Caribbean Quarterly最新文献_第8页

Glissant and the Middle Passage: Philosophy, Beginning, Abyss 闪光与中道：哲学、开端、深渊

Caribbean Quarterly Pub Date : 2022-04-03 DOI: 10.1080/00086495.2022.2068857

F. Ledgister

引用次数: 0

How Britain Underdeveloped the Caribbean: A Reparation Response to Europe’s Legacy of Plunder and Poverty 英国如何开发加勒比:对欧洲掠夺和贫困遗产的赔偿回应

Caribbean Quarterly Pub Date : 2022-04-03 DOI: 10.1080/00086495.2022.2068856

Rupert Lewis

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Low Frequencies and Poetic Innovations 低频与诗歌创新

Caribbean Quarterly Pub Date : 2022-04-03 DOI: 10.1080/00086495.2022.2068853

Rachel Bolle-Debessay

{"title":"Low Frequencies and Poetic Innovations","authors":"Rachel Bolle-Debessay","doi":"10.1080/00086495.2022.2068853","DOIUrl":"https://doi.org/10.1080/00086495.2022.2068853","url":null,"abstract":"THE GENRE ‘DUB POETRY’ APPEARED IN THE early 1970s. The term refers to a type of AfroCaribbean (originally Jamaican) and black British poetry which is performancebased but can be presented in different formats: a dub poem can be performed live or studio-recorded, with or without music; it can also appear without the performance, in a print version. It is in the interplay of all these different versions that the aesthetic of dub poetry is best understood. It is represented by the work of pioneering poets such as Oku Onuora, Mutabaruka, Michael “Mikey” Smith, Jean “Binta” Breeze, Lillian Allen, Yasus Afari, Levi Tafari, Benjamin Zephaniah, and Linton Kwesi Johnson (hereafter LKJ). It emerged within a Caribbean community where social injustices shaped a consciousness and a militancy expressed in a variety of artistic forms, such as literature, music, and the visual arts. In the history of its criticism, the work of an early generation of writers and critics, such as Edward Kamau Brathwaite, Mervyn Morris and Stewart Brown, and scholars such as Kwame Dawes and Lloyd Bradley, played an important role in developing a narrative of music’s role and place in the development of this poetry.1 In academic studies concerned specifically with dub poetry, the work of David Bousquet, Eric Doumerc, Christian Habekost, Bartosz Wójcik and more recently David Austin has advanced interesting debates on the aesthetic of dub poetry.2 Yet, in these different academic works on that poetic practice, a discussion on the impact of music on the poetics of dub poetry is still inadequate. Although dub poetry is illustrated in the work of several poets as mentioned above, the Jamaica-born, UK-raised LKJ is an important pioneer in the tradition – as reflected in his achievement in becoming the second living poet, and the only black one, to be published in the Penguin Modern Classics series in 2002. His poetic style shows experimentations that contributed greatly","PeriodicalId":35039,"journal":{"name":"Caribbean Quarterly","volume":"20 1","pages":"251 - 267"},"PeriodicalIF":0.0,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41269913","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

O Stories: Birth and Rebirth – A Certain History of Women 《故事:诞生与重生——一部关于女性的历史

Caribbean Quarterly Pub Date : 2022-04-03 DOI: 10.1080/00086495.2022.2073070

P. Monnin

引用次数: 0

Cheikh Anta Diop’s Southern Cradle of Culture 谢赫·安踏·迪奥普的南方文化摇篮

Caribbean Quarterly Pub Date : 2022-04-03 DOI: 10.1080/00086495.2022.2068852

Humphrey A. Regis

引用次数: 0

“Proof(s) of Memory” “记忆证明”

Caribbean Quarterly Pub Date : 2022-04-03 DOI: 10.1080/00086495.2022.2068845

Nathan H. Dize

{"title":"“Proof(s) of Memory”","authors":"Nathan H. Dize","doi":"10.1080/00086495.2022.2068845","DOIUrl":"https://doi.org/10.1080/00086495.2022.2068845","url":null,"abstract":"THE fin-de-siècle HAITIAN POET MASSILLON COICOU SAW poetry as a way to reflect on the past. In his 1892 collection Poésies nationales,1 Coicou dedicates individual poems to events, historical figures, and his literary forebears with poems entitled “Toussaint-Messie”, “Vertières”, “A Toussaint-Louverture”, “A Pétion”, “A Christophe”, “A Oswald Durand”, as well as others, all composed in alexandrine verse. Among the titles dedicated to Haiti’s founding fathers there is one glaring absence: no poem carries the name of Jean-Jacques Dessalines. At a glance, the Haitian bard’s omission may appear as a disavowal of the ideas that Dessalines has come to represent, such as anti-colonialism or the ethno-national unity inscribed by Haiti’s first leader in articles 12–14 of his 1805 Constitution.2 A closer look at the poems reveals that one of Coicou’s primary poetic concerns in Poésies nationales is to sift through the legacy of civil war in Haiti that was inaugurated with Dessalines’s murder at the Pont Rouge on 17 October 1806. Instead of situating Dessalines in the titles of his poems, Coicou weaves the memory of Haiti’s first emperor throughout the collection in poems addressing Dessalines’s assassination – “Une voix sur le Pont Rouge”, “Sa Tombe”, “Exaltation”, and “Au Cimetière” – in addition to others on the theme of civil war. Chief among Coicou’s Dessalinian poems in Poésies nationales is “L’Alarme” which opposes Haitian revolutionary struggles during the civil wars waged in Haiti throughout the nineteenth century, on paper, in the halls of the government, on both sides of the island of Ayiti Kiskeya,3 and within the Haitian family. The poem begins with an eerily familiar call to arms, “Entendez-vous ce cri qui retentit: ‘Aux armes!’ / Encor l’horreur! encor du sang! encor les larmes!” (Do you hear the cry that rings out: ‘To Arms!’ / More horror! More blood! More tears!).4 In subsequent lines, the poet quickly establishes the morbid gist of the poem, revealing that the present battle cry is not ripped from the glorious, anti-colonial past, but instead rooted in the sorrow of an ongoing civil war:","PeriodicalId":35039,"journal":{"name":"Caribbean Quarterly","volume":"68 1","pages":"171 - 193"},"PeriodicalIF":0.0,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42918916","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Vodou Cosmology and the Haitian Revolution in the Enlightenment Ideals of Kant and Hegel 伏杜宇宙学与康德、黑格尔启蒙思想中的海地革命

Caribbean Quarterly Pub Date : 2022-04-03 DOI: 10.1080/00086495.2022.2068860

W. Chandler

引用次数: 1

Editor’s Note Editor’s音符

Caribbean Quarterly Pub Date : 2022-04-03 DOI: 10.1080/00086495.2022.2069341

Kim Robinson-Walcott

引用次数: 0

The Greening of Saint Lucia: Economic Development and Environmental Change in the Eastern Caribbean 圣卢西亚的绿化：东加勒比的经济发展和环境变化

Caribbean Quarterly Pub Date : 2022-01-02 DOI: 10.1080/00086495.2022.2037266

O’Dane McKoy