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REVIEW I Understanding Records. A Field Guide to Recording Practice 复习一了解记录。录音实践现场指南
IASPM Journal Pub Date : 2021-12-24 DOI: 10.5429/2079-3871(2021)v11i2.10en
Michael Ahlers
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引用次数: 0
Resistance in Maxida Märak’s album Utopi Maxida Märak专辑《乌托邦》中的抵抗
IASPM Journal Pub Date : 2021-12-24 DOI: 10.5429/2079-3871(2021)v11i2.6en
A. Werner
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引用次数: 0
Special Issue: Popular Music, Decolonization, and Indigenous Studies 特刊:流行音乐、非殖民化和土著研究
IASPM Journal Pub Date : 2021-12-24 DOI: 10.5429/2079-3871(2021)v11i2.1en
K. Zemke, Daniel Hernandez
{"title":"Special Issue: Popular Music, Decolonization, and Indigenous Studies","authors":"K. Zemke, Daniel Hernandez","doi":"10.5429/2079-3871(2021)v11i2.1en","DOIUrl":"https://doi.org/10.5429/2079-3871(2021)v11i2.1en","url":null,"abstract":"","PeriodicalId":36498,"journal":{"name":"IASPM Journal","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88006522","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
REVIEW I Hungry Listening: Resonant Theory for Indigenous Sound Studies 回顾一:渴望聆听:本土声音研究的共振理论
IASPM Journal Pub Date : 2021-12-24 DOI: 10.5429/2079-3871(2021)v11i2.9en
Marie Thompson
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引用次数: 0
REVIEW | Flow: The Rhythmic Voice in Rap Music 回顾|流动:说唱音乐中的节奏之声
IASPM Journal Pub Date : 2021-12-24 DOI: 10.5429/2079-3871(2021)v11i2.11en
B. Burkhart
{"title":"REVIEW | Flow: The Rhythmic Voice in Rap Music","authors":"B. Burkhart","doi":"10.5429/2079-3871(2021)v11i2.11en","DOIUrl":"https://doi.org/10.5429/2079-3871(2021)v11i2.11en","url":null,"abstract":"","PeriodicalId":36498,"journal":{"name":"IASPM Journal","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90842888","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Creative Crisis? Performing Artists in Vienna’s Live Music Scene in the Age of COVID-19 创意危机?2019冠状病毒病时代维也纳现场音乐表演艺术家
IASPM Journal Pub Date : 2021-10-15 DOI: 10.5429/2079-3871(2021)v11i1.4en
Magdalena Fürnkranz
{"title":"Creative Crisis? Performing Artists in Vienna’s Live Music Scene in the Age of COVID-19","authors":"Magdalena Fürnkranz","doi":"10.5429/2079-3871(2021)v11i1.4en","DOIUrl":"https://doi.org/10.5429/2079-3871(2021)v11i1.4en","url":null,"abstract":"Cultural workers are affected more than many other working populations by the pandemic COVID-19. Especially, live music as an antidote to crisis highlights the benefits of performing art in times of isolation; a practice that risks normalizing the idea that musicians are performing for free. This article discusses the intersection of live music with social and cultural issues, focusing on Vienna’s popular music scene. I begin my inquiry with an insight into the area of live music research, based on the works of Philip Auslander and Simon Frith. Throughout the text, I turn a critical eye to the broad impacts of the pandemic on music-making, the ways in which the potentials of emerging communities are leading to changed forms of appreciation, and emphasize the “sense of community” (Auslander) by way of three case studies. Ultimately, I aim to shed light on the strategies through which musicians deal with the crisis.","PeriodicalId":36498,"journal":{"name":"IASPM Journal","volume":"46 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77278060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Editorial Introduction: A Backstage Pass to the Journal 社论导言:《华尔街日报》的后台通行证
IASPM Journal Pub Date : 2021-10-15 DOI: 10.5429/2079-3871(2021)v11i1.1en
Mary Fogarty
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引用次数: 0
“Make It Right”: Why #BlackLivesMatter(s) to K-pop, BTS, and BTS ARMYs “Make It Right”:为什么#黑人的生命对韩国流行音乐、防弹少年团和防弹少年团很重要
IASPM Journal Pub Date : 2021-10-15 DOI: 10.5429/2079-3871(2021)v11i1.7en
Wonseok Lee, Grace Y. Kao
{"title":"“Make It Right”: Why #BlackLivesMatter(s) to K-pop, BTS, and BTS ARMYs","authors":"Wonseok Lee, Grace Y. Kao","doi":"10.5429/2079-3871(2021)v11i1.7en","DOIUrl":"https://doi.org/10.5429/2079-3871(2021)v11i1.7en","url":null,"abstract":"K-pop (Korean Pop Music) fans and artists have become visible political actors in the Black Lives Matter (BLM) Movement in the US in 2020. We investigate why K-pop fans and musicians mobilized to support BLM and, more generally, minority rights in the US by focusing on BTS fans, known as ARMY. We argue that the relationship between K-pop fans and artists is not unilateral, but mutual. Diverse voices and power differentials among K-pop fans exist, but were unified during this time. For example, the Black ARMY not only reminded other fans of racism within the fandom, but also asked BTS and their fellow ARMYs to support BLM. By considering K-pop as a battlefield of consent and resistance, we examine how K-pop and its fandoms has the potential for affecting local and national politics outside of South Korea.","PeriodicalId":36498,"journal":{"name":"IASPM Journal","volume":"137 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77285649","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Crisis as a Catalyst for Change: COVID-19, Spatiality and the UK Live Music Industry 危机是变革的催化剂:COVID-19，空间性和英国现场音乐产业
IASPM Journal Pub Date : 2021-10-15 DOI: 10.5429/2079-3871(2021)v11i1.3en
Iain A. Taylor, S. Raine, C. Hamilton
{"title":"Crisis as a Catalyst for Change: COVID-19, Spatiality and the UK Live Music Industry","authors":"Iain A. Taylor, S. Raine, C. Hamilton","doi":"10.5429/2079-3871(2021)v11i1.3en","DOIUrl":"https://doi.org/10.5429/2079-3871(2021)v11i1.3en","url":null,"abstract":"Since the advent of the COVID-19 pandemic, live music spaces – and the practices which produce them as economically viable – have found themselves in crisis. In spite of a UK government announcement on the 25th of July 2020 which allocated £2.25 million to support 150 music venues across the country, the processes of allocation, the conditions under which this emergency funding is allocated, and capacity to secure medium-to-long-term sustainability of the live music industries in the UK, remains unclear. In this paper, we present a Lefebvrian analysis of live music, highlighting the complex ways in which space is produced and consumed within a live music environment. By extending this framing to consider Lefebvre’s conceptualisation of dominated and appropriated space, we argue that the economic viability of live music stems from its spatiality, and that ongoing responses to the crisis require greater sensitivity to the spatial practices of music production and consumption.","PeriodicalId":36498,"journal":{"name":"IASPM Journal","volume":"59 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82570352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
REVIEW I Soundtracking Germany. Popular Music and National Identity 评论一:音轨德国。流行音乐与民族认同
IASPM Journal Pub Date : 2021-10-15 DOI: 10.5429/2079-3871(2021)v11i1.13en
G. Bottà
{"title":"REVIEW I Soundtracking Germany. Popular Music and National Identity","authors":"G. Bottà","doi":"10.5429/2079-3871(2021)v11i1.13en","DOIUrl":"https://doi.org/10.5429/2079-3871(2021)v11i1.13en","url":null,"abstract":"","PeriodicalId":36498,"journal":{"name":"IASPM Journal","volume":"436 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79612948","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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