{"title":"Reassessing John Steinbeck’s modernism: myth, ritual, and a land full of ghosts in “To a God Unknown”","authors":"Rebeca Gualberto","doi":"10.18172/JES.3404","DOIUrl":"https://doi.org/10.18172/JES.3404","url":null,"abstract":"The aim of this paper is to reassess John Steinbeck’s presence and significance within American modernism by advancing a myth-critical reading of his early novel “To a God Unknown” (1933). Considering the interplay between this novel and the precedent literary tradition and other contextual aspects that might have influenced Steinbeck’s text, this study explores Steinbeck’s often disregarded novel as an eloquent demonstration of the malleability of myths characteristic of Anglo-American modernism. Taking myth-ritualism—the most prominent approach to myth at the time—as a critical prism to reappraise Steinbeck’s own reshaping of modernist aesthetics, this article examines recurrent frustrated and misguided ritual patterns along with the rewriting of flouted mythical motifs as a series of aesthetic choices that give shape and meaning to a state of stagnation common to the post-war American literary landscapes, but now exacerbated as it has finally spread, as a plague of perverse remythologization, to the Eden of the West.","PeriodicalId":35112,"journal":{"name":"Journal of English Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42233400","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Indecorum, compromised authority and the sovereign body politic in “The Fortunes of Nigel” and “The Heart of Mid-Lothian”","authors":"A. Cousins, Dani Napton","doi":"10.18172/JES.3321","DOIUrl":"https://doi.org/10.18172/JES.3321","url":null,"abstract":"In “The Fortunes of Nigel” (1822) and “The Heart of Mid-Lothian” (1818), Walter Scott’s respective characterizations of both James I and Caroline, George II’s regent, enable him to create the duality of a historically recognizable and deeply qualified representation of the sovereign as natural body and as body politic. He considers how each monarch sought to establish, consolidate and legitimate their respective authorities in the dynamic politico-religious environments they presided over. To do so, Scott positions James’ and Caroline’s monarchical authority as inherently compromised and achieves this using three stratagems. First, he positions them both as either personally or politically indecorous, displaying actions unbefitting sovereignty. Second, he demonstrates how each monarch’s perceived or actual lack of masculinity reduces the authority each wields. Finally, he shows that the justice and social harmony sought by the protagonists of each novel is effected, yet emphasizes that this is not due solely to the monarch’s involvement, but to others better positioned to assist the respective hero and heroine at an individual level (and thus the sovereign at a macrocosmic level) to achieve that lasting form of justice and societal harmony. As such, Scott is able simultaneously to affirm the positive nature of both Stuart and Hanoverian monarchical rule yet maintain a qualified, wary and less than wholehearted appreciation of these two specific monarchs.","PeriodicalId":35112,"journal":{"name":"Journal of English Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49603812","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A.S. Byatt and the “perpetual traveller”: a reading practice for new British fiction","authors":"N. Flynn","doi":"10.18172/JES.3450","DOIUrl":"https://doi.org/10.18172/JES.3450","url":null,"abstract":"While most readers enjoyed, or at least admired A.S. Byatt’s Booker prize-winning novel “Possession”, many are puzzled by her work before and since. This essay argues that the problem is not the novels themselves, but rather the way that readers approach them. Conventional reading practices for experimental or postmodern fiction do not enable the reader to understand and enjoy her dense, dizzying work. By examining the intertexts in her novella “Morpho Eugenia,” in particular two imaginary texts written by the protagonist William Adamson, this essay demonstrates how the novella generates a different kind of reading practice. Using Byatt’s metaphor, the essay recommends that readers become “perpetual travelers,” a global model of readership that will enable readers to navigate not only Byatt’s oeuvre and the realm of neo-Victorian fiction, but also the field of new British fiction and the crowded media landscape in which it resides.","PeriodicalId":35112,"journal":{"name":"Journal of English Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48709489","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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