Miscelanea最新文献_第5页

Teacher Training for English-Medium Instruction in Higher Education, by Maria del Mar Sánchez-Pérez (Hershey PA: IGI Global, 2020) Maria del Mar Sánchez-Pérez的《高等教育英语教学教师培训》（Hershey PA:IGI Global，2020）

Miscelanea Pub Date : 2022-06-13 DOI: 10.26754/ojs_misc/mj.20226952

Enrique Lafuente Millán

引用次数: 0

INTERCULTURAL PERSPECTIVES ON RESEARCH WRITING, edited by Pilar Mur-Dueñas and Jolanta Šinkūnienė (Amsterdam/Philadelphia: John Benjamins, 2018) 研究写作的跨文化视角，由Pilar Mur Dueñas和JolantaŠinkúnienë编辑（阿姆斯特丹/费城：John Benjamins，2018）

Miscelanea Pub Date : 2021-12-18 DOI: 10.26754/ojs_misc/mj.20216060

David Sánchez-Jiménez

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Afrodiasporic Female Automobility and Motel-Dwelling in Lesley Nneka Arimah's "Windfalls" 非裔女性的汽车出行和汽车旅馆居住——莱斯利·恩内卡·阿里玛的“意外之财”

Miscelanea Pub Date : 2021-12-18 DOI: 10.26754/ojs_misc/mj.20216053

Sandra García-Corte

{"title":"Afrodiasporic Female Automobility and Motel-Dwelling in Lesley Nneka Arimah's \"Windfalls\"","authors":"Sandra García-Corte","doi":"10.26754/ojs_misc/mj.20216053","DOIUrl":"https://doi.org/10.26754/ojs_misc/mj.20216053","url":null,"abstract":"This article explores Lesley Nneka Arimah’s “Windfalls” (2017) from a literary mobility studies perspective, applying notions of mobility studies such as the driving-event, friction, arrhythmia, and stickiness for an in-depth textual analysis. Given that its female migrant protagonists are constantly on the move, tropes of mobility recur throughout the story. Cars, filling stations, parking lots, truckers, motels and the figure of the sojourner play a pivotal role in defining its Afrodiasporic protagonists’ postmigratory mobilities in the United States. Arimah’s depiction of automobility and motel-dwelling underlines her theme of a flawed mother-daughter relationship and their impossibility of achieving the promised American Dream. A close reading of the fictional travellers’ displacements uncovers a critical analysis of automobility and motel-dwelling as forms of subversion of hegemonic mothering. Particular attention is drawn to how the female protagonists’ motilities are determined by their racialised gendered bodies. By analysing the literary representation of concrete and tangible mobilities performed by female Nigerian migrants, this study acknowleges the importance of exploring a key characteristic of third-generation Afrodiasporic fiction which has mostly gone unnoticed. ","PeriodicalId":35132,"journal":{"name":"Miscelanea","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46254129","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Metaphors Used to Communicate the Coronavirus State of Emergency in the United Kingdom and Spain: A Contrastive Analysis 英国和西班牙用于传达冠状病毒紧急状态的隐喻：对比分析

Miscelanea Pub Date : 2021-12-18 DOI: 10.26754/ojs_misc/mj.20216050

Eliecer Crespo-Fernández

引用次数: 1

From a "Child of Light" to a "Woman of Genius": Sarah Grand's The Beth Book as the New Woman Bildungsroman 从“光明之子”到“天才女性”：莎拉·格兰德的《贝丝书》作为新女性成长小说

Miscelanea Pub Date : 2021-12-18 DOI: 10.26754/ojs_misc/mj.20216054

Ilona Dobosiewicz

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Forget Not Who Thou Art: Contradictory Identification in Ruiz de Burton's Play Don Quixote de la Mancha 勿忘你是谁：鲁伊斯·德·伯顿戏剧《堂吉诃德》中的矛盾认同

Miscelanea Pub Date : 2021-12-18 DOI: 10.26754/ojs_misc/mj.20216057

Milagros López-Peláez Casellas

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"Perimeters of Grief": Elegy in and out of Bounds in Fred D'Aguiar's Memorial Poetry “悲伤的边界”:弗雷德·达吉尔纪念诗中的越界哀歌

Miscelanea Pub Date : 2021-12-18 DOI: 10.26754/ojs_misc/mj.20216052

Lourdes López-Ropero

{"title":"\"Perimeters of Grief\": Elegy in and out of Bounds in Fred D'Aguiar's Memorial Poetry","authors":"Lourdes López-Ropero","doi":"10.26754/ojs_misc/mj.20216052","DOIUrl":"https://doi.org/10.26754/ojs_misc/mj.20216052","url":null,"abstract":"While Fred D’Aguiar’s preoccupation with acknowledging the dead and honoring their memory gives his work an idiosyncratic elegiac quality, it is with the publication of the poetic sequence “Elegies”, from the collection Continental Shelf (2009), that the author overtly pitches himself in the traditional terrain of the elegy as a poetic genre. This sequence, a response to the Virginia Tech shootings (April 16, 2007), the deadliest gun rampage in US history to date, invites critical attention not only because it remains critically unexamined, but also because through its title it presents itself as an elegy when an anti-elegiac turn has been identified in modern poetry. This paper will explore D’Aguiar’s intervention in the debate surrounding elegy’s contemporary function as a genre which oscillates between the poles of melancholia and consolation, thus contributing to shaping the contours of an ancient but conflicted poetic form for the 21st century. I will be arguing that D’Aguiar’s poem suggests that for elegy to serve the troubled present it may benefit from the cultivation of an unembarrassed attachment to the deceased, from avoiding depoliticizing tragedy and from the exposure of its socio-historical underpinnings. In sum, it should be open to engaging with such critical issues as the struggles of collective memory, or the turning of grief into mass-mediated spectacle.","PeriodicalId":35132,"journal":{"name":"Miscelanea","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42520406","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Christopher Isherwood's "Right" and "Wrong" Anti-Semitism: A Political Reading 克里斯托弗·伊舍伍德的“对”与“错”反犹太主义：政治解读

Miscelanea Pub Date : 2021-12-18 DOI: 10.26754/ojs_misc/mj.20216055

Francesc Gámez Toro

{"title":"Christopher Isherwood's \"Right\" and \"Wrong\" Anti-Semitism: A Political Reading","authors":"Francesc Gámez Toro","doi":"10.26754/ojs_misc/mj.20216055","DOIUrl":"https://doi.org/10.26754/ojs_misc/mj.20216055","url":null,"abstract":"There are numerous references to Christopher Isherwood’s prejudices against Jews in scholarly literature; however, this subject has not yet been approached in depth. This study aims to fill that void by dissecting the author’s bias against Jews: its origin and nature. The article discusses the references to Jews in the writer’s novels, memoirs and diaries within the frame of reference of Tajfel and Turner’s social identity theory which holds that humans innately derogate those who are perceived as being opposed. A close reading reveals that Isherwood, in a specific social and political context, considered Jews alien to him and —in accordance with social identity theory predictions— he instinctually derogated them. Before his stay in Berlin, Judaism did not interest him and he disliked Jews because he regarded them as ‘exotic’. During the rise and rule of Nazism, the writer felt compelled to support Jews —although reticently— because they had become the main target of persecution of national socialism. Later, once in America, Isherwood distinguished between ‘right’ and ‘wrong’ anti-Semitism and stated that Jewish politics were whining and belligerent. Even though he had Jewish friends, his diaries show a persistent instinctual dislike of Jews. Ironically, the anti-prejudice fighter could not help having his own prejudices.","PeriodicalId":35132,"journal":{"name":"Miscelanea","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44227602","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Phonological Remarks on Spanish Loanwords in English 英语中西班牙语外来词的语音注释

Miscelanea Pub Date : 2021-12-18 DOI: 10.26754/ojs_misc/mj.20216051

Estrella Ramírez Quesada

引用次数: 1

LA LITERATURA GÓTICA LLEGA AL NUEVO SUR: INFLUENCIA Y REFORMULACIÓN DEL GÓTICO EN LA OBRA DE FLANNERY O'CONNOR, by José Manuel Correoso Rodenas (Madrid: Fundación Universitaria Española, 2020) 《哥特式文学到达新南方:弗兰纳里·奥康纳作品中哥特式的影响和重塑》，jose曼努埃尔·科雷索·罗德纳斯著(马德里:fundacion Universitaria espanola, 2020)

Miscelanea Pub Date : 2021-12-18 DOI: 10.26754/ojs_misc/mj.20216061

Daniele Arciello

引用次数: 1