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Happy is the Land that Needs No Heroes 快乐是不需要英雄的土地
Anglica Pub Date : 2018-09-17 DOI: 10.7311/0860-5734.27.3.06
D. Coates
{"title":"Happy is the Land that Needs No Heroes","authors":"D. Coates","doi":"10.7311/0860-5734.27.3.06","DOIUrl":"https://doi.org/10.7311/0860-5734.27.3.06","url":null,"abstract":"This essay interrogates two articles by the Canadian historian Jeff Keshen and the Australian historian Mark Sheftall, which assert that the representations of soldiers in the First World War (Anzacs in Australia, members of the Canadian Expeditionary Forces, the CEF), are comparable. I argue, however, that in reaching their conclusions, these historians have either overlooked or insufficiently considered a number of crucial factors, such as the influence the Australian historian/war correspondent C. E. W. Bean had on the reception of Anzacs, whom he venerated and turned into larger-than-life men who liked fighting and were good at it; the significance of the “convict stain” in Australia; and the omission of women writers’ contributions to the “getting of nationhood” in each country. It further addresses why Canadians have not embraced Vimy (a military victory) as their defining moment in the same way as Australians celebrate the landing at Anzac Cove (a military disaster), from which they continue to derive their sense of national identity. In essence, this essay advances that differences between the two nations’ representations of soldiers far outweigh any similarities.","PeriodicalId":36615,"journal":{"name":"Anglica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-09-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45187214","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
British Film Propaganda in the Netherlands: Its Preconditions and Missed Opportunities 英国电影在荷兰的宣传：先决条件与错失机遇
Anglica Pub Date : 2018-09-17 DOI: 10.7311/0860-5734.27.3.04
Natalia Stachura
{"title":"British Film Propaganda in the Netherlands: Its Preconditions and Missed Opportunities","authors":"Natalia Stachura","doi":"10.7311/0860-5734.27.3.04","DOIUrl":"https://doi.org/10.7311/0860-5734.27.3.04","url":null,"abstract":"British film propaganda directed at neutral countries was meant to strengthen the pro-British attitude or at least weaken pro-German sentiments in the neutral countries. Directed at the wide strata of neutral societies as well as at intellectual, military and economic elites, factual films from the battle lines were believed not only to counteract German propaganda but also to overshadow hostile actions taken by British government against economic and political freedoms of the neutrals. This article is an attempt at understanding the reasons for the eventual failure of British film propaganda in the Netherlands. While mentioning various conflict areas between the countries, it focuses on cultural entanglements and cultural networks that developed, though precariously, throughout the war. The neglect of existing connections between British and Dutch filmmakers and the hesitant if not hostile attitude of War Office Cinematograph Committee towards expensive adaptations of literary works, and feature films in general, might be perceived, the article argues, as one of the core reasons, along political and economic tensions, why Britain lost the battle for Dutch cinema audiences.","PeriodicalId":36615,"journal":{"name":"Anglica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-09-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47063232","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Middle and Early Modern English Medical Recipes: Some Notes on Specialised Terminology 近代中早期英国医方:一些专业术语注释
Anglica Pub Date : 2018-09-17 DOI: 10.7311/0860-5734.27.2.05
Marta Sylwanowicz
{"title":"Middle and Early Modern English Medical Recipes: Some Notes on Specialised Terminology","authors":"Marta Sylwanowicz","doi":"10.7311/0860-5734.27.2.05","DOIUrl":"https://doi.org/10.7311/0860-5734.27.2.05","url":null,"abstract":"One of the text-type features of a recipe is a certain degree of technical lexicon (cf. Görlach 2004). The aim of the present study is to compare the use and distribution of selected group of terms, here references to medical preparations, in Middle and Early Modern English recipe collections. Particular attention will be given to the factors responsible for the choice of terms. Also, we will concentrate on the rivalry between native and foreign lexical units.","PeriodicalId":36615,"journal":{"name":"Anglica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-09-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42241571","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Reading and Resituating Charles Sangster’s The St. Lawrence and the Saguenay as a Canadian Pilgrimage Poem 查尔斯·桑斯特的加拿大朝圣诗《圣劳伦斯与萨格奈》的阅读与辞呈
Anglica Pub Date : 2018-09-17 DOI: 10.7311/0860-5734.27.1.03
Shoshannah Ganz
{"title":"Reading and Resituating Charles Sangster’s The St. Lawrence and the Saguenay as a Canadian Pilgrimage Poem","authors":"Shoshannah Ganz","doi":"10.7311/0860-5734.27.1.03","DOIUrl":"https://doi.org/10.7311/0860-5734.27.1.03","url":null,"abstract":"Developing on 150 years of reviews and scholarship of Charles Sangster’s The St. Lawrence and the Saguenay, this paper contends that Sangster’s poem is not merely derivative of British and American Romantic poetry, or a vague tourist poem, but that Sangster employs the language and images of Christian pilgrimage to purposefully detail the pilgrimage of his soul.","PeriodicalId":36615,"journal":{"name":"Anglica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-09-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42577512","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reasons to Think That Anglo-Frisian Developed in Britain 认为盎格鲁-弗里斯语起源于英国的理由
Anglica Pub Date : 2018-09-17 DOI: 10.7311/0860-5734.27.2.01
David L. White
{"title":"Reasons to Think That Anglo-Frisian Developed in Britain","authors":"David L. White","doi":"10.7311/0860-5734.27.2.01","DOIUrl":"https://doi.org/10.7311/0860-5734.27.2.01","url":null,"abstract":"Linguistic evidence is adduced indicating that (as non-linguistic evidence long known also suggests) the origin of Anglo-Frisian goes back to a period of common development in SE Anglo-Saxon England around 475–525. The linguistic reason to think so is that almost every characteristic innovation of Anglo-Frisian has a plausible motivation in terms of infl uences from Brittonic. It seems that the later Frisians originated as Anglo-Saxons, occupying territory between Kentish and Pre-Mercian, who left England and went back to the continent, of course to the coast, around 540. The conclusion is that Frisian is similar to English because Frisian is descended from English.","PeriodicalId":36615,"journal":{"name":"Anglica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-09-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48202665","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
“[They] would say she was betraying Poland already”: Major Themes in Contemporary Canadian Literature by Writers of Polish Origins “(他们)会说她已经背叛了波兰”:波兰裔作家当代加拿大文学的主要主题
Anglica Pub Date : 2018-09-17 DOI: 10.7311/0860-5734.27.1.11
Dagmara Drewniak
{"title":"“[They] would say she was betraying Poland already”: Major Themes in Contemporary Canadian Literature by Writers of Polish Origins","authors":"Dagmara Drewniak","doi":"10.7311/0860-5734.27.1.11","DOIUrl":"https://doi.org/10.7311/0860-5734.27.1.11","url":null,"abstract":"In June 2015 The Canadian Polish Research Institute organized a panel discussion chaired by professor Tamara Trojanowska called “Writing Change and Continuity: Culture, Languages, Generations.” The debate featured esteemed writers of Polish descent: Eva Stachniak, Andrew Borkowski, Ania Szado, Jowita Bydlowska and Aga Maksimowska. Although the writers in question do not belong to the same generation and do not share exactly the same emigration experience, nowadays they form a distinguished group of Canadian writers of Polish origins. The aim of this paper is to look at the selection of the latest texts written by authors of the Polish diaspora in Canada such as Eva Stachniak’s The Chosen Maiden (2017), Jowita Bydlowska’s Drunk Mom (2013) and Guy (2016), Ania Szado’s Studio Saint Ex (2013) and Aga Maksimowska’s Giant (2012) among others. This paper does not venture to repeat the conclusions drawn during the panel but rather to extend the exploration of the recent Polish diasporic, multivoiced writing as well as offer a modest supplement to the famous analysis of ethnic writing proposed by Smaro Kamboureli in her Scandalous Bodies: Diasporic Literature in English Canada (2009). Hence, the discussion comprises the authors’ choice of themes, (dis)appearance of immigrant motifs, references to Poland as a country of origin and Canada as the new homeland as well as an analysis of the genres the aforementioned authors use.","PeriodicalId":36615,"journal":{"name":"Anglica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-09-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47388826","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Relevance in Sitcom Discourse: The Viewer’s Perspective 情景喜剧话语中的关联性：观众视角
Anglica Pub Date : 2018-09-17 DOI: 10.7311/0860-5734.27.2.07
Magdalena Wieczorek
{"title":"Relevance in Sitcom Discourse: The Viewer’s Perspective","authors":"Magdalena Wieczorek","doi":"10.7311/0860-5734.27.2.07","DOIUrl":"https://doi.org/10.7311/0860-5734.27.2.07","url":null,"abstract":"The present paper draws upon Sperber and Wilson’s ([1986] 1995) Relevance Theory to undertake a pragmatic analysis of situation comedy (sitcom) discourse. More specifically, special attention is paid to the cognitive interpretative paths the viewer needs to take in order to find a dialogue or monologue humorous. The analysis is premised upon the participation framework, which accounts for the bi-partite division of communication in fictional discourse: the character’s (fictional) layer and the recipient’s layer, the latter being in the centre of attention.","PeriodicalId":36615,"journal":{"name":"Anglica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-09-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49614567","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Vain dalliance with misery”: Moral Therapy in William Wordsworth’s “The Ruined Cottage” “徒劳地玩弄痛苦”:华兹华斯《破茅屋》中的道德治疗
Anglica Pub Date : 2018-09-17 DOI: 10.7311/0860-5734.27.1.02
Piotr Kałowski
{"title":"“Vain dalliance with misery”: Moral Therapy in William Wordsworth’s “The Ruined Cottage”","authors":"Piotr Kałowski","doi":"10.7311/0860-5734.27.1.02","DOIUrl":"https://doi.org/10.7311/0860-5734.27.1.02","url":null,"abstract":"The following paper will examine how (male) speakers in William Wordsworth’s “The Baker’s Cart” and “Incipient Madness,” which eventually became reworked into “The Ruined Cottage,” narrate the histories of traumatised women. It will be argued that by distorting the women’s accounts of suffering into a didactic lesson for themselves, the poems’ speakers embody the tension present in the chief psychiatric treatment of the Romantic period, moral therapy, which strove to humanise and give voice to afflicted subjects, at the same time trying to contain and eventually correct their “otherness.”","PeriodicalId":36615,"journal":{"name":"Anglica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-09-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71139715","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The End of the 1914–1918 War in Africa 1914-1918年非洲战争的结束
Anglica Pub Date : 2018-09-17 DOI: 10.7311/0860-5734.27.3.05
A. Samson
{"title":"The End of the 1914–1918 War in Africa","authors":"A. Samson","doi":"10.7311/0860-5734.27.3.05","DOIUrl":"https://doi.org/10.7311/0860-5734.27.3.05","url":null,"abstract":"The end of the First World War in Africa occurred at different times across the continent as the German colonies capitulated and surrendered to the allied forces between 26 August 1914 and 25 November 1918. The experience of each territory was indicative of its colonial development and local conditions. As the war inched across the landscape so people moved between states of peace and conflict, all caught up in some aspect either directly or through the provision of food and other materials. This chapter explores different experiences across the continent and the legacy of the discussions at Versailles. ERRATUM Anne Samson and the editors of Anglica: An International Journal for English Studies wish to apologize to George Ndakwena Njung for the misspelling of his name in the in-text references and the references section (90, 92, 110).","PeriodicalId":36615,"journal":{"name":"Anglica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-09-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48355277","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
The Violence of Duality in Adrienne Kennedy’s Funnyhouse of a Negro 阿德里安娜·肯尼迪《黑人的幽默屋》中二元性的暴力
Anglica Pub Date : 2018-09-17 DOI: 10.7311/0860-5734.27.1.09
Q. Ha, C. Hogan
{"title":"The Violence of Duality in Adrienne Kennedy’s Funnyhouse of a Negro","authors":"Q. Ha, C. Hogan","doi":"10.7311/0860-5734.27.1.09","DOIUrl":"https://doi.org/10.7311/0860-5734.27.1.09","url":null,"abstract":"Adrienne Kennedy’s psychodrama Funnyhouse of a Negro personifies in her protagonist, Sarah, the internalized racism and mental deterioration that a binary paradigm foments. Kennedy also develops the schizoid consciousness of Sarah to accentuate Sarah’s hybridized and traumatized identity as an African American woman. Kennedy’s play was controversial during the Black Arts Movement, as she refrained from endorsing black nationalist groups like Black Power, constructing instead a nightmare world in which race is the singular element in defining self-worth. In her dramatized indictment of both white supremacy and identity politics, American culture’s pathologized fascination with pigmentation drives the protagonist to solipsistic isolation, and ultimately, to suicide. Kennedy, through the disturbed cast of Sarah’s mind, portrays a world in which race obsession triumphs over any sense of basic humanity. The play urges the audience to accept the absurdity of a dichotomized vision of the world, to recognize the spectral nature of reality, and to transcend the devastation imposed by polarizing rhetoric.","PeriodicalId":36615,"journal":{"name":"Anglica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-09-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71139789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
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