{"title":"« Tu crois vraiment que tu redeviendras un homme seulement parce qu'on te refait une bite ? »","authors":"Léo Ferber","doi":"10.4000/agon.3034","DOIUrl":"https://doi.org/10.4000/agon.3034","url":null,"abstract":"","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-05-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117227575","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"« Cet enfant que je t’avais fait »","authors":"Sylvie Jobert","doi":"10.4000/agon.3030","DOIUrl":"https://doi.org/10.4000/agon.3030","url":null,"abstract":"","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-05-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129169608","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"En travers de la gorge !","authors":"D. Klein","doi":"10.4000/agon.3036","DOIUrl":"https://doi.org/10.4000/agon.3036","url":null,"abstract":"","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-05-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121081376","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Oasis de décélération","authors":"Estelle Moulard","doi":"10.4000/agon.3042","DOIUrl":"https://doi.org/10.4000/agon.3042","url":null,"abstract":"","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-05-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130086055","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"On nous prend pour des dindons","authors":"Cécile Corbery","doi":"10.4000/agon.3040","DOIUrl":"https://doi.org/10.4000/agon.3040","url":null,"abstract":"","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122493828","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Regards croisés, regards présents","authors":"A. Coulon, Quentin Julien, Véronique Labeille","doi":"10.4000/agon.3031","DOIUrl":"https://doi.org/10.4000/agon.3031","url":null,"abstract":"","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114868252","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Écriture(s) du cirque : une dramaturgie ?","authors":"Barbara Métais-Chastanier","doi":"10.4000/agon.2308","DOIUrl":"https://doi.org/10.4000/agon.2308","url":null,"abstract":"C’est une semaine copieuse qui a conclu le mois de novembre 2011 a Montpellier, une semaine riche en inedits, en rencontres, en croisements de toute sorte, une semaine au programme d’une densite a faire pâlir n’importe quel marathonien de colloques (s’il en existe), une semaine curieuse, vagabonde, et qui se proposait d’etablir la carte d’un territoire precis et encore trop ignore, celui du cirque. Je ne reviendrai pas ici dans le detail sur l’ensemble des temps qui ont marque cette ample « S...","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-05-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114465623","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"À la recherche du corps physiologique","authors":"Yumi Fujitani, P. Weber","doi":"10.4000/agon.3022","DOIUrl":"https://doi.org/10.4000/agon.3022","url":null,"abstract":"","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"101 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124200714","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Pour une thèse vivante” : le savoir du praticien","authors":"Claudia Triozzi, Miléna Mogica-Bossard, Adeline Thulard","doi":"10.4000/agon.2911","DOIUrl":"https://doi.org/10.4000/agon.2911","url":null,"abstract":"Claudia Triozzi est une performeuse d’origine italienne, travaillant en France depuis plusieurs annees. Elle a d’abord ete formee a la danse et a collabore avec divers choregraphes (Odile Duboc, Francois Verret), avant de creer ses propres spectacles. Elle interroge alors les presupposes du spectacle choregraphique et developpe un travail sur la voix, utilisant pour s’exprimer la vocalisation ou des chansons aux significations flottantes. Depuis qu’elle a obtenu un diplome de Master a l’Ecole...","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132272212","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Traverser intérieurement tous les terrains de jeu”","authors":"Brigitte Jaques-Wajeman, Caroline Mounier-Vehier","doi":"10.4000/agon.2903","DOIUrl":"https://doi.org/10.4000/agon.2903","url":null,"abstract":"Actrice et metteur en scene, Brigitte Jaques-Wajeman est l’eleve d’Antoine Vitez, sous la direction duquel elle joue au debut des annees 1970, avant de se tourner vers la mise en scene et de fonder en 1976 la Compagnie Pandora, avec Francois Regnault. Cet entretien a ete realise le 24 mars 2012 a Lyon, pres du Theâtre des Celestins ou etaient presentes deux spectacles mis en scene par B. Jaques-Wajeman, Nicomede et Surena de Corneille. Jouer avec Corneille Caroline Mounier-Vehier. Deux de vos...","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134525840","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}