{"title":"Genrefying Restoration Comedy: The Challenge of Classifying Generic Diversity","authors":"Jorge Figueroa Dorrego","doi":"10.5325/rectr.33.1-2.0043","DOIUrl":"https://doi.org/10.5325/rectr.33.1-2.0043","url":null,"abstract":"\u0000 This article describes the challenges the Restoration Comedy Project team have had to face regarding the creation and applicability of genre labels in their online database and printed catalogues of the comedies produced between 1660 and 1682. Those challenges have had largely to do with the intrinsic difficulty of classifying literary works by genres and, even more, by subgenres; and also with the lack of previous scholarly consent about the taxonomy of types of comedy. They have to deal as well with the general tendency that Restoration playwrights had to blend elements from different comedic traditions and practices in search of a variety that could win the audience's attention and provide entertainment. In spite of such generic mixture in many plays, the structure of the database and of the catalogue introduction made it convenient to pigeonhole each play into only one of a few types of comedy, that which seemed most dominant, focusing mainly on the plots, characters, themes, purpose, tone, and sometimes also setting and sources. No doubt, the result is questionable in some cases but, in general, it is practical, suited to the aims of the project, and satisfactory.","PeriodicalId":366404,"journal":{"name":"Restoration and Eighteenth-Century Theatre Research","volume":"105 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129331611","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Music in the London Theatre from Purcell to Handel","authors":"J. Lockwood","doi":"10.5325/rectr.33.1-2.0159","DOIUrl":"https://doi.org/10.5325/rectr.33.1-2.0159","url":null,"abstract":"","PeriodicalId":366404,"journal":{"name":"Restoration and Eighteenth-Century Theatre Research","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129209161","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Shakespeare and the Legacy of Loss","authors":"E. Anderson","doi":"10.3998/mpub.9793696","DOIUrl":"https://doi.org/10.3998/mpub.9793696","url":null,"abstract":"What new remains to be said about David Garrick? As Emily Hodgson Anderson observes at the outset of this by turns fascinating, diverting, and provoking book, his career (both as a performer and pioneering bardolator) and its legacy have been exhaustively discussed. Thomas Davies's Memoirs appeared within a year of Garrick's celebrity funeral in 1779, an event which itself attracted thousands of spectators to witness the passage of the cortège from the actor's home in Adelphi Terrace to Westminster Abbey. In its wake have appeared both popular biographies (most recently, Ian McIntyre's gargantuan bestseller Garrick) and the large body of scholarship that has addressed what used to be termed \"the age of Garrick.\" Anderson's theme, beginning with Garrick, is \"the dynamic of desire and loss embedded in all acts of performance\" (2), a topic previously explored by, most influentially, Joseph Roach and Peggy Phelan. Anderson's particular point of departure is Garrick's obsessive determination to become a histrionic living monument to Shakespeare and, simultaneously. to make Shakespeare a permanent commemoration of himself. Garrick's preoccupations were shared by his contemporaries and successors: after examining his self-fashioning debut as Richard III in 1741 and his failure to master Othello, Anderson probes the peculiarities of Laurence Sterne's relationship with his--and Shakespeare's-Hamlet; Garrick's Florizel and Perdita, his adaptation of The Winter's Tale, and its showcasing of Mary Robinson and Sarah Siddons (whose Lady in Macbeth is also considered at some length); Charles Macklin's Shylock and Kitty Clive's Portia; Garrick's 1756 retirement season; and Siddons's post-retirement staged readings.","PeriodicalId":366404,"journal":{"name":"Restoration and Eighteenth-Century Theatre Research","volume":"96 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132685814","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Antitheatricality and the Body Public","authors":"D. Smith","doi":"10.5325/rectr.32.1.0091","DOIUrl":"https://doi.org/10.5325/rectr.32.1.0091","url":null,"abstract":"","PeriodicalId":366404,"journal":{"name":"Restoration and Eighteenth-Century Theatre Research","volume":"71 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114271423","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Database of Restoration Stage Directions","authors":"Timothy E. Keenan","doi":"10.5325/rectr.31.2.0065","DOIUrl":"https://doi.org/10.5325/rectr.31.2.0065","url":null,"abstract":"\u0000 This article discusses the development of a database of Restoration stage directions from an initial spreadsheet, through an online prototype in Drupal focused on early plays, to an expanded project covering the period to 1700. It outlines how work with research-specific databases changed the course and nature of my research.","PeriodicalId":366404,"journal":{"name":"Restoration and Eighteenth-Century Theatre Research","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130173032","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Anecdotes and Restoration Actresses: The Cases of Elizabeth Barry and Anne Bracegirdle","authors":"Diane N Solomon","doi":"10.5325/rectr.31.2.0019","DOIUrl":"https://doi.org/10.5325/rectr.31.2.0019","url":null,"abstract":"\u0000 Scholars have recently advocated for the inclusion of anecdotes in historical research, which they say can add a type of “truth,” even if that truth is factually unverifiable, to their subjects. This article argues that anecdotes need to be read in light of hard evidence, and that scholars need to remain aware of how anecdotes contain the potential to perpetuate non-inclusive cultural narratives. Many anecdotes relayed about Restoration and eighteenth-century English actresses violate factual circumstances and reinscribe antifeminist narratives in their careers and lives. Using Elizabeth Barry and Anne Bracegirdle as case studies, this article demonstrates how popular anecdotes rob them of agency by misattributing Barry’s talent and unnecessarily invoking female competition.","PeriodicalId":366404,"journal":{"name":"Restoration and Eighteenth-Century Theatre Research","volume":"81 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126739916","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Satire, Celebrity, and Politics in Jane Austen","authors":"J. Golightly","doi":"10.5325/rectr.31.2.0103","DOIUrl":"https://doi.org/10.5325/rectr.31.2.0103","url":null,"abstract":"","PeriodicalId":366404,"journal":{"name":"Restoration and Eighteenth-Century Theatre Research","volume":"22 3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123876578","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Drama in English. from the Middle Ages to the Early Twentieth Century","authors":"Anne Geenfield","doi":"10.2307/j.ctt1c3spkf","DOIUrl":"https://doi.org/10.2307/j.ctt1c3spkf","url":null,"abstract":"","PeriodicalId":366404,"journal":{"name":"Restoration and Eighteenth-Century Theatre Research","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130100874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Fantastic Follies of Mrs Rich, or The Beau Defeated","authors":"Joseph F. Stephenson","doi":"10.5325/rectr.31.2.0085","DOIUrl":"https://doi.org/10.5325/rectr.31.2.0085","url":null,"abstract":"","PeriodicalId":366404,"journal":{"name":"Restoration and Eighteenth-Century Theatre Research","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122866184","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}