Scripta Mediaevalia最新文献_第5页

"Lo Sen e·l Saber e la Conoissensa": Reevaluating the Razos for Bertran de Born 为贝尔特兰·德·博恩重新评估剃刀

Scripta Mediaevalia Pub Date : 2019-06-11 DOI: 10.1353/MDI.2019.0002

Christopher Davis

引用次数: 0

When Pictures Tell the Story: Imagination and Cognition in an Illustrated Prayer Book 当图片讲述故事:一本插图祈祷书中的想象和认知

Scripta Mediaevalia Pub Date : 2019-06-11 DOI: 10.1353/MDI.2019.0001

A. Clark

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The Jurisprudence Fresco in the Stanza della Segnatura: Correcting a Prevalent Error 《立法节》中的法学壁画:纠正一个普遍的错误

Scripta Mediaevalia Pub Date : 2019-06-11 DOI: 10.1353/MDI.2019.0008

D. Lackey

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Fact and Fish Tales in Ælfric's Colloquy Ælfric《对话录》中的事实和鱼的故事

Scripta Mediaevalia Pub Date : 2019-06-11 DOI: 10.1353/MDI.2019.0000

Todd Preston

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An Interdisciplinary Journal of Medieval Studies Worldwide 世界中世纪研究跨学科期刊

Scripta Mediaevalia Pub Date : 2019-06-11 DOI: 10.1353/mdi.2019.0009

Olivia Holmes

{"title":"An Interdisciplinary Journal of Medieval Studies Worldwide","authors":"Olivia Holmes","doi":"10.1353/mdi.2019.0009","DOIUrl":"https://doi.org/10.1353/mdi.2019.0009","url":null,"abstract":"One of the first multi-disciplinary journals in North America, Mediaevalia (ISSN: 0361-946X) was founded in 1975 and continues to provide a forum for innovative scholarship across a variety of fields in the Middle Ages and early Renaissance. Published once annually, the journal remains committed to rigorous standards of peer review, and welcomes submissions from both established and junior scholars on all aspects of the textual and visual cultures of the pre-modern world to 1500. We particularly seek essays that are interdisciplinary in methodology and/or intercultural in scope. Manuscripts to be considered for publication should be double-spaced throughout, and should be submitted in English. All submissions are now online; see our webpage at: https://www.binghamton.edu/cemers/mediaevalia/submissions.html. In order to maintain anonymity in the review process, please ensure that your name does not appear in the document. Figures and images should not exceed the number of 5, should be formatted as tiff or jpeg files, and should be 300 dpi or greater with a width of at least 4.5 inches. All images should be accompanied with reproduction permissions. If you also wish to submit a hard copy, it should be sent to Olivia Holmes, Editor-inChief, CEMERS, Binghamton University, Binghamton, NY 13902-6000. For matters of style, please consult our style sheet, which can be found at https:// www.binghamton.edu/cemers/mediaevalia/stylesheet.html. In general, a manuscript should have a minimum of 15 pages and a maximum of 40. The annual subscription rates for Mediaevalia are $45.00 for individuals and $90.00 for institutions (shipping and handling not included) effective January 1, 2019. Present and future subscribers are invited either to subscribe via the SUNY Press website, www.sunypress.edu, or to make a check payable to SUNY Press and send payment to SUNY Press, P.O. Box 465, Hanover, PA 17331. Orders can also be placed by phone: (717) 632-3535; fax: (717) 632-8920; or e-mail: pubsvc.tsp@sheridan.com. We may be reached by phone: (607) 777-2730; fax: (607) 777-2644; or e-mail: mediaevalia@binghamton.edu.","PeriodicalId":36685,"journal":{"name":"Scripta Mediaevalia","volume":"35 1","pages":"235 - 235"},"PeriodicalIF":0.0,"publicationDate":"2019-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85098068","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Simon Magus and his Miseri Seguaci: Dante's Simonists and Chaucer's Summoner's Tale Simon Magus和他的Miseri Seguaci:但丁的simmonists和乔叟的Summoner的故事

Scripta Mediaevalia Pub Date : 2019-06-11 DOI: 10.1353/MDI.2019.0005

Ethan K. Smilie

{"title":"Simon Magus and his Miseri Seguaci: Dante's Simonists and Chaucer's Summoner's Tale","authors":"Ethan K. Smilie","doi":"10.1353/MDI.2019.0005","DOIUrl":"https://doi.org/10.1353/MDI.2019.0005","url":null,"abstract":"Abstract:In Canto 19 of the Inferno and in the Summoner's Tale, Dante and Chaucer show a remarkable congruity of thought in regard to simony. The two poets portray the nature and effects of the sin by means of a number of specific correspondent depictions: that of the simonists' ostensible desire to build up the Church, which is in both cases portrayed physically and in reference to the past work of Peter and the Apostles (as well as to the contemporary thought of the Spiritual Franciscans); that of simony in terms of sexual perversion; that of the \"goods\" acquired by the simonists as destructive; and, finally, the parodic depiction of sacramental confession alongside the laity's usurpation of its administration. Ultimately, both authors utilize parodic allusions to demonstrate how the authority of the Church is weakened by simoniacal clergy. Within these congruities, however, there is one significant divergence, which is the poets' portrayals of friars. Although for both poets the depictions of friars serve largely the same end, the manner in which they are employed differs vastly, a divergence that may be accounted for by the poets' disparate political and ecclesiastical environments.","PeriodicalId":36685,"journal":{"name":"Scripta Mediaevalia","volume":"21 1","pages":"139 - 167"},"PeriodicalIF":0.0,"publicationDate":"2019-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82001669","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

"By communynge is the beste assay": Gossip and the Speech of Reason in Hoccleve's Series “通过交流是最好的分析”:《八卦与理性的演讲》，出自霍克克利夫丛书

Scripta Mediaevalia Pub Date : 2019-06-11 DOI: 10.1353/MDI.2019.0007

Daniel Bradley

{"title":"\"By communynge is the beste assay\": Gossip and the Speech of Reason in Hoccleve's Series","authors":"Daniel Bradley","doi":"10.1353/MDI.2019.0007","DOIUrl":"https://doi.org/10.1353/MDI.2019.0007","url":null,"abstract":"Abstract:Thomas Hoccleve—if one believes his autobiographical poetry—was a bureaucrat who met trouble at every turn. At the heart of his frustrations was language, namely his own supposedly mad ramblings and the cruel gossip of former colleagues who refused to believe he had recovered from a previous period of mental illness. This paper argues that Hoccleve undoes malicious gossip by countering it with good gossip about himself, which he encourages readers to spread by using a rhetorical strategy that deploys both reported and direct speech. By highlighting Hoccleve's victimization, the autobiographical poems effect a poetic authorization that ensures his name is on everyone's tongue. Hoccleve reclaims his own trustworthiness in \"Dialogue with a Friend,\" not by convincing the friend of his reasoning, as many critics argue, but instead by undermining the rationality of this friend, who—alongside all other malicious gossips—is shown to be illogical. Such judges do not offer Hoccleve a fair \"assay,\" but instead judge based on assumption and faulty logic. Through the theme of madness, Hoccleve comments on the fragility of reputation and of a poet-administrator's solvency in a late-medieval world in which administrators, as professional communicators, are stronger as a group united, not divided, by talk.","PeriodicalId":36685,"journal":{"name":"Scripta Mediaevalia","volume":"45 1","pages":"187 - 217"},"PeriodicalIF":0.0,"publicationDate":"2019-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88625769","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Cinquecento Italian Madrigal in Theory and Practice: The Case of Filippo Massini (1559–1618) 五十周年意大利牧歌的理论与实践:菲利普·马西尼的案例(1559-1618)

Scripta Mediaevalia Pub Date : 2018-11-06 DOI: 10.1353/MDI.2018.0007

Lorenzo Sacchini, E. Bellini

{"title":"The Cinquecento Italian Madrigal in Theory and Practice: The Case of Filippo Massini (1559–1618)","authors":"Lorenzo Sacchini, E. Bellini","doi":"10.1353/MDI.2018.0007","DOIUrl":"https://doi.org/10.1353/MDI.2018.0007","url":null,"abstract":"The second half of the sixteenth century was the period of greatest popularity of the Italian Renaissance poetic madrigal. Poet and jurist Filippo Massini greatly contributed to this development, providing, in addition to an extensive production of madrigals, a theorization of this verse form. His academic lecture Del madrigale (On the Madrigal), composed in the early 1580s, carefully analyzes all the key characteristics of the madrigal and also provides practical suggestions on its composition. Massini’s comprehensive reflection on the madrigal takes into account the interplay between theory, practice, and mainstream aesthetic preferences. Although it is proposed as a summary of Pietro Bembo’s theories, the lecture actually expands them, bringing them into line with the transformed literary scene and widespread compositional practice of the second half of the sixteenth century. This keen interest in the practical side of the verse form is easily explained in light of the vast output of madrigals he produced during his life. He left three collections of this verse form and included more than one hundred madrigals in his main collection of Rime, published in 1609. Unlike some of his contemporaries, Massini did not develop any particular interest in the madrigal as a musical composition. His few notes in the academic lecture on the madrigal’s musicality and harmony (which will be analyzed below) are indebted to Bembo’s theories, and still contemplate the madrigal exclusively as a literary composition. Contemporary composers similarly","PeriodicalId":36685,"journal":{"name":"Scripta Mediaevalia","volume":"9 1","pages":"217 - 249"},"PeriodicalIF":0.0,"publicationDate":"2018-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82518050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Italian Artistry, English Innovation: Thomas Watson's Italian Madrigalls Englished (1590) 意大利艺术，英国创新:托马斯·沃森的意大利牧歌(1590)

Scripta Mediaevalia Pub Date : 2018-11-06 DOI: 10.1353/MDI.2018.0012

K. D. Grapes

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The Fragmenta's Timeline Models for Reconstructing and Interpreting the Text Fragmenta文本重构与解读的时间线模型

Scripta Mediaevalia Pub Date : 2018-11-06 DOI: 10.1353/MDI.2018.0011

Isabella Magni

{"title":"The Fragmenta's Timeline Models for Reconstructing and Interpreting the Text","authors":"Isabella Magni","doi":"10.1353/MDI.2018.0011","DOIUrl":"https://doi.org/10.1353/MDI.2018.0011","url":null,"abstract":"For decades, scholars and editors have attempted to reconstruct the chronologies of Francesco Petrarca’s life and works, simultaneously presenting historical facts and conjectures. The present study discusses a new method for investigating and representing the history of the Rerum vulgarium fragmenta, proposed in the creation of a digital interactive Timeline for the Petrarchive project. While the indistinct coexistence of certainty and assumption has often influenced and ultimately altered the way we interpret Petrarch’s work, the core principle of this new digital approach is transparency in sources and results, aiming at creating clear distinctions between what is clearly dated, what is datable with a fair amount of certainty, and what can only be conjectured. The drastic change of perspective proposed allows for a new and more authentic rethinking of Petrarch’s methods and times of work in the compilation of his songbook Rerum vulgarium fragmenta. It is crucial in creating a timeline of Petrarch’s life and works to start with basic methodological questions: how to build the timeline; what kind of data to include and how to interpret and organize this data; what forms of geographical referencing to reasonably rely upon for placing Petrarch’s activities and production. First of all, to answer these questions, it is necessary to “clear the ground.” Our perception of Petrarch and his work has been heavily influenced by centuries of studies, biographies, and editions presenting","PeriodicalId":36685,"journal":{"name":"Scripta Mediaevalia","volume":"27 1","pages":"319 - 343"},"PeriodicalIF":0.0,"publicationDate":"2018-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78737500","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0