A. Nielsen
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摘要

Ann-Katrine Schmidt Nielsen:“战争,艺术和幽灵。“我们可以说‘战争挥之不去’,是为了指明战争是如何在社会、关系和个人中产生共鸣、影响和塑造的——即使是在正式的和平协议达成很久之后。然而,这到底是什么意思,这种困扰是如何出现在艺术和文学中的?这篇文章调查了当代远程战争如何被视为萦绕在丹麦艺术和文学中,由丹麦退伍军人制作或与丹麦退伍军人密切合作。通过对《彼得与丹麦国防军》的参与式流行音乐、迪·普朗贝克的小说《米凯尔》和伊拉克老兵米克尔·布里斯沃尔德的诗集《s efterlades and flæskende》的分析,提出了三种幽灵模式:政治模式、心理模式和情感模式,每种模式都强调了这种幽灵的各个方面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Krigen, kunsten og hjemsøgelsen
Ann-Katrine Schmidt Nielsen: “War, Art, and Hauntings. An analysis of haunting in Danish veteran art and literature”We might say that ‘wars haunt’ in order to designate how they resonate in, influence and shape societies, relations and individuals – even long after official peace agreements have been made. However, what exactly does this mean and how might such haunting appear in art and literature? This article investigates how contemporary remote warfare can be seen as haunting (in) Danish art and literature made by or in close collaboration with Danish war veterans. Through the analyses of the participatory pop music by Peter and the Danish Defence, the novel Mikael by Dy Plambeck, and the collection of poems Så efterlades alt flæskende by Iraq veteran Mikkel Brixvold, three hauntological modes are suggested: a political, a psychological and an affective mode, each accentuating various aspects of such haunting.
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