Greek and Roman Musical Studies最新文献

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Greek and Roman Musical Studies Pub Date : 2023-03-10 DOI: 10.1163/22129758-01101000
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引用次数: 0
The Bacchius Fragment: A Critical Edition Bacchius片段:评论版
Greek and Roman Musical Studies Pub Date : 2023-02-14 DOI: 10.1163/22129758-bja10051
Chrḗstos Terzḗs
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引用次数: 0
The Evolutionary Pentatonism in Nicomachus, the Extant Fragments and an Ancient Greek Musical Praxis 尼可马库的演化五声音阶、现存片段与古希腊音乐实践
Greek and Roman Musical Studies Pub Date : 2023-02-06 DOI: 10.1163/22129758-bja10061
Athina Katsanevaki
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引用次数: 0
Inside the Hydra: Taking the Ancient Water Organ Seriously 九头蛇内部:认真对待古老的水器官
Greek and Roman Musical Studies Pub Date : 2023-01-27 DOI: 10.1163/22129758-bja10055
Stefan Hagel
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引用次数: 0
Music and Philosophy in the Roman Empire, edited by Pelosi, F., and Petrucci, F.M. 《罗马帝国的音乐与哲学》,由佩洛西和彼得鲁奇主编
Greek and Roman Musical Studies Pub Date : 2023-01-27 DOI: 10.1163/22129758-bja10059
George Karamanolis
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引用次数: 0
A Companion to Ancient Greek and Roman Music. Blackwell Companions to the Ancient World, edited by Lynch, T.A.C., and Rocconi, E. 古希腊和罗马音乐的伴侣。《布莱克威尔古代世界的伴侣》,林奇,T.A.C.和罗科尼,E。
Greek and Roman Musical Studies Pub Date : 2023-01-23 DOI: 10.1163/22129758-bja10057
W. Levitan
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引用次数: 0
A Musical Mash-Up of Phrynichus Tragicus and New Music in Aristophanes’ Birds 悲剧的音乐混搭与阿里斯托芬《鸟》中的新音乐
Greek and Roman Musical Studies Pub Date : 2023-01-20 DOI: 10.1163/22129758-bja10053
Amy S. Lewis
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引用次数: 0
The Origins of Music Theory in the Age of Plato, written by Gurd, S.A. 《柏拉图时代音乐理论的起源》,美国Gurd著。
Greek and Roman Musical Studies Pub Date : 2023-01-19 DOI: 10.1163/22129758-bja10056
M. Raffa
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引用次数: 0
Music and Metamorphosis in Graeco-Roman Thought, written by LeVen, P.A. 《希腊罗马思想中的音乐与蜕变》,作者LeVen, P.A.
Greek and Roman Musical Studies Pub Date : 2023-01-17 DOI: 10.1163/22129758-bja10058
Flaminia Beneventano della Corte
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引用次数: 0
Mark the Words: Early Music’s Representation in Writing 标记文字:早期音乐在写作中的表现
Greek and Roman Musical Studies Pub Date : 2023-01-16 DOI: 10.1163/22129758-bja10052
Ronald Blankenborg
{"title":"Mark the Words: Early Music’s Representation in Writing","authors":"Ronald Blankenborg","doi":"10.1163/22129758-bja10052","DOIUrl":"https://doi.org/10.1163/22129758-bja10052","url":null,"abstract":"\u0000This paper argues for the interpretation of the words on Basel BS 415 as the markers not only of the song’s content, but equally of its musical notation. Predating such notation, the inscribed syllables reflect language’s priority over music, as opposed to the later reversal of these priorities. On Basel BS 415, written words’ orthography sufficed as an indication of the syllables’ prosodic qualities that enabled musical accompaniment to follow the lead of verbal rhythm and melody. As later reform likely championed the opposite, orthography gradually gave way to specialised musical signs and notation to account for the music that was to be the frame within which sung language was to be fitted. Basel BS 415, I will argue, conforms to the practice of representing song through sung words as evidenced in metrical inscriptions of the archaic period.","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45952170","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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