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Tomàs Martínez Romero (ed.). Paula, Eustòquia i la Duquessa de Gandia Tomás Martínez Romero（编辑）。Paula，Eustoquia和la Duquessa de Gandia
Rassegna Iberistica Pub Date : 2022-12-16 DOI: 10.30687/ri/2037-6588/2022/19/016
Helena Rovira Cerdà
{"title":"Tomàs Martínez Romero (ed.). Paula, Eustòquia i la Duquessa de Gandia","authors":"Helena Rovira Cerdà","doi":"10.30687/ri/2037-6588/2022/19/016","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2022/19/016","url":null,"abstract":"Review of: Martínez Romero, T. (ed.) (2022). Paula, Eustòquia i la Duquessa de Gandia: traduccions antigues d’obres de sant Jeroni sobre comportament femení. Alacant: Institut Interuniversitari de Filologia Valenciana; Barcelona: Publicacions de l’Abadia de Montserrat, 2022, 271 pp.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42360231","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Accidental haijin: Jorge de Sena and the Poetics of Haiku 偶然的haijin：Jorge de Sena与Haiku诗学
Rassegna Iberistica Pub Date : 2022-12-16 DOI: 10.30687/ri/2037-6588/2022/19/006
P. Pereira
{"title":"The Accidental haijin: Jorge de Sena and the Poetics of Haiku","authors":"P. Pereira","doi":"10.30687/ri/2037-6588/2022/19/006","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2022/19/006","url":null,"abstract":"Within the mare magnum of Sena’s poetry, the place occupied by haiku is undoubtedly discreet. Sena revisited the Japanese genre in his dual capacity of translator and poet, translating into Portuguese twenty poems by Bashô and later composing ten poems that he expressly classified as haikus. In this article, we propose to examine both the translations and the pastiches that the author wrote, seeking to justify the seduction that both the worldview and the constructive rigor underlying the poetic form have exercised upon him. In his pseudo-haikus, Sena, an accidental haijin, departed from a purely mimetic intent, opting instead for an ingenious ‘haikuisation’ of his own poetics.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47259653","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
¿Y las mujeres dónde están? Literatura criminal argentina 和女人在哪里?阿根廷犯罪文学
Rassegna Iberistica Pub Date : 2022-12-16 DOI: 10.30687/ri/2037-6588/2022/19/009
Mariana Oggioni
{"title":"¿Y las mujeres dónde están?\u0000 Literatura criminal argentina","authors":"Mariana Oggioni","doi":"10.30687/ri/2037-6588/2022/19/009","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2022/19/009","url":null,"abstract":"Contemporary Argentine women authors of crime literature – such as Claudia Piñeiro, Florencia Etcheves or Alicia Plante – are widely recognised by literary critics and the reading public. However, throughout history, the legacy of the authors who preceded them has been buried under the canonical names of authors such as Borges, Piglia or Mempo Giardinelli. This article aims at examining the impact of authors such as María Angélica Bosco, Syria Poletti and Silvina Ocampo, who wrote novels and detective stories in the mid-twentieth century, as well as Luisa Valenzuela in the 1990s, reaching up to the present day.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44356532","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Nobel Prize in Literature in the Catalan Culture Half a Century of Debates About the Possibility of a Catalan Winner (1971-2021) 加泰罗尼亚文化中的诺贝尔文学奖半个世纪以来关于加泰罗尼亚获奖可能性的争论（1971-2021）
Rassegna Iberistica Pub Date : 2022-12-16 DOI: 10.30687/ri/2037-6588/2022/19/007
Jordi Marrugat
{"title":"The Nobel Prize in Literature in the Catalan Culture\u0000 Half a Century of Debates About the Possibility of a Catalan Winner (1971-2021)","authors":"Jordi Marrugat","doi":"10.30687/ri/2037-6588/2022/19/007","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2022/19/007","url":null,"abstract":"This article proposes an analysis of some of the discourses that have taken place in Catalan literature on the Nobel Prize from the end of the Franco regime to the present day. These are discourses that function as a mirror of the situation of Catalan culture during the last fifty years. They reflect two major attitudes: the desire to build a ‘normal’ Catalan culture and the humorous distancing from this ideology of normalisation.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48190845","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rosa Maria Grillo. Vivere per testimoniare, testimoniare per vivere 罗莎·玛丽亚·格里洛。活着见证，作证活着
Rassegna Iberistica Pub Date : 2022-12-16 DOI: 10.30687/ri/2037-6588/2022/19/015
Susanna Regazzoni
{"title":"Rosa Maria Grillo. Vivere per testimoniare, testimoniare per vivere","authors":"Susanna Regazzoni","doi":"10.30687/ri/2037-6588/2022/19/015","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2022/19/015","url":null,"abstract":"Review of: Grillo, R.M. (2020). Vivere per testimoniare, testimoniare per vivere. Salerno: Officine Ed., 356 pp.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41859943","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From Trash to Books, from La Boca to the World: Women cartoneras in the Twenty-First Century 从垃圾到书籍，从拉博卡到世界:21世纪的女性漫画
Rassegna Iberistica Pub Date : 2022-12-16 DOI: 10.30687/ri/2037-6588/2022/19/004
Irina Bajini
{"title":"From Trash to Books, from La Boca to the World: Women cartoneras in the Twenty-First Century","authors":"Irina Bajini","doi":"10.30687/ri/2037-6588/2022/19/004","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2022/19/004","url":null,"abstract":"The article focuses on the challenge to the cultural industry and the book market posed by the Argentine cooperative publishing house Eloísa Cartonera, active in Buenos Aires since 2003. The name itself represents a provocation, because it brings together a ‘poetic’ feminine noun with a prosaic adjective. This is how the word cartonera acquires a new meaning, indicating not only a publishing style but also a cultural and political attitude, which transforms the cartonera woman into the inspiring muse of a literary, cooperative and solidarity project.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43149186","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
No hay burlas con el amor and the Finicky Educated Lady from Calderón to Molière 从Calderón到moli<e:1>，没有干草草和挑剔的受过教育的女士
Rassegna Iberistica Pub Date : 2022-06-22 DOI: 10.30687/ri/2037-6588/2022/18/002
I. Resta
{"title":"No hay burlas con el amor and the Finicky Educated Lady from Calderón to Molière","authors":"I. Resta","doi":"10.30687/ri/2037-6588/2022/18/002","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2022/18/002","url":null,"abstract":"The aim of this article is to undertake a reflection on the caricatural character of Quevedo’s culta latiniparla and her inclusion in No hay burlas con el amor, urban comedy by Calderón de la Barca. The article will adopt a transnational and intertextual approach linked to the reception outside Iberian borders of educated woman who boast a pompous language. In particular, following a series of critical controversies on the possibility that Molière could have been inspired by this play for his work Les femmes savantes, a contrastive analysis will be carried out to assess the real entity of the Calderonian reverberations in Molière’s text, showing both points of contact and discrepancies related to reworking the wise and hembrilatina lady cliché.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41820261","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Javier Ferrer Calle. Las cadenas de la identidad 哈维尔·费雷尔·卡莱。身份链
Rassegna Iberistica Pub Date : 2022-06-22 DOI: 10.30687/ri/2037-6588/2022/18/015
Silvia Lunardi
{"title":"Javier Ferrer Calle. Las cadenas de la identidad","authors":"Silvia Lunardi","doi":"10.30687/ri/2037-6588/2022/18/015","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2022/18/015","url":null,"abstract":"Review of Ferrer Calle, J. (2022). Las cadenas de la identidad. Poéticas del desarraigo y el viaje en la obra de Andrés Neuman. Madrid: Ediciones de Iberoamericana, 214 pp.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46180521","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Katiuscia Darici. Translaciones. Identidades híbridas en las literaturas ibéricas Katiuscia Darici。Translaciones。伊比利亚文学中的混合身份
Rassegna Iberistica Pub Date : 2022-06-22 DOI: 10.30687/ri/2037-6588/2022/18/020
Cèlia Nadal Pasqual
{"title":"Katiuscia Darici. Translaciones. Identidades híbridas en las literaturas ibéricas","authors":"Cèlia Nadal Pasqual","doi":"10.30687/ri/2037-6588/2022/18/020","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2022/18/020","url":null,"abstract":"Review of Darici, K. (2021). Translaciones. Identidades híbridas en las literaturas ibéricas. Alessandria: Edizioni dell’Orso, 242 pp. Bibliotheca Iberica 13.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44787236","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Enrico Di Pastena. Gracia Morales, N.I. 12 亨利·德·帕斯特纳。格拉西亚·莫拉莱斯，12号
Rassegna Iberistica Pub Date : 2022-06-22 DOI: 10.30687/ri/2037-6588/2022/18/009
R. Londero
{"title":"Enrico Di Pastena. Gracia Morales, N.I. 12","authors":"R. Londero","doi":"10.30687/ri/2037-6588/2022/18/009","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2022/18/009","url":null,"abstract":"Review of Di Pastena, E. (a cura di) (2021). Gracia Morales, N.I. 12. Pisa: ETS, 174 pp. La maschera e il volto. Teatro ispanico moderno e contemporaneo 6.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41811646","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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