Modernity and the Pony Express Western

Abstract

The telegraph and the railroad have remained among the most iconic technologies associated with the impending modernization of the United States as represented in the Western genre. However, the lesser-known but still iconic Pony Express – a short lived, horse-and-rider messenger service from the mid-nineteenth century which has enjoyed significant popular cultural representation – provides an alternative, anachronistic iconography for the same transitionary period that suggests a different path for American modernity through western expansion. Focusing on the Western as it appears in Hollywood and non-commercial film, as well as television shows, I consider how the Pony Express as a subject or character challenges antagonistic narratives and iconographies of American modernity in the Western that usually pit older modes of living against the encroachment of newer, mechanized modes of modernity. Appearing both old and new at the same time, I argue that Pony Express narratives instead emphasize and endorse co-operation between tradition on the one hand and innovation on the other hand.