{"title":"Trends in Baldwin Criticism, 2017–19","authors":"Terrance Dean","doi":"10.7227/jbr.7.15","DOIUrl":"https://doi.org/10.7227/jbr.7.15","url":null,"abstract":"Reading works on Baldwin from 2017 to 2019, the author tracks the significance of Baldwin within the Black Lives Matter movement and our growing need for police reform in conjunction with a revaluation of the lives of racial and ethnic minorities within the oppressive systemic biases of American social and political life.","PeriodicalId":36467,"journal":{"name":"James Baldwin Review","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46522650","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Walk with the Wind","authors":"J. A. Joyce","doi":"10.7227/jbr.7.1","DOIUrl":"https://doi.org/10.7227/jbr.7.1","url":null,"abstract":"Recalling the insurrectionary violence that descended upon the US Capitol on 6 January 2021, reflecting on the baser instincts left unchecked in America by an absence of common communication and a paradigmatic shift in our media apparatuses, Justin A. Joyce introduces the seventh volume of James Baldwin Review.","PeriodicalId":36467,"journal":{"name":"James Baldwin Review","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47486325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Baldwin’s Perfect Storm","authors":"Maureen E. Kelleher","doi":"10.7227/jbr.7.13","DOIUrl":"https://doi.org/10.7227/jbr.7.13","url":null,"abstract":"James Baldwin’s arrest in Paris in December 1949 gave birth to his perfect storm. His ten days in Fresnes jail weakened him physically and emotionally. He made it out, but upon release he was mired in self-doubt and enveloped in a bout of depression. He returned to his hotel, ready to try to get back to his life, however daunting that effort would be. The hotelier’s demand that he settle his bill, and do it quickly, awakened his obsession with suicide. He simply could not handle one more obstacle in his path; he chose to kill himself in his room. Ironically, he saved his life when he jumped off a chair with a sheet around his neck. In a matter of seconds his death wish was replaced by his equally obsessive need to write, witness, think, party, drink, challenge, and love.","PeriodicalId":36467,"journal":{"name":"James Baldwin Review","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44678732","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Everybody’s Protest Cinema","authors":"P. Lurie","doi":"10.7227/jbr.7.7","DOIUrl":"https://doi.org/10.7227/jbr.7.7","url":null,"abstract":"This article uses Baldwin’s 1949 essay “Everybody’s Protest Novel” to consider that literary mode’s corollary in the 1990s New Black Cinema. It argues that recent African American movies posit an alternative to the politics and aesthetics of films by a director such as Spike Lee, one that evinces a set of qualities Baldwin calls for in his essay about Black literature. Among these are what recent scholars such as Ann Anlin Cheng have called racial melancholy or what Kevin Quashie describes as Black “quiet,” as well as variations on Yogita Goyal’s diaspora romance. Films such as Barry Jenkins’s adaptation of If Beale Street Could Talk (2018) and Joe Talbot and Jimmy Fails’s The Last Black Man in San Francisco (2019) offer a cinematic version of racial narrative at odds with the protest tradition I associate with earlier Black directors, a newly resonant cinema that we might see as both a direct and an indirect legacy of Baldwin’s views on African American culture and politics.","PeriodicalId":36467,"journal":{"name":"James Baldwin Review","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48381979","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Indisputably Available”","authors":"Ed Pavlič","doi":"10.7227/jbr.7.2","DOIUrl":"https://doi.org/10.7227/jbr.7.2","url":null,"abstract":"Spurred on by Colson Whitehead’s Pulitzer Prize-winning novel The Nickel Boys (2019), which is set in Tallahassee, FL, during the 1950s and 1960s, this essay presents a close-up look at James Baldwin’s visit to Tallahassee in May 1960. Moving between Baldwin’s writings about the South, especially “They Can’t Turn Back,” published by Mademoiselle magazine in August 1960, and subsequent writing about the movement in Tallahassee, and checking off against Whitehead’s fictional treatment, we find a lattice of silences obscuring the names and contributions of Black women. Most importantly, we find that the historic case of the rape of Betty Jean Owens in May 1959, and the subsequent trial that summer, appears neither in Baldwin’s nor Whitehead’s writing about Tallahassee at the time. This essay establishes the missing names of Black women in the places marked and unmarked by Baldwin in his work at the time, and puts the case of Betty Jean Owens on the historical map where it belongs. In so doing, we figure issues of race, gender, sex, and violence for the ways they twist together, ways suppressed in historical (and even some contemporary) writing, ways crucial to our deepening consideration of Baldwin’s work and the history which he drew upon and to which he contributed so profoundly.","PeriodicalId":36467,"journal":{"name":"James Baldwin Review","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46852360","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"James Baldwin and Film Beyond the American Century","authors":"Roberta Jackson","doi":"10.7227/jbr.7.3","DOIUrl":"https://doi.org/10.7227/jbr.7.3","url":null,"abstract":"This article provides an introduction to this special section of James Baldwin Review 7 devoted to Baldwin and film. Jackson considers Baldwin’s distinct approach to film criticism by pairing him with James Agee, another writer who wrote fiction as well as nonfiction in several genres, and who produced a large body of film criticism, especially during the 1940s. While Agee, a white southerner born almost a generation before Baldwin, might seem an unlikely figure to place alongside Baldwin, the two shared a great deal in terms of temperament and vision, and their film writings reveal a great deal of consensus in their diagnoses of American pathologies. Another important context for Baldwin’s complex relationship to film is television, which became a dominant media form during the 1950s and exerted a great influence upon both the mainstream reception of the civil rights movement and Baldwin’s reception as a public intellectual from the early 1960s to the end of his life. Finally, the introduction briefly discusses the articles that constitute this special section.","PeriodicalId":36467,"journal":{"name":"James Baldwin Review","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47695298","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"White Lies Matter","authors":"H. Boyd","doi":"10.7227/jbr.7.11","DOIUrl":"https://doi.org/10.7227/jbr.7.11","url":null,"abstract":"This review essay examines Eddie Glaude, Jr.’s new book Begin Again: James Baldwin’s America and Its Urgent Lessons for Our Own against several other recent works on Baldwin such as Bill Mullen’s James Baldwin: Living in Fire and Nicholas Buccola’s The Fire Is Upon Us.","PeriodicalId":36467,"journal":{"name":"James Baldwin Review","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44408874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“In the Name of Love”","authors":"Matty Hemming","doi":"10.7227/jbr.7.8","DOIUrl":"https://doi.org/10.7227/jbr.7.8","url":null,"abstract":"This essay explores Black queer feminist readings of the sexual politics of James Baldwin’s Another Country. Recent work at the intersection of queer of color critique and Black feminism allows us to newly appreciate Baldwin’s prescient theorization of the workings of racialized and gendered power within the erotic. Previous interpretations of Another Country have focused on what is perceived as a liberal idealization of white gay male intimacy. I argue that this approach requires a selective reading of the novel that occludes its more complex portrayal of a web of racially fraught, power-stricken, and often violent sexual relationships. When we de-prioritize white gay male eroticism and pursue analyses of a broader range of erotic scenes, a different vision of Baldwin’s sexual imaginary emerges. I argue that far from idealizing, Another Country presents sex within a racist, homophobic, and sexist world to be a messy terrain of pleasure, pain, and political urgency. An unsettling vision, to be sure, but one that, if we as readers are to seek more equitable erotic imaginaries, must be reckoned with.","PeriodicalId":36467,"journal":{"name":"James Baldwin Review","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43650597","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Fire Inside","authors":"Aleksander Motturi, Kira Josefsson","doi":"10.7227/jbr.7.12","DOIUrl":"https://doi.org/10.7227/jbr.7.12","url":null,"abstract":"In this semi-biographical short story, the relationship between James Baldwin and Attorney General Robert F. Kennedy, and its culmination in their epic confrontation in New York City on 24 May 1963, is portrayed through the lens of an unidentified fictive narrator. In the midst of heightened racial tensions, Baldwin has been tasked with bringing together a delegation of prominent Black US personalities to meet with the Attorney General and share their views on the measures necessary to combat segregation and racism. The meeting has barely begun before the naivety of the administration’s view of the national situation becomes clear, and the atmosphere in the room grows increasingly strained. “The Fire Inside” has never before appeared in print. An earlier version of the story was broadcast by Swedish Radio on 29 November 2019.","PeriodicalId":36467,"journal":{"name":"James Baldwin Review","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49576796","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Trends in Baldwin Criticism, 2016–17","authors":"J. Vogel","doi":"10.7227/JBR.6.10","DOIUrl":"https://doi.org/10.7227/JBR.6.10","url":null,"abstract":"This review article charts the general direction of scholarship in James Baldwin\u0000 studies between the years 2016 and 2017, reflecting on important scholarly\u0000 events and publications of the period and identifying notable trends in\u0000 criticism. Surveying the field as a whole, the most notable features are the\u0000 “political turn” that seeks to connect Baldwin’s social\u0000 insights from the past to the present, and the ongoing access to and interest in\u0000 the Baldwin archive. In addition to these larger trends, there is continued\u0000 interest in situating Baldwin in national, regional, and geographical contexts\u0000 as well as interest with how he grapples with and illuminates issues of gender\u0000 and sexuality.","PeriodicalId":36467,"journal":{"name":"James Baldwin Review","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43846579","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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