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Journal of the Alamire Foundation最新文献

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Quhat is Faburdoun? 费伯敦是什么？
Journal of the Alamire Foundation Pub Date : 2022-03-01 DOI: 10.1484/j.jaf.5.128986
Timothy Braithwaite
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引用次数: 0
Josquin as Musical Exegete: The Four- Voice Motet In principio erat verbum Josquin作为音乐偶像：四声魔咒
Journal of the Alamire Foundation Pub Date : 2022-03-01 DOI: 10.1484/j.jaf.5.128985
Willem Elders
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引用次数: 0
Modus and Mensuration in Busnoys’s Missa L’homme armé Busnoys Missa武装人员的模式和测量
Journal of the Alamire Foundation Pub Date : 2021-09-01 DOI: 10.1484/j.jaf.5.127611
R. Carpentier
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引用次数: 0
Before Burgundy: Contexts and Cantus firmi in the Early L’homme armé Mass Tradition 勃艮第之前：语境与早期L’homme armé大众传统中的坚定旋律
Journal of the Alamire Foundation Pub Date : 2021-09-01 DOI: 10.1484/j.jaf.5.127612
Brett Kostrzewski
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引用次数: 0
Front Matter ("Table of Contents") 封面(“目录”)
Journal of the Alamire Foundation Pub Date : 2021-09-01 DOI: 10.1484/j.jaf.5.127926
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引用次数: 0
Recorder Use in Sacred Music during the Spanish Siglo de Oro: Archival Evidence, Historical Practices, and Applications in Performance 录音机在西班牙Siglo de Oro时期神圣音乐中的使用：档案证据、历史实践和在表演中的应用
Journal of the Alamire Foundation Pub Date : 2021-09-01 DOI: 10.1484/j.jaf.5.127615
Julia Miller
{"title":"Recorder Use in Sacred Music during the Spanish Siglo de Oro: Archival Evidence, Historical Practices, and Applications in Performance","authors":"Julia Miller","doi":"10.1484/j.jaf.5.127615","DOIUrl":"https://doi.org/10.1484/j.jaf.5.127615","url":null,"abstract":"This article presents findings and conclusions from a recently completed Ph.D. project which researched the use of recorders in performing sacred music in Spanish cathedrals and churches during the sixteenth and early seventeenth centuries. This study also examined interactions of the historical findings with artistic questions arising in twenty-first-century performance of sacred music repertoire. Paradoxically, while numerous sets of recorders were purchased by ecclesiastic institutions during the sixteenth century, most contemporary compositions did not specifically call for their use. As well, surviving sixteenth- and early seventeenth-century documentation is highly fragmentary regarding the participatory role of recorders in sacred repertoire of this period. Scholarly research and writing had not addressed this issue, and many questions persisted regarding any role of recorders in this repertoire. Sacred music of this era offers the modern musician an extensive and rich potential repertoire of supreme quality and beauty. Therefore, in seeking an historically informed basis for performance, this project asked if recorders were used in such works in Spanish ecclesiastic institutions during the sixteenth and early seventeenth centuries, and, if so, how.","PeriodicalId":36633,"journal":{"name":"Journal of the Alamire Foundation","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47183181","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Three Requiem Masses by Palestrina: New Light on Some Doubtful Attributions 帕莱斯特里纳的三首安魂曲:对一些可疑归属的新认识
Journal of the Alamire Foundation Pub Date : 2021-09-01 DOI: 10.1484/j.jaf.5.127614
Riccardo Pintus
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引用次数: 0
Introduction 介绍
Journal of the Alamire Foundation Pub Date : 2021-09-01 DOI: 10.1484/j.jaf.5.127724
R. Carpentier, Brett Kostrzewski
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引用次数: 0
Introduction 介绍
Journal of the Alamire Foundation Pub Date : 2020-01-01 DOI: 10.1484/j.jaf.5.121873
G. McDonald
{"title":"Introduction","authors":"G. McDonald","doi":"10.1484/j.jaf.5.121873","DOIUrl":"https://doi.org/10.1484/j.jaf.5.121873","url":null,"abstract":"","PeriodicalId":36633,"journal":{"name":"Journal of the Alamire Foundation","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41745395","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Early Parody Masses, Their Composers, and the French Connection in Munich, Bayerische Staatsbibliothek, Musica Ms. F 早期戏仿大众，他们的作曲家，与法国的联系，慕尼黑，巴伐利亚国立图书馆，音乐
Journal of the Alamire Foundation Pub Date : 2019-12-17 DOI: 10.1484/j.jaf.5.118981
Trudie G. Ranson
{"title":"Early Parody Masses, Their Composers, and the French Connection in Munich, Bayerische Staatsbibliothek, Musica Ms. F","authors":"Trudie G. Ranson","doi":"10.1484/j.jaf.5.118981","DOIUrl":"https://doi.org/10.1484/j.jaf.5.118981","url":null,"abstract":"Munich, Bayerische Staatsbibliothek, Musica Ms. F [MunBS F] is significant for being one of the earliest surviving collections of parody masses, and for being the only manuscript in the Alamire com...","PeriodicalId":36633,"journal":{"name":"Journal of the Alamire Foundation","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46496295","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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