情景喜剧话语中的关联性：观众视角

Q3 Arts and Humanities

Anglica Pub Date : 2018-09-17 DOI:10.7311/0860-5734.27.2.07

Magdalena Wieczorek

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引用次数: 0

摘要

本文借鉴Sperber和Wilson（[1986]1995）的关联理论，对情景喜剧话语进行语用分析。更具体地说，为了找到幽默的对话或独白，观众需要走认知-解释的道路。该分析以参与框架为前提，该框架解释了虚构话语中沟通的两党划分：角色（虚构）层和接受者层，后者处于关注的中心。

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Relevance in Sitcom Discourse: The Viewer’s Perspective

The present paper draws upon Sperber and Wilson’s ([1986] 1995) Relevance Theory to undertake a pragmatic analysis of situation comedy (sitcom) discourse. More specifically, special attention is paid to the cognitive interpretative paths the viewer needs to take in order to find a dialogue or monologue humorous. The analysis is premised upon the participation framework, which accounts for the bi-partite division of communication in fictional discourse: the character’s (fictional) layer and the recipient’s layer, the latter being in the centre of attention.

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来源期刊

Anglica Arts and Humanities-Literature and Literary Theory

CiteScore

0.20

自引率

0.00%

发文量

审稿时长

26 weeks