{"title":"Eventyrets tid, historiens rum","authors":"Mathias Overgaard","doi":"10.7146/pas.v34i81.114433","DOIUrl":"https://doi.org/10.7146/pas.v34i81.114433","url":null,"abstract":"Mathias Overgaard: “Fantastic Time, Historical Space – The Dynamics of the Thirty Years’ War in The Adventures of Simplicius Simplicissimus” This article sets out to investigate the presence of the Thirty Years’ War in Grimmelshausen’s Simplicissimus by illuminating the relationship between an ahistorical configuration of time and a historically specific spatiality. By analyzing the co-constitutional interrelation between Simplicius and the spaces he encounters, the article proposes a metaphysical reading of the protagonist as a disruptive element that resembles some of the changes which the war forced upon a great part of Europe.","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115300558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Når den fortalte historie går op i limningen","authors":"Jonas Holst","doi":"10.7146/pas.v34i81.114429","DOIUrl":"https://doi.org/10.7146/pas.v34i81.114429","url":null,"abstract":"Jonas Holst: “When the Historical Told Tale Falls Apart – On Peter Seeberg’s Literary Documentarism” \u0000The article offers a study of the ways in which the Danish author Peter Seeberg employs historical material and genres in his literary texts. Seeberg makes use of a variety of genres and anachronisms to create splits in historical time so that other forms of temporality come to the fore, especially humans’ own existentially experienced time as finite beings and eternal time on a cosmological scale.","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114348072","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Den nihilistiske bibellæser","authors":"Dan Ringgaard","doi":"10.7146/pas.v34i81.114437","DOIUrl":"https://doi.org/10.7146/pas.v34i81.114437","url":null,"abstract":"Anmeldelse af Anders Juhl Rasmussen: Under stadig skælven. Peter Seebergs arkiv og værk. Odense: Syddansk Universitetsforlag 2018, 432 sider, 350 kr.","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"256 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114454719","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"For konge og fædreland","authors":"L. Møller","doi":"10.7146/pas.v34i81.114432","DOIUrl":"https://doi.org/10.7146/pas.v34i81.114432","url":null,"abstract":"Lis Møller: “For King and Fatherland – King Valdemar the Victorious in works by B.S. Ingemann and Agnes Slott-Møller” \u0000This article offers a comparative reading of two fictionalized renditions in two different media of the Danish king Valdemar the Victorious (1170-1241): B.S. Ingemann’s historical novel Valdemar Seier (1826) and Agnes Slott-Møller’s cycle of historical paintings Valdemar Sejr (1927-1934). Focusing on Ingemann’s and Slott-Møller’s medievalism and their views on the nature and function of historical fiction and historical painting, respectively, the article argues that the two representations of King Valdemar are in fact compatible. What sets them apart is the historical context.","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130385114","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Forfattersignatur","authors":"Louise Mønster","doi":"10.7146/pas.v34i3.112646","DOIUrl":"https://doi.org/10.7146/pas.v34i3.112646","url":null,"abstract":"This article is about Tua Forsström and the impact and power of poetry. It is based on the assumption that the signature of a work, and sometimes an author’s entire oeuvre, is not primarily located in the author or narrator, but rather in the mood, atmosphere, voice and tone that characterize the work. These phenomena, however, are difficult to deal with. With reference to various researchers, I examine the concepts of tone, voice, mood and atmosphere, in order to find central points of attention in an affective and ambient-oriented reading. More specifically I build on Hans Ulrich Gumbrecht’s and Horace Engdahl’s approaches to these issues and use their insights as I delve further into Forsström’s work. Here I examine the author’s poetological basis, and, with special focus on the poetry collection Songs, I exemplify how an affective and ambient reading can unfold.","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"130 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132129184","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Krigen, kunsten og hjemsøgelsen","authors":"A. Nielsen","doi":"10.7146/pas.v33i80.111725","DOIUrl":"https://doi.org/10.7146/pas.v33i80.111725","url":null,"abstract":"Ann-Katrine Schmidt Nielsen: “War, Art, and Hauntings. An analysis of haunting in Danish veteran art and literature”We might say that ‘wars haunt’ in order to designate how they resonate in, influence and shape societies, relations and individuals – even long after official peace agreements have been made. However, what exactly does this mean and how might such haunting appear in art and literature? This article investigates how contemporary remote warfare can be seen as haunting (in) Danish art and literature made by or in close collaboration with Danish war veterans. Through the analyses of the participatory pop music by Peter and the Danish Defence, the novel Mikael by Dy Plambeck, and the collection of poems Så efterlades alt flæskende by Iraq veteran Mikkel Brixvold, three hauntological modes are suggested: a political, a psychological and an affective mode, each accentuating various aspects of such haunting.","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"450 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126745687","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Krig og kunst, æstetisering og stat","authors":"Mikkel Bolt","doi":"10.7146/PAS.V33I80.111731","DOIUrl":"https://doi.org/10.7146/PAS.V33I80.111731","url":null,"abstract":"Anmeldelse af Joanna Bourke (red.): War and Art: A Visual History of Modern Conflict. London: Reaktion Books 2017, 392 sider, 339 kr.","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121241602","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Jensen mellem gengangere","authors":"Aage Jørgensen","doi":"10.7146/pas.v33i80.111730","DOIUrl":"https://doi.org/10.7146/pas.v33i80.111730","url":null,"abstract":"Anmeldelse af Stefan Iversen: Den uhyggelige fortælling – unaturlig narratologi og Johannes V. Jensens tidlige forfatterskab. Aarhus: Aarhus Universitetsforlag 2018, 374 sider, 299 kr.","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"105 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123014166","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Razzle Dazzle","authors":"J. Kristensen","doi":"10.7146/pas.v33i80.111721","DOIUrl":"https://doi.org/10.7146/pas.v33i80.111721","url":null,"abstract":"Jens Tang Kristensen: “Razzle Dazzle. The Camouflaged Avant-Garde”This article demonstrates that Razzle Dazzle, a type of camouflage applied to war and merchant ships in the early twentieth century, can be seen as a complex form of visual expression that emerged in close dialogue with several of the avant-garde movements which appeared in the same period. In a sense Razzle Dazzle can thus further be seen as a mode by which the avant-garde was inadvertently integrated into the military sector, which certain avant-garde groups, namely the Futurists, idealized.","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128598189","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Slagscener i det elizabethanske teater","authors":"Christian Dahl","doi":"10.7146/pas.v33i80.111728","DOIUrl":"https://doi.org/10.7146/pas.v33i80.111728","url":null,"abstract":"Christian Dahl: “Battle scenes in the Elizabethan theater”This article analyses the widespread use of staged battle in Elizabethan theater by use of data extracted from Folger Library’s Digital Anthology of Early English Drama. Between 1576 and 1616, hundreds of battle scenes were produced on English stages but although a substantial number is still available for study, only few scholars have recognized their significance. The many battle scenes both attest to the Elizabethans’ vivid interest in history and to the cultural impact of England’s increasing military engagement on the Continent and in Ireland at the end of Elizabeth’s reign. It is often assumed that histories and battle scenes were particularly popular in the 1590’ies and then fell out of fashion early in the 17th century, but the article demonstrates that staged war remained a frequent occurrence in the first two decades of the century and never disappeared entirely. The article discusses visual and, in particular, acoustic representation of warfare based on the evidence of surviving plays and other documents. The article will also (very) briefly sketch the narrative development of battle scenes that took place in the 1590ies.","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116134935","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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