Anecdotes and Restoration Actresses: The Cases of Elizabeth Barry and Anne Bracegirdle

Diane N Solomon
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引用次数: 1

Abstract

Scholars have recently advocated for the inclusion of anecdotes in historical research, which they say can add a type of “truth,” even if that truth is factually unverifiable, to their subjects. This article argues that anecdotes need to be read in light of hard evidence, and that scholars need to remain aware of how anecdotes contain the potential to perpetuate non-inclusive cultural narratives. Many anecdotes relayed about Restoration and eighteenth-century English actresses violate factual circumstances and reinscribe antifeminist narratives in their careers and lives. Using Elizabeth Barry and Anne Bracegirdle as case studies, this article demonstrates how popular anecdotes rob them of agency by misattributing Barry’s talent and unnecessarily invoking female competition.
轶事与复辟女演员:伊丽莎白·巴里和安妮·布雷斯吉德尔的案例
学者们最近主张在历史研究中加入轶事,他们说这可以为他们的研究对象增加一种“真相”,即使这种真相在事实上是无法证实的。本文认为,轶事需要根据确凿的证据来阅读,学者们需要保持对轶事如何包含延续非包容性文化叙事的潜力的认识。许多关于复辟和18世纪英国女演员的轶事都违背了事实,在她们的事业和生活中重新加入了反女权主义的叙事。本文以伊丽莎白·巴里(Elizabeth Barry)和安妮·布雷斯吉德尔(Anne Bracegirdle)为例,展示了流行的轶事是如何通过错误地归因于巴里的才能和不必要地援引女性竞争来剥夺她们的代理权的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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