{"title":"Regards croisés, regards présents","authors":"A. Coulon, Quentin Julien, Véronique Labeille","doi":"10.4000/agon.3031","DOIUrl":"https://doi.org/10.4000/agon.3031","url":null,"abstract":"","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114868252","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Écriture(s) du cirque : une dramaturgie ?","authors":"Barbara Métais-Chastanier","doi":"10.4000/agon.2308","DOIUrl":"https://doi.org/10.4000/agon.2308","url":null,"abstract":"C’est une semaine copieuse qui a conclu le mois de novembre 2011 a Montpellier, une semaine riche en inedits, en rencontres, en croisements de toute sorte, une semaine au programme d’une densite a faire pâlir n’importe quel marathonien de colloques (s’il en existe), une semaine curieuse, vagabonde, et qui se proposait d’etablir la carte d’un territoire precis et encore trop ignore, celui du cirque. Je ne reviendrai pas ici dans le detail sur l’ensemble des temps qui ont marque cette ample « S...","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-05-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114465623","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"À la recherche du corps physiologique","authors":"Yumi Fujitani, P. Weber","doi":"10.4000/agon.3022","DOIUrl":"https://doi.org/10.4000/agon.3022","url":null,"abstract":"","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"101 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124200714","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Pour une thèse vivante” : le savoir du praticien","authors":"Claudia Triozzi, Miléna Mogica-Bossard, Adeline Thulard","doi":"10.4000/agon.2911","DOIUrl":"https://doi.org/10.4000/agon.2911","url":null,"abstract":"Claudia Triozzi est une performeuse d’origine italienne, travaillant en France depuis plusieurs annees. Elle a d’abord ete formee a la danse et a collabore avec divers choregraphes (Odile Duboc, Francois Verret), avant de creer ses propres spectacles. Elle interroge alors les presupposes du spectacle choregraphique et developpe un travail sur la voix, utilisant pour s’exprimer la vocalisation ou des chansons aux significations flottantes. Depuis qu’elle a obtenu un diplome de Master a l’Ecole...","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132272212","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Traverser intérieurement tous les terrains de jeu”","authors":"Brigitte Jaques-Wajeman, Caroline Mounier-Vehier","doi":"10.4000/agon.2903","DOIUrl":"https://doi.org/10.4000/agon.2903","url":null,"abstract":"Actrice et metteur en scene, Brigitte Jaques-Wajeman est l’eleve d’Antoine Vitez, sous la direction duquel elle joue au debut des annees 1970, avant de se tourner vers la mise en scene et de fonder en 1976 la Compagnie Pandora, avec Francois Regnault. Cet entretien a ete realise le 24 mars 2012 a Lyon, pres du Theâtre des Celestins ou etaient presentes deux spectacles mis en scene par B. Jaques-Wajeman, Nicomede et Surena de Corneille. Jouer avec Corneille Caroline Mounier-Vehier. Deux de vos...","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134525840","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ce qu’il reste de vivant : mémoire(s) du TNP","authors":"Émilie Charlet, A. Pellois","doi":"10.4000/agon.2661","DOIUrl":"https://doi.org/10.4000/agon.2661","url":null,"abstract":"Il suffit de pousser les portes du TNP nouvellement renove et de laisser errer son regard dans les couloirs du bâtiment pour comprendre que ce lieu de theâtre est aussi un lieu charge d’Histoire. Si les differentes salles vouees a la representation accueillent le spectacle vivant, les divers espaces qui y menent (hall, foyer, escaliers...) se font l’ecrin des souvenirs, des grands moments qui ont fait ce pour quoi le TNP est aujourd’hui tout a la fois une maison, un esprit, des histoires plut...","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130587011","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Souvenirs superposés","authors":"Denise Gaspard-Huit, Mélissa Golebiewski, Mariana Marcondes Braga","doi":"10.4000/agon.2640","DOIUrl":"https://doi.org/10.4000/agon.2640","url":null,"abstract":"","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129475712","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Entre coulisses et scène","authors":"C. Grossmann, Anaïs Marty, Flora Souchier","doi":"10.4000/agon.2647","DOIUrl":"https://doi.org/10.4000/agon.2647","url":null,"abstract":"","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128831668","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Isabelle Sadoyan, Inès Guégo-Rivalan, Iara Fonseca, Flora Souchier
{"title":"Matériau brut, mémoire vive","authors":"Isabelle Sadoyan, Inès Guégo-Rivalan, Iara Fonseca, Flora Souchier","doi":"10.4000/agon.2629","DOIUrl":"https://doi.org/10.4000/agon.2629","url":null,"abstract":"","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"118 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129640074","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Il n’y a pas un soir qui ressemble à un autre soir”","authors":"Béatrice Chavaux, Caroline Mounier-Vehier, Samantha Pelé","doi":"10.4000/agon.2611","DOIUrl":"https://doi.org/10.4000/agon.2611","url":null,"abstract":"","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115013999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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