{"title":"Sisyphus on horseback: Landscape allegory in the postwar Western","authors":"David Melbye","doi":"10.1386/ejac_00100_1","DOIUrl":"https://doi.org/10.1386/ejac_00100_1","url":null,"abstract":"This article locates a psychological mobilization of natural settings in the post-war Westerns Duel in the Sun, Lonely Are the Brave , and Man in the Wilderness , which I refer to as ‘Sisyphean’ landscape allegory. This narrative of inner conflict is not only expressed through an inhospitable terrain per se, but also through the protagonist’s physical attempts to navigate and/or overcome it as a primary obstacle. I argue that the existential sense of futility these films invoke through their Sisyphean sequences serves to corroborate audience angst rather than to assuage it. At the same time, the larger therapeutic agenda of these films for American audiences varied according to their cultural milieu.","PeriodicalId":35235,"journal":{"name":"European Journal of American Culture","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135736369","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Between ‘Ich will Spaß’ and ‘99 Jahre Krieg’: Receptions of the ‘New German Wave’ in the United States","authors":"Veronika Keller","doi":"10.1386/ejac_00094_1","DOIUrl":"https://doi.org/10.1386/ejac_00094_1","url":null,"abstract":"In the late 1970s a new music movement, rooted in British punk and New Wave music, emerged in West Germany. It distinctly was not only sung in German, but the lyrics played with the German language by adding Dadaistic elements or youth slang, and reflected on the political, cultural and social zeitgeist of late Cold War West Germany. Over the years this formerly underground music genre was labelled ‘Neue Deutsche Welle’ (NDW) and became a commercial success, both domestically and abroad: Artists like Peter Schilling became known in the United States, the biggest hit ‘99 Luftballons’ by the band Nena reached number 2 in the Billboard Hot 100 in 1983 in its original German version. Like many other New Wave music, NDW songs found their way to mainstream success in the United States through the club scene, radio shows and the then new music television. At the same time, coming from the then still divided Germany catapulted the bands right in the middle of the Anti-war and Anti-nuclear movements at the end of the cold war, even when NDW bands themselves oftentimes labelled their music as non-political.","PeriodicalId":35235,"journal":{"name":"European Journal of American Culture","volume":"95 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135736373","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Kids on the Street: Queer Kinship and Religion in San Francisco’s Tenderloin, Joseph Plaster (2023)","authors":"Jack Hodgson","doi":"10.1386/ejac_00106_5","DOIUrl":"https://doi.org/10.1386/ejac_00106_5","url":null,"abstract":"Review of: Kids on the Street: Queer Kinship and Religion in San Francisco’s Tenderloin , Joseph Plaster (2023) Durham, NC and London: Duke University Press, 358 pp., ISBN 978-1-47801-895-7, p/bk, $28.95","PeriodicalId":35235,"journal":{"name":"European Journal of American Culture","volume":"96 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135736742","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Modernity and the Pony Express Western","authors":"Christina Corfield","doi":"10.1386/ejac_00099_1","DOIUrl":"https://doi.org/10.1386/ejac_00099_1","url":null,"abstract":"The telegraph and the railroad have remained among the most iconic technologies associated with the impending modernization of the United States as represented in the Western genre. However, the lesser-known but still iconic Pony Express – a short lived, horse-and-rider messenger service from the mid-nineteenth century which has enjoyed significant popular cultural representation – provides an alternative, anachronistic iconography for the same transitionary period that suggests a different path for American modernity through western expansion. Focusing on the Western as it appears in Hollywood and non-commercial film, as well as television shows, I consider how the Pony Express as a subject or character challenges antagonistic narratives and iconographies of American modernity in the Western that usually pit older modes of living against the encroachment of newer, mechanized modes of modernity. Appearing both old and new at the same time, I argue that Pony Express narratives instead emphasize and endorse co-operation between tradition on the one hand and innovation on the other hand.","PeriodicalId":35235,"journal":{"name":"European Journal of American Culture","volume":"85 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135736745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Feels Right: Black Queer Women and the Politics of Partying in Chicago, Kemi Adeyemi (2022)","authors":"Marietta Kosma","doi":"10.1386/ejac_00095_5","DOIUrl":"https://doi.org/10.1386/ejac_00095_5","url":null,"abstract":"Review of: Feels Right: Black Queer Women and the Politics of Partying in Chicago , Kemi Adeyemi (2022) Durham, NC: Duke University Press, 192 pp., ISBN 978-1-47801-869-8, p/bk, $24.95","PeriodicalId":35235,"journal":{"name":"European Journal of American Culture","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135736747","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘This great stage of fools’: Martha Graham’s dance ‘Notes for a Study of Lear’","authors":"Rosella Simonari","doi":"10.1386/ejac_00087_1","DOIUrl":"https://doi.org/10.1386/ejac_00087_1","url":null,"abstract":"\u0000 The Notebooks of Martha is a set of notes Graham wrote between the late 1940s and the 1960s. They include quotations from various subjects such as literature, mythology and art. Fifteen pages are dedicated to William Shakespeare’s King Lear, as Graham had decided to choreograph a work on this famous tragedy, titled The Eye of Anguish. Graham did not perform in it and created the dance for her partner on stage and then husband Erick Hawkins. The notes present an interesting layout, have no date and are characterized by a fascinating question in regard to the relationship between quotations from the play and Graham’s comments. The notes address various topics, but one is particularly striking, that is the Fool image. The Fool is a complex character in King Lear and, at one point, Graham quotes Lear’s famous line ‘when we are born we cry that we are come to this great stage of fools’. What is her relationship to the ‘stage of fools?’ How does she elaborate her notes on the actual choreography? In this study, I intend to explore the notes following three aspects: the notes as such, their layout, date and quotation–non quotation arrangement; the stage-Fool binomial and how it reverberates across Graham’s work; the final notes on the choreography. The methodological tools used are those of dance and literary studies and cultural history.","PeriodicalId":35235,"journal":{"name":"European Journal of American Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44489443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"An imaginative geography of linear gender: Bathrooms, locker rooms and cis vulnerability","authors":"Valo Vähäpassi","doi":"10.1386/ejac_00086_1","DOIUrl":"https://doi.org/10.1386/ejac_00086_1","url":null,"abstract":"The wave of anti-trans bathroom bills since 2015 has raised awareness of the importance of bathroom politics for trans people. Long before this, feminist scholars have argued that bodies and spaces are simultaneously forced into a gender binary through the regulation of gender-segregated spaces such as bathrooms. In this article, I offer a trans feminist reading of the media events and rhetoric of the Christian right opposing trans access. I analyse the opposition of the Christian right towards trans access to gender-segregated spaces as an imaginative geography of linear gender. As I argue, the Christian right builds an imaginative geography of a threatened, White ‘cis America’ through rhetorical devices. Vulnerability attached with micro-level spaces across the United States is evoked through the figure of the child, ‘women and children’ and the predator. Through these rhetorical devices, bodies and spaces are imagined simultaneously. These figures work as powerful ‘stopping devices’ for anyone bending the straight line of linear gender. These stopping devices can mobilize cis bodies around a defence of a conservative gender order, legitimize a ‘protective’ control over cis girls and women, make living in the social world even harder for trans people, all the while envisioning an exclusionary ‘America’.","PeriodicalId":35235,"journal":{"name":"European Journal of American Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48240012","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Before Sunrise, Before Sunset, Before Midnight: A Philosophical Exploration, Hans Maes and Katrien Schaubroeck (Eds) (2021)","authors":"Aidan Dolby","doi":"10.1386/ejac_00090_5","DOIUrl":"https://doi.org/10.1386/ejac_00090_5","url":null,"abstract":"Review of: Before Sunrise, Before Sunset, Before Midnight: A Philosophical Exploration, Hans Maes and Katrien Schaubroeck (Eds) (2021)\u0000 London and New York: Routledge, 224 pp.,\u0000 ISBN 978-0-36720-439-6, p/bk, £27.99","PeriodicalId":35235,"journal":{"name":"European Journal of American Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47477895","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Beyond the Boundaries of Childhood: African American Children in the Antebellum North, Crystal Lynn Webster (2021)","authors":"K. Taylor","doi":"10.1386/ejac_00089_5","DOIUrl":"https://doi.org/10.1386/ejac_00089_5","url":null,"abstract":"Review of: Beyond the Boundaries of Childhood: African American Children in the Antebellum North, Crystal Lynn Webster (2021)\u0000 Chapel Hill, NC: University of North Carolina Press, 208 pp.,\u0000 ISBN 978-1-46966-323-4, p/bk, $24.95\u0000 ISBN 978-1-46966-322-7, h/bk, $95.00","PeriodicalId":35235,"journal":{"name":"European Journal of American Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42301416","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘Power besieged and power protected’: Conservative uses of COVID-19 to attack Black Lives Matter","authors":"David Holloway","doi":"10.1386/ejac_00088_1","DOIUrl":"https://doi.org/10.1386/ejac_00088_1","url":null,"abstract":"This essay discusses uses of COVID-19 by American conservatives to attack the legitimacy of demonstrations against racial injustice in the United States following the murder of George Floyd. The essay considers the conflation of COVID-19 and Black Lives Matter in journalism published by conservative media organization The Daily Wire, situating its reportage within a tradition of conservative movement racial politics from Barry Goldwater to Donald Trump. During summer 2020, conservative responses to COVID-19 expanded the discursive spheres in which racialized conflict played out, exemplifying the diffuse and pervasive nature of White backlash politics in contemporary movement conservatism and the continuity of that discourse with patterns established during earlier periods of civil rights struggle. After Floyd’s murder, conservative voices utilized COVID-19 as a racialized wedge, dividing those Americans characterized as authentic and deserving citizens from civil rights protestors and their supporters whose actions were presented as subversive of the legitimate body politic. The essay shows how these treatments of COVID-19 sit within conservative ‘dog whistle’ traditions of the later twentieth century – massaging White resentments without appearing to talk explicitly about race – while simultaneously, in a rhetoric characteristic of the post-Tea Party alt-Right, openly disclosing the politics of racial polarization and exclusion such traditions were once intended to obfuscate or encode.","PeriodicalId":35235,"journal":{"name":"European Journal of American Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43232177","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}