从创作个体的族群认同看卡尔梅克的具象艺术与史诗意象

Q3 Arts and Humanities

Anthropology and Archeology of Eurasia Pub Date : 2015-07-03 DOI:10.1080/10611959.2015.1194692

K. P. Batyreva, S. Batyreva

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引用次数: 1

摘要

本文以1990年代卡尔梅克艺术家协会“Dzhungaria”(亦称Jangaria或Zungharia)为例，探讨族群认同的问题。然后分析了民间传说在卡尔梅克艺术和文化复兴中的意义，重点是画家加里·罗克钦斯基和他的基于贾格尔英雄史诗的循环。作者的结论是，最近的卡尔梅克艺术，反映了蒙古和乌拉特祖先的历史记忆，源自并塑造了民族的自我意识。

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Figurative Art and Epic Imagery in Kalmykia in Light of the Ethnic Identity of the Creative Individual

The article explores the question of ethnic identity, using the case of the 1990s Kalmyk association of artists “Dzhungaria” [also Jangaria or Zungharia]. It then analyzes the significance of folklore in Kalmyk artistic and cultural revival, with focus on the painter Garri Rokchinskii and his cycle based on the Jangar heroic epic. The authors conclude that recent Kalmyk art, reflecting historical memories of Mongol and Oirat ancestry, derives from and shapes ethnic self-awareness.

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Anthropology and Archeology of Eurasia Arts and Humanities-History

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期刊介绍： Anthropology and Archeology of Eurasia presents scholarship from Russia, Siberia, the Caucasus, and Central Asia, the vast region that stretches from the Baltic to the Black Sea and from Lake Baikal to the Bering Strait. Each thematic issue, with a substantive introduction to the topic by the editor, features expertly translated and annotated manuscripts, articles, and book excerpts reporting fieldwork from every part of the region and theoretical studies on topics of special interest.