Anthropology and Archeology of Eurasia最新文献_第10页

Figurative Art and Epic Imagery in Kalmykia in Light of the Ethnic Identity of the Creative Individual 从创作个体的族群认同看卡尔梅克的具象艺术与史诗意象

Anthropology and Archeology of Eurasia Pub Date : 2015-07-03 DOI: 10.1080/10611959.2015.1194692

K. P. Batyreva, S. Batyreva

引用次数: 1

Art and ethnic identity: On the Example of the Culture of the Altai People 艺术与民族认同:以阿尔泰民族文化为例

Anthropology and Archeology of Eurasia Pub Date : 2015-07-03 DOI: 10.1080/10611959.2015.1194691

S. Tyukhteneva

引用次数: 1

Ethnocultural Traditions in the Art of the Arctic North and Sakha Republic (Yakutia) 北极北部和萨哈共和国(雅库特)艺术中的民族文化传统

Anthropology and Archeology of Eurasia Pub Date : 2015-07-03 DOI: 10.1080/10611959.2016.1194700

Zinaida Ivanova-Unarova

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Editor's Introduction 编辑器的介绍

Anthropology and Archeology of Eurasia Pub Date : 2015-07-03 DOI: 10.1080/10611959.2015.1207402

M. Balzer

{"title":"Editor's Introduction","authors":"M. Balzer","doi":"10.1080/10611959.2015.1207402","DOIUrl":"https://doi.org/10.1080/10611959.2015.1207402","url":null,"abstract":"During the cultural revivals of the late Soviet period and the 1990s in many of the ethnic republics of Russia, art and museum exhibit openings, theater premières, and book presentations were happening nearly every week. For me, traveling frequently to Sakha Republic (Yakutia), it was as if some cork had been popped on a champagne bottle, unleashing a pent-up creativity that had deep sources in local cultures. The cultural intelligentsias of Kalmykia, Buryatia, and the Altai and Sakha Republics, featured here, were encouraged by the conditions of the 1990s and by each other to explore many cultural paths, including new globalizing inspirations from Europe and Asia. Yet many of them simultaneously looked to folklore and their artistic roots. Social patterns became remarkably similar in the ways artists in these communities were and are valorized for their national themes. While republic leaders were busy choosing national flags, and arguing over national constitutions—within the Russian Federation—their artists were exploring epics and other spiritual resources. I have chosen two Mongol and two Turkic republics to illustrate the little-known and underappreciated artistic flourishing of the post-Soviet period and its legacies. This is partly because these are places I know, where specific artists have become brilliant synthesizers of their cultural traditions. They are also places where local art historians and anthropologists have been producing reflective work about their creative artist-culture-heroes. This issue merely samples their work:","PeriodicalId":35495,"journal":{"name":"Anthropology and Archeology of Eurasia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2015-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10611959.2015.1207402","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"59599669","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Visualizing (Post)-Soviet Ethnicity. Fine Art of Buryatia 可视化(后)苏联种族。布里亚特的美术

Anthropology and Archeology of Eurasia Pub Date : 2015-07-03 DOI: 10.1080/10611959.2016.1194699

Maria Tagangaeva

引用次数: 1

Mineralogical and Geochemical Indicators of the Sources of Gold for the Production of Ancient Jewelry Artifacts (The Case of the Urals) 古代珠宝器物生产中黄金来源的矿物学地球化学指标(以乌拉尔地区为例)

Anthropology and Archeology of Eurasia Pub Date : 2015-04-03 DOI: 10.1080/10611959.2015.1114861

V. V. Zaikov, E. V. Zaikova

引用次数: 1

What Are the Thirteenth- and Fourteenth-Century Underbarrow Mudbrick Enclosures of the Lower Volga Region? 伏尔加河下游地区13世纪和14世纪的土砖围墙是什么?

Anthropology and Archeology of Eurasia Pub Date : 2015-04-03 DOI: 10.1080/10611959.2015.1114870

Emma D. Zilivinskaia

引用次数: 0

Bird's Head Chapes from the Early Iron Age of the Central Caucasus and Their Analogues in the Scythian-Siberian Animal Style 中高加索铁器时代早期的鸟头纹及其在斯基泰-西伯利亚动物风格中的类似物

Anthropology and Archeology of Eurasia Pub Date : 2015-04-03 DOI: 10.1080/10611959.2015.1114852

Galina N. Vol'naia

{"title":"Bird's Head Chapes from the Early Iron Age of the Central Caucasus and Their Analogues in the Scythian-Siberian Animal Style","authors":"Galina N. Vol'naia","doi":"10.1080/10611959.2015.1114852","DOIUrl":"https://doi.org/10.1080/10611959.2015.1114852","url":null,"abstract":"The article explores the origin of bronze chapes [scabbard mountings] in the form of bird of prey images [protoma] found in sites of the Central Caucasus from the seventh century to the mid-sixth century BCE. Two stylistic types of depictions can be distinguished. The first type (exemplified by the Faskau burial sites, the Nizhnii-Chegem burial site, and Verkhnii Aul) is characterized by a ring-shaped beak, a sharp-pointed and slightly outwardly-bent tongue, and a not-large round eye. This type is similar to the early Scythian imitations of the depiction of an eagle-headed griffin of the early Greek type. The second type (exemplified by the Faskau, Koban, Klivana, and Dvani burial sites) features a beak that is strongly curved inward and made of two bands, a large round eye, and a semi–ring-shaped tongue. The first type is stylistically more homogeneous than the second, and is the earlier of the two. The idea of depicting bird of prey on chapes continued at Scythian sites of the mid-sixth century through the mid-fifth century BCE in the North Caucasus, western Transkubania, in the Dniepr region of Ukraine—and in the midst of other cultures, in Transylvania and the Lower Volga Region.","PeriodicalId":35495,"journal":{"name":"Anthropology and Archeology of Eurasia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2015-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10611959.2015.1114852","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"59599150","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Grounds for Designating the Late Neolithic Bas'ianovo Archeological Complex 指定新石器时代晚期巴斯亚诺沃考古建筑群的依据

Anthropology and Archeology of Eurasia Pub Date : 2015-04-03 DOI: 10.1080/10611959.2015.1114848

A. Shorin, E. V. Vilisov, A. Shorina

引用次数: 0

Editor's Introduction: Treasures of the Dead: Burials and Workshops from the Neolithic Urals to the Scythians, Early Balts, and the Golden Horde 编者简介:《死者的宝藏:从新石器时代乌拉尔到斯基泰人、早期波罗的海人和金帐汗国的墓葬和作坊》

Anthropology and Archeology of Eurasia Pub Date : 2015-04-03 DOI: 10.1080/10611959.2015.1160198

M. Balzer

{"title":"Editor's Introduction: Treasures of the Dead: Burials and Workshops from the Neolithic Urals to the Scythians, Early Balts, and the Golden Horde","authors":"M. Balzer","doi":"10.1080/10611959.2015.1160198","DOIUrl":"https://doi.org/10.1080/10611959.2015.1160198","url":null,"abstract":"Treasures for archeologists represent far more than gold objects found in a grave, for the true treasure is usually an addition to extensive knowledge bases accumulated over years of painstaking digging in calculated sites, felicitous accidental finds, and diligent museum exponent research. The new, cutting-edge articles in this issue present “treasures” in multiple senses—discussing precious finds and placing them in new or adapted interpretive contexts. Chronologically their range and depth is considerable, since the territory of the former Soviet Union, today’s Eurasia, continues to yield diverse riches that span the Neolithic to the Bronze and Iron Ages in the articles represented here. As usual for Eurasia archeology, these articles continue important themes in the literature, such as exploring how one determines a “people” or a “culture area,” understanding Scythian art, expanding the range of the Golden Horde, and interpreting interrelationships between nomadic and settled peoples in various time periods. Our lead article, by Aleksandr F. Shorin, Evgenii V. Vilisov, and Anastasiia A. Shorina, plunges us into the Late Neolithic, through an archeological complex beyond the Ural Mountains that raises important questions about how archeologists and anthropologists can designate a “people” and a “cultural complex” with mostly ceramic shards to go on, and only fragmentary evidence of dwellings, burial rites, or artifacts that might correlate to specific “cult” practices. One puzzle the authors","PeriodicalId":35495,"journal":{"name":"Anthropology and Archeology of Eurasia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2015-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80664839","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0