Historia scientiarum : international journal of the History of Science Society of Japan最新文献

The dual Green Revolutions in South Korea: reforestation and agricultural revolution under the authoritarian regime. 韩国的双重绿色革命:独裁政权下的重新造林和农业革命。

Historia scientiarum : international journal of the History of Science Society of Japan Pub Date : 2012-01-01

Manyong Moon

引用次数: 0

Technoscience and politics in Korea in the 1970s: "Scientification of All People Movement" and the "Saemaul Technical Service Corps". 20世纪70年代韩国的科技与政治:“全民运动的科学化”以及“新村技术服务队”。

Historia scientiarum : international journal of the History of Science Society of Japan Pub Date : 2012-01-01

Young-Mi Lee, Sungook Hong

引用次数: 0

Yokkaichi asthma and building the system of certification of pollution-related patients in the 1960s. 上世纪60年代四日市哮喘及相关污染患者认证制度的建立。

Historia scientiarum : international journal of the History of Science Society of Japan Pub Date : 2012-01-01

Danyang Feng, Takehiko Hashimoto

引用次数: 0

Agricultural illustrations of 19th century Korea: 'Imwon gyeongjeji' (Treatises on Management of Forest and Garden) by Seo Yugu. 19世纪韩国的农业插图:徐裕久的《林园经营论》。

Historia scientiarum : international journal of the History of Science Society of Japan Pub Date : 2011-01-01

Hyung-Min Chung

{"title":"Agricultural illustrations of 19th century Korea: 'Imwon gyeongjeji' (Treatises on Management of Forest and Garden) by Seo Yugu.","authors":"Hyung-Min Chung","doi":"","DOIUrl":"","url":null,"abstract":"The generative relationship between text and image has long been established. Its structure evolved historically as a result of varying understandings of the functions of art and technology. Agriculture illustration, which emerged in China during the Song dynasty, is a prime example of this creative dialogue in which aspects of both disciplines were combined. Political, technological, and aesthetic concerns informed the reformulations of this new genre. This paper will address agricultural illustrations on nineteenth-century Korea, when notable changes occurred in the visualization of agricultural texts. It will explore changes in the understanding of the roles of agriculture, technology, and labor through an analysis of shifts in modes of illustration and the texts selected. The relationship between technology and visual representations during late Joseon Korea will be contextualized through an exploration of the evolution of technical drawing in East Asia. This paper will suggest that the recognition of imagery's ability to convey textual and technical information provided an important alternative paradigm for the presentation and use of knowledge.","PeriodicalId":35959,"journal":{"name":"Historia scientiarum : international journal of the History of Science Society of Japan","volume":"21 1","pages":"42-65"},"PeriodicalIF":0.0,"publicationDate":"2011-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"30327366","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Women's translations of scientific texts in the 18th century: a case study of Marie-Anne Lavoisier. 18世纪女性翻译科学文献:以玛丽-安妮·拉瓦锡为例。

Historia scientiarum : international journal of the History of Science Society of Japan Pub Date : 2011-01-01

Keiko Kawashima

{"title":"Women's translations of scientific texts in the 18th century: a case study of Marie-Anne Lavoisier.","authors":"Keiko Kawashima","doi":"","DOIUrl":"","url":null,"abstract":"In the 18th century, many outstanding translations of scientific texts were done by women. These women were important mediators of science. However, I would like to raise the issue that the 'selection,' which is the process by which intellectual women chose to conduct translation works, and those 'selections' made by male translators, would not be made at the same level. For example, Émilie du Châtelet (1706-1749), the only French translator of Newton's \"Principia,\" admitted her role as participating in important work, but, still, she was not perfectly satisfied with the position. For du Châtelet, the role as a translator was only an option under the current conditions that a female was denied the right to be a creator by society. In the case of Marie-Anne Lavoisier (1743-1794), like du Châtelet, we find an acute feeling in her mind that translation was not the work of creators. Because of her respect toward creative geniuses and her knowledge about the practical situation and concrete results of scientific studies, the translation works done by Marie-Anne Lavoisier were excellent. At the same time, the source of this excellence appears paradoxical at a glance: this excellence of translation was related closely with her low self-estimation in the field of science. Hence, we should not forget the gender problem that is behind such translations of scientific works done by women in that era. Such a possibility was a ray of light that was grasped by females, the sign of a gender that was eliminated from the center of scientific study due to social systems and norms and one of the few valuable opportunities to let people know of her own existence in the field of science.","PeriodicalId":35959,"journal":{"name":"Historia scientiarum : international journal of the History of Science Society of Japan","volume":"21 2","pages":"123-37"},"PeriodicalIF":0.0,"publicationDate":"2011-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"30628875","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Herophilus of Chalcedon and the Hippocratic tradition in early Alexandrian medicine. 卡尔西顿的希罗菲勒斯和早期亚历山大医学中的希波克拉底传统。

Historia scientiarum : international journal of the History of Science Society of Japan Pub Date : 2011-01-01

Masahiro Imai

{"title":"Herophilus of Chalcedon and the Hippocratic tradition in early Alexandrian medicine.","authors":"Masahiro Imai","doi":"","DOIUrl":"","url":null,"abstract":"Herophilus of Chalcedon (c. 330-250 BC) is famous as one of the leading figures in the development of medicine in Ptolemaic Alexandria around the first half of the third century BC. However, his medical science seems to have intrinsic continuity of thought with Hippocratic medicine. Herophilus followed the medical principle formulated in the Hippocratic treatise \"On the Nature of Man,\" when he made his methodological pronouncement to the effect that primary parts of the human body should be perceptible by the senses. Herophilus rejected cardiocentrism, introduced by his teacher Praxagoras into the medical school of Cos, and returned to Hippocratic encephalocentrism, as represented by the author of the Hippocratic treatise \"On the Sacred Disease.\" Herophilus differentiated between the faculties of the soul and the ones attributed to the nature. In his differentiation between these two faculties, Herophilus probably had in mind the Hippocratic conception of nature as specifically applied to the domain of the human body, as distinct from the soul. Herophilus' commitment to Hippocratic medicine is confirmed by his literary works on some of the Hippocratic texts. It is probable that Herophilus regarded himself as a more faithful successor than his teacher to the tradition of Hippocratic medicine. His anatomical research on the structure and function of the brain, motivated by his loyalty to the Hippocratic tradition, led him to innovative contributions to the development of medicine.","PeriodicalId":35959,"journal":{"name":"Historia scientiarum : international journal of the History of Science Society of Japan","volume":"21 2","pages":"103-22"},"PeriodicalIF":0.0,"publicationDate":"2011-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"30628874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The impact of western science and technology on 'ukiyo-e' prints and book illustrations in late eighteenth and nineteenth century Japan. 西方科学技术对浮世绘版画和书籍插图在18世纪末和19世纪日本的影响。

Historia scientiarum : international journal of the History of Science Society of Japan Pub Date : 2011-01-01

Morris Low

{"title":"The impact of western science and technology on 'ukiyo-e' prints and book illustrations in late eighteenth and nineteenth century Japan.","authors":"Morris Low","doi":"","DOIUrl":"","url":null,"abstract":"In the Edo period (c. 1600-1868), exposure to Western art, science and technology encouraged Japanese 'ukiyo-e' (pictures of the floating world) artists to experiment with Western perspective in woodblock prints and book illustrations. We can see its early influence in the work of Utagawa Hiroshige (1787-1858), as well as Utagawa Kuniyoshi (1797-1861). Unlike Hiroshige, Kuniyoshi lived to see the opening of the port of Yokohama to trade with the West in 1859. A whole genre of Yokohama prints emerged and one of the key artists was Utagawa Sadahide (1807-1873). In his illustrated books entitled 'Yokohama kaikō kenbunshi' (A Record of Things Seen and Heard in the Open Port of Yokohama) (1862), Sadahide plays with perspective in an effort to represent the dynamic changes that Japan was undergoing in its encounter with the West at the time. In the work of later artists such as Hiroshige III (1843-1894), Kobayashi Kiyochika (1847-1915) and Inoue Yasuji (1864-1889), we can see growing efforts to depict light, shadow and depth, and a continuing fascination with the steam locomotive and the changes occurring in the Tokyo-Yokohama region as Japan entered the Meiji period (1868-1912).","PeriodicalId":35959,"journal":{"name":"Historia scientiarum : international journal of the History of Science Society of Japan","volume":"21 1","pages":"66-87"},"PeriodicalIF":0.0,"publicationDate":"2011-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"30330833","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Art, class and gender in Joseon dynasty Korea: representations of lower-class women by the scholar-painter Yun Duseo. 朝鲜时代的艺术、阶级和性别:文人画家尹斗秀对下层女性的描绘。

Historia scientiarum : international journal of the History of Science Society of Japan Pub Date : 2011-01-01

Saehyang P Chung

{"title":"Art, class and gender in Joseon dynasty Korea: representations of lower-class women by the scholar-painter Yun Duseo.","authors":"Saehyang P Chung","doi":"","DOIUrl":"","url":null,"abstract":"This paper examines several pioneering genre paintings by the important scholar painter Yun Duseo (1668-1715), with its focus on their artistic sources which have not yet been explored so far. Painted on ramie, 'Women Picking Potherbs' is one of the most intriguing examples among Yun Duseo's oeuvre, which encompasses a broad variety of themes, including genre imagery, landscapes, portraits, dragons, and horses. Even among Yun Duseo's genre paintings, 'Women Picking Potherbs' is extraordinary, as recent scholarship regards it as the earliest independent representation of lower-class women in the history of Korean art. In particular, Yun Duseo painted two women who were working ourdoors to gather spring potherbs. In a conservative Confucian society, it was extraordinary women who were working outdoors. Hence, Yun Duseo occupies a highly important place in Korean painting. Furthermore, even though Yun Duseo came from the upper-class, he often painted images of lower class people working. It is possible that Yun Duseo was familiar with the book titled \"Tian gong kai wu\" (Exploitation of the Works of Nature) which was published in the 17th century. By identifying the probable body of his artistic sources in the book known as \"Tian gong kai wu,\" it will be possible to assess the innovations and limitations found in 'Women Picking Potherbs'.","PeriodicalId":35959,"journal":{"name":"Historia scientiarum : international journal of the History of Science Society of Japan","volume":"21 1","pages":"20-42"},"PeriodicalIF":0.0,"publicationDate":"2011-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"30327398","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Colonial modernity and networks in the Japanese empire: the role of Gotō Shinpei. 日本帝国的殖民现代性与网络:后生新平的角色。

Historia scientiarum : international journal of the History of Science Society of Japan Pub Date : 2010-01-01

Morris Low

引用次数: 0

Self-regulation of recombinant DNA technology in Japan in the 1970s. 20世纪70年代日本重组DNA技术的自我调控。

Historia scientiarum : international journal of the History of Science Society of Japan Pub Date : 2009-07-01

Hiroyuki Nagai, Yoshio Nukaga, Koji Saeki, Akira Akabayashi

{"title":"Self-regulation of recombinant DNA technology in Japan in the 1970s.","authors":"Hiroyuki Nagai, Yoshio Nukaga, Koji Saeki, Akira Akabayashi","doi":"","DOIUrl":"","url":null,"abstract":"Recombinant DNA technology was developed in the United States in the early 1970s. Leading scientists held an international Asilomar Conference in 1975 to examine the self regulation of recombinant DNA technology, followed by the U.S. National Institutes of Health drafting the Recombinant DNA Research Guidelines in 1976. The result of this conference significantly affected many nations, including Japan. However, there have been few historical studies on the self-regulation of recombinant technologies conducted by scientists and government officials in Japan. The purpose of this paper is to analyze how the Science Council of Japan, the Ministry of Education, Science adn Culture, and the Science and Technology Agency developed self-regulation policies for recombinant DNA technology in Japan in the 1970s. Groups of molecular biologist and geneticists played a key role in establishing guidelines in cooperation with government officials. Our findings suggest that self-regulation policies on recombinant DNA technology have influenced safety management for the life sciences and establishment of institutions for review in Japan.","PeriodicalId":35959,"journal":{"name":"Historia scientiarum : international journal of the History of Science Society of Japan","volume":"19 1","pages":"1-18"},"PeriodicalIF":0.0,"publicationDate":"2009-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"28461195","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0