"","PeriodicalId":36868,"journal":{"name":"Metal Music Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44181100","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ghostly longing: Tonality as grieving in Bell Witch’s Mirror Reaper 幽灵般的渴望：钟女巫的《镜收割者》中悲伤的音调
Metal Music Studies Pub Date : 2021-06-01 DOI: 10.1386/mms_00049_1
Calder Hannan
{"title":"Ghostly longing: Tonality as grieving in Bell Witch’s Mirror Reaper","authors":"Calder Hannan","doi":"10.1386/mms_00049_1","DOIUrl":"https://doi.org/10.1386/mms_00049_1","url":null,"abstract":"Mirror Reaper, by the funeral doom metal band Bell Witch, is an immense 83-minute composition in which tonal organization plays an essential role in enhancing and creating meaning. Little analytical attention has been paid to doom metal; armed with a flexible conception of theories\u0000 of tonal harmony and my full transcription of the album, I show that slow, repetitive music and rich engagement with musical details are not mutually exclusive. I present an analysis in which the tonal drama centres around slowly shifting bass support for a persistent melody F natural. At\u0000 first, this F appears as a dissonant ninth over an E♭, then as a hollow fifth above a B♭ and finally as a consonant major third above D♭. I understand this progression as a sonic analogue for the grieving process that, according to interviews with the band, is the album’s\u0000 main focus.","PeriodicalId":36868,"journal":{"name":"Metal Music Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42876410","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
The dark side of blogging: Digital metal communities and metal influencers 博客的黑暗面：数字金属社区和金属影响者
Metal Music Studies Pub Date : 2021-06-01 DOI: 10.1386/mms_00047_1
Susanne Sackl-Sharif
{"title":"The dark side of blogging: Digital metal communities and metal influencers","authors":"Susanne Sackl-Sharif","doi":"10.1386/mms_00047_1","DOIUrl":"https://doi.org/10.1386/mms_00047_1","url":null,"abstract":"At the 2016 Dimebash event, Phil Anselmo made a Nazi salute and shouted ‘White power!’ at the end of his performance of the Pantera song ‘Walk’ onstage. The attendant YouTuber Chris R shared a video of the incident and thus provoked a discussion about racism\u0000 in metal that also included widely discussed statements of Robb Flynn and Scott Ian, who both labelled Anselmo’s actions as racist. This is one of many examples that demonstrate changing information flows and increasingly fast-paced communication processes on social media platforms,\u0000 including metal communities. Online platforms such as YouTube or Facebook not only enable musicians and bands to share videos, songs, tour dates or band gossip, but also to directly engage in discussions with their fans, which may also involve social and political issues. To provide an illustration\u0000 of metal bands’ possibilities for online interaction, I have created a digital metal landscape that includes a set of digital tools, platforms and applications for different music- and non-music-related activities. Against this background, I discuss here contemporary metal musicians’\u0000 political and social engagement on social media and the reach of their comments within metal communities. Based on an analysis of Robb Flynn’s online presence in his The General Journals: Diary of a Frontman and Varg Vikernes’ Thulean Perspective, I will show that in the digital\u0000 age, it is possible for metal musicians to become important influencers not only regarding music but also regarding social and political issues.","PeriodicalId":36868,"journal":{"name":"Metal Music Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43309270","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Femininity in metal fanship: ‘I do not need to take anyone along’ 金属迷中的女性气质:“我不需要带任何人一起走”
Metal Music Studies Pub Date : 2021-06-01 DOI: 10.1386/mms_00046_1
Maarit Kinnunen, Antti Honkanen
{"title":"Femininity in metal fanship: ‘I do not need to take anyone along’","authors":"Maarit Kinnunen, Antti Honkanen","doi":"10.1386/mms_00046_1","DOIUrl":"https://doi.org/10.1386/mms_00046_1","url":null,"abstract":"Metal music has an exceptional position in Finnish society where the genre is not marginal and the proportion of female fans is considerable. However, studies on female metal fandom emphasize that female fans are in the minority among the male-dominant metal fan community. This has\u0000 led to conclusions that female fans are acting in a ‘masculine’ manner to avoid sexual harassment, and to get approval and respect for their fandom from male fans. Our aim was to study very feminine metal fans, trying to find out how they perceived their position among metal fans\u0000 and how they demonstrated their femininity, especially in metal festivals. Based on the results, considering metal a masculine musical genre is not justifiable if the context is female metal fans, not female metal musicians. Very feminine female fans consumed a lot of live music and described\u0000 metal as beautiful, emotional and empowering. They were quite independent and became more confident in their femininity as they grew older. Part of them demonstrated their self-confidence by dressing up in a very feminine ‐ even hyperfeminine ‐ way, and part of them dressed more\u0000 modestly, seeing their femininity internally, not externally.","PeriodicalId":36868,"journal":{"name":"Metal Music Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46375081","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Acts of Resistance: Heavy Metal Music in Latin America, Nelson Varas-Díaz (dir.) (2021), Miami, FL: Florida International University 《反抗行为：拉丁美洲的重金属音乐》，Nelson Varas-Díaz（目录）（2021），佛罗里达州迈阿密：佛罗里达国际大学
Metal Music Studies Pub Date : 2021-06-01 DOI: 10.1386/mms_00053_5
Didier Goossens
{"title":"Acts of Resistance: Heavy Metal Music in Latin America, Nelson Varas-Díaz (dir.) (2021), Miami, FL: Florida International University","authors":"Didier Goossens","doi":"10.1386/mms_00053_5","DOIUrl":"https://doi.org/10.1386/mms_00053_5","url":null,"abstract":"","PeriodicalId":36868,"journal":{"name":"Metal Music Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43036513","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editorial 编辑
Metal Music Studies Pub Date : 2021-06-01 DOI: 10.1386/mms_00044_2
Niall Scott, Nedim Hassan, Nelson Varas-Díaz
{"title":"Editorial","authors":"Niall Scott, Nedim Hassan, Nelson Varas-Díaz","doi":"10.1386/mms_00044_2","DOIUrl":"https://doi.org/10.1386/mms_00044_2","url":null,"abstract":"","PeriodicalId":36868,"journal":{"name":"Metal Music Studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42011775","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization, Samantha Holland and Karl Spracklen (eds) (2018) 《亚文化、身体和空间：另类与边缘化随笔》，萨曼莎·霍兰德和卡尔·斯普拉克伦（编辑）（2018）
Metal Music Studies Pub Date : 2021-06-01 DOI: 10.1386/mms_00052_5
Camille Béra
{"title":"Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization, Samantha Holland and Karl Spracklen (eds) (2018)","authors":"Camille Béra","doi":"10.1386/mms_00052_5","DOIUrl":"https://doi.org/10.1386/mms_00052_5","url":null,"abstract":"Review of: Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization, Samantha Holland and Karl Spracklen (eds) (2018)Bingley: Emerald Publishing Limited, 262 pp.,ISBN 978-1-78756-512-8, h/bk, £68.99, ISBN 978-1-78756-511-1, e-book,","PeriodicalId":36868,"journal":{"name":"Metal Music Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47545957","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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