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Evolutionary Studies in Imaginative Culture最新文献

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Towards a Ukrainian Neo-Noir: 走向乌克兰新黑色主义：
Evolutionary Studies in Imaginative Culture Pub Date : 2026-01-27 DOI: 10.2307/jj.36990343.15
Vitaly Chernetsky
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引用次数: 0
How a Poor Man Visited a Rich Man 一个穷人如何拜访一个富人
Evolutionary Studies in Imaginative Culture Pub Date : 2025-07-15 DOI: 10.2307/jj.36309298.78
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引用次数: 0
Saadya Gaon:
Evolutionary Studies in Imaginative Culture Pub Date : 2024-03-05 DOI: 10.2307/jj.36309173.8
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引用次数: 0
His Majesty’s Theatre: A Hub of Musical and Theatrical Entertainment in Colonial Dunedin 国王陛下剧院：达尼丁殖民时期的音乐和戏剧娱乐中心
Evolutionary Studies in Imaginative Culture Pub Date : 2023-12-31 DOI: 10.1515/9798887193953-003
Sandra Noeline Crawshaw
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引用次数: 0
When Your Heart is Set on Both Broadway and the Met: An Exploration of Vocal Technique in Contemporary Musical Theater 当你的心同时在百老汇和大都会：当代音乐剧声乐技巧的探索
Evolutionary Studies in Imaginative Culture Pub Date : 2023-12-31 DOI: 10.1515/9798887193953-009
Chris McRae
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引用次数: 0
The Deaths of My Parents, Brother-in-Law, and Brother, 1854–1857 我的父母、姐夫和兄弟之死，1854-1857
Evolutionary Studies in Imaginative Culture Pub Date : 2023-09-26 DOI: 10.2307/jj.36309128.10
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引用次数: 0
Two Servants, One Master: The Common Acoustic Origins of the Divergent Communicative Media of Music and Speech 两个仆人，一个主人:音乐和语言的不同传播媒介的共同声学起源
Evolutionary Studies in Imaginative Culture Pub Date : 2022-12-01 DOI: 10.26613/esic.6.2.297
N. Bannan
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引用次数: 0
Emelie Jonsson. The Early Evolutionary Imagination: Literature and Human Nature Emelie琼森。早期进化想象:文学与人性
Evolutionary Studies in Imaginative Culture Pub Date : 2022-12-01 DOI: 10.26613/esic.6.2.307
J. Saunders
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引用次数: 0
Horror Manga: An Evolutionary Literary Perspective 恐怖漫画:一个进化的文学视角
Evolutionary Studies in Imaginative Culture Pub Date : 2022-12-01 DOI: 10.26613/esic.6.2.296
Adam C. Davis
{"title":"Horror Manga: An Evolutionary Literary Perspective","authors":"Adam C. Davis","doi":"10.26613/esic.6.2.296","DOIUrl":"https://doi.org/10.26613/esic.6.2.296","url":null,"abstract":"Abstract This article provides support for the argument that horror media “works” by activating evolved cognitive and affective systems that are flexibly tailored to local socio-ecological contexts. Guided by previous work using evolutionary theory to study horror literature (e.g., Clasen 2012, 2018, 2019), I investigate horror manga’s popularity and international market, which indicate a cross-cultural preoccupation with horror transmedia that is explicable in terms of the form’s ability to target evolved psychological systems. Specifically, these multimodal texts elicit the evolved emotions of anxiety, fear, and disgust in response to culturally specific and evolutionarily relevant narratives, characters, antagonists, and environments. Thus, horror manga reflects the myths, folklore, and religious traditions of Japanese society in addition to salient ubiquitous evolutionary threats such as predators, antisocial conspecifics, and infectious diseases.","PeriodicalId":36459,"journal":{"name":"Evolutionary Studies in Imaginative Culture","volume":"54 7","pages":"1 - 20"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72402324","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Evolution, “Pseudo-science,” and Satire: Edith Wharton’s “The Descent of Man” 进化、“伪科学”与讽刺:伊迪丝·沃顿的《人类的起源》
Evolutionary Studies in Imaginative Culture Pub Date : 2022-12-01 DOI: 10.26613/esic.6.2.299
J. Saunders
{"title":"Evolution, “Pseudo-science,” and Satire: Edith Wharton’s “The Descent of Man”","authors":"J. Saunders","doi":"10.26613/esic.6.2.299","DOIUrl":"https://doi.org/10.26613/esic.6.2.299","url":null,"abstract":"Abstract The protagonist of Edith Wharton’s 1904 short story “The Descent of Man” is both scientist and satirist. The target of his satire-“false interpreters” of evolutionary theory-allows Wharton to combine analysis of genre with inquiry into the cultural controversy Darwin’s ideas inspired. Anthropocentric anxieties explain popular preference for soothing “pseudo-science” over unsparing accounts of natural selection; they likewise explain widespread obtuseness to Professor Linyard’s ridicule of hazy illogic posing as science. Motivated more strongly by fitness interests than by allegiance to scientific truth, however, the professor becomes complicit in widespread misreading of his own text. He thereby encourages the ignorance he intended to dispel, and Wharton highlights the ironies inherent in this self-sabotage. She insists that susceptibility to evolved adaptations is universal, moreover, and that it often impedes the discovery and promulgation of truth.","PeriodicalId":36459,"journal":{"name":"Evolutionary Studies in Imaginative Culture","volume":"37 1","pages":"57 - 70"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88182537","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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