Quebec Studies最新文献

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Le base ball, Assimilation, and Ethnic Identity: The National Pastime in Franco-America 棒球、同化与族群认同:法裔美国人的全民娱乐
Quebec Studies Pub Date : 2018-12-01 DOI: 10.3828/QS.2018.16
Jonathan K. Gosnell
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引用次数: 1
Le cas particulier de la famille Mignault: prospection d’une histoire transnationale 米诺家族的特殊案例:对跨国历史的探索
Quebec Studies Pub Date : 2018-06-01 DOI: 10.3828/qs.2018.4
P. Lacroix
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引用次数: 1
Marie-Claire Blais chez les autres 玛丽·克莱尔·布莱斯在其他人
Quebec Studies Pub Date : 2018-06-01 DOI: 10.3828/QS.2018.2
Oriel C. L. MacLennan
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引用次数: 0
Alternate Universe of the Same Place: An Interview with Jo-Anne Elder 同一地点的平行宇宙:对乔-安妮·埃尔德的采访
Quebec Studies Pub Date : 2018-06-01 DOI: 10.3828/QS.2018.3
S. Neilson
{"title":"Alternate Universe of the Same Place: An Interview with Jo-Anne Elder","authors":"S. Neilson","doi":"10.3828/QS.2018.3","DOIUrl":"https://doi.org/10.3828/QS.2018.3","url":null,"abstract":"Jo-Anne Elder is a leading Canadian translator of Quebecois and Acadian French poetry into English. Conducted by email and in person over the Spring and Summer of 2017, this interview uses Tony Tremblay’s ideas about intercultural work in New Brunswick as a frame to examine Elder’s work with French writers within and outside the province. Writers considered in the interview include Hermenegilde Chiasson, Fred Cogswell, and Serge Patrice Thibodeau. The interview also covers Elder’s experience as editor of ellipse and concludes by considering the part spirituality plays in the act of translation.","PeriodicalId":36865,"journal":{"name":"Quebec Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45276980","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Displacement or the Deconstruction of Place in Three Recent Xavier Dolan Films 泽维尔·多兰最近三部电影中的位移或对场所的解构
Quebec Studies Pub Date : 2018-06-01 DOI: 10.3828/QS.2018.9
Steve Urquhart
{"title":"Displacement or the Deconstruction of Place in Three Recent Xavier Dolan Films","authors":"Steve Urquhart","doi":"10.3828/QS.2018.9","DOIUrl":"https://doi.org/10.3828/QS.2018.9","url":null,"abstract":"This article examines three films by Quebecois film director Xavier Dolan (Tom at the Farm, Mommy, It’s Only the End of the World) in terms of “displacement,” understood in the sense of movement fr...","PeriodicalId":36865,"journal":{"name":"Quebec Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/QS.2018.9","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49532757","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editor’s Note Editor’s音符
Quebec Studies Pub Date : 2018-06-01 DOI: 10.3828/qs.2018.1
Jane Moss
{"title":"Editor’s Note","authors":"Jane Moss","doi":"10.3828/qs.2018.1","DOIUrl":"https://doi.org/10.3828/qs.2018.1","url":null,"abstract":"","PeriodicalId":36865,"journal":{"name":"Quebec Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42902671","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Book Reviews 书评
Quebec Studies Pub Date : 2018-06-01 DOI: 10.3828/qs.2018.11
Elizabeth Blood, L. Choquette, Anne Trépanier
{"title":"Book Reviews","authors":"Elizabeth Blood, L. Choquette, Anne Trépanier","doi":"10.3828/qs.2018.11","DOIUrl":"https://doi.org/10.3828/qs.2018.11","url":null,"abstract":"","PeriodicalId":36865,"journal":{"name":"Quebec Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47272124","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
South of the 49th Parallel: Denis Villeneuve’s Sicario (2015) 第49平行线以南:丹尼斯·维伦纽夫的西西里岛(2015)
Quebec Studies Pub Date : 2018-06-01 DOI: 10.3828/QS.2018.10
N. C. Brookes
{"title":"South of the 49th Parallel: Denis Villeneuve’s Sicario (2015)","authors":"N. C. Brookes","doi":"10.3828/QS.2018.10","DOIUrl":"https://doi.org/10.3828/QS.2018.10","url":null,"abstract":"This essay examines Denis Villeneuve’s 2015 border thriller Sicario through a comparative study of his works and other representations in the genre, as well as through border and spatial studies. I...","PeriodicalId":36865,"journal":{"name":"Quebec Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/QS.2018.10","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42508707","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Violence and Uncertainty on the French-Canadian Margins: The Films of Denis Côté 法裔加拿大人边缘的暴力与不确定性:丹尼斯的电影Côté
Quebec Studies Pub Date : 2018-06-01 DOI: 10.3828/QS.2018.8
Amy J. Ransom
{"title":"Violence and Uncertainty on the French-Canadian Margins: The Films of Denis Côté","authors":"Amy J. Ransom","doi":"10.3828/QS.2018.8","DOIUrl":"https://doi.org/10.3828/QS.2018.8","url":null,"abstract":"Although his films have not garnered the same level of popular success in Quebec and Hollywood recognition as those of “new generation” directors Philippe Falardeau, Jean-Marc Vallee, or Denis Villeneuve, Denis Cote’s unique body of work has earned him praise from local film critics and on the international art film circuit. This essay examines how his films, notably Les etats nordiques/Drifting States (2005), Elle veut le chaos/All That She Wants (2008), Carcasses (2009), Curling (2010), Vic + Flo ont vu un ours/Vic + Flo Saw a Bear (2013), and Boris sans Beatrice/Boris without Beatrice (2014), explore the tensions between center and periphery in francophone Canadian cultures. Their marginal settings, idiosyncratic characters, and open-ended narratives featuring violence and uncertainty represent the threat posed by the hegemonic forces of urbanization and globalization and their impact on individuals living in cultural conditions of exiguity.","PeriodicalId":36865,"journal":{"name":"Quebec Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/QS.2018.8","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43134626","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Laid-off Workers and Farms for Sale: The Faces and Spaces of Post-Industrial Devastation in Sébastien Pilote’s Films 下岗工人和待售农场:塞巴斯蒂安·皮洛特电影中后工业毁灭的面孔和空间
Quebec Studies Pub Date : 2018-06-01 DOI: 10.3828/QS.2018.7
Matthieu Dalle
{"title":"Laid-off Workers and Farms for Sale: The Faces and Spaces of Post-Industrial Devastation in Sébastien Pilote’s Films","authors":"Matthieu Dalle","doi":"10.3828/QS.2018.7","DOIUrl":"https://doi.org/10.3828/QS.2018.7","url":null,"abstract":"Sebastien Pilote’s first three films form a territorial and thematic trilogy, which chronicles the decline of Quebec’s peripheral regions. The main characters of his 2007 short Dust bowl Ha! Ha! an...","PeriodicalId":36865,"journal":{"name":"Quebec Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42247174","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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