Latin American and Caribbean Ethnic Studies最新文献_第5页

White spatial politics in mainstream agroecology activism in Argentina 阿根廷主流生态农业行动主义中的白人空间政治

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Latin American and Caribbean Ethnic Studies Pub Date : 2022-07-12 DOI: 10.1080/17442222.2022.2099168

D. Marini

引用次数: 0

Privileged whites and white privilege in Puerto Rico 特权白人和波多黎各的白人特权

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Latin American and Caribbean Ethnic Studies Pub Date : 2022-07-11 DOI: 10.1080/17442222.2022.2097821

Guillermo Rebollo Gil

引用次数: 0

Artists, folklorists, and cultural institutions in Ecuador (1944–1964) 厄瓜多尔的艺术家、民俗学家和文化机构(1944-1964)

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Latin American and Caribbean Ethnic Studies Pub Date : 2022-06-27 DOI: 10.1080/17442222.2022.2091908

María Elena Bedoya Hidalgo

{"title":"Artists, folklorists, and cultural institutions in Ecuador (1944–1964)","authors":"María Elena Bedoya Hidalgo","doi":"10.1080/17442222.2022.2091908","DOIUrl":"https://doi.org/10.1080/17442222.2022.2091908","url":null,"abstract":"ABSTRACT This article explores the relationship between art, folklore, and cultural institutions in mid-twentieth-century Ecuador. The founding of the Casa de la Cultura Ecuatoriana (CCE) in 1944 represented a milestone in the construction of the idea of ‘national culture’. It generated a cultural policy that recognized indigeneity as the foundation of Ecuadorian identity. The artists of the time took up joint actions with the CCE intended to salvage what was initially regarded as ‘manual art’ or ‘indigenous arts’, and eventually became notions of ‘handicrafts’ and/or ‘folklore’. Following the creation of the Instituto Ecuatoriano del Folklore and the Instituto Azuayo del Folklore in the 1960s, both of which were affiliated with the CCE, a series of art-related activities were organized. The artists involved regarded themselves as folklorists and took charge not only of collecting ethnographic materials throughout the country but also of motivating an aesthetic interest in, and promoting craft practices among the indigenous peoples. From this perspective, this article considers the complex interweaving between what was being configured as a field of artistic-aesthetic creation and research as conceived from the standpoint of material culture, its intersection with the anthropology of folklore at the time, and the interests of the nation-state in this kind of cultural practice.","PeriodicalId":35038,"journal":{"name":"Latin American and Caribbean Ethnic Studies","volume":"18 1","pages":"1 - 23"},"PeriodicalIF":0.6,"publicationDate":"2022-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47178731","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The figure of the ‘Indian’ in 1920s Bolivian theater 20世纪20年代玻利维亚戏剧中的“印第安人”形象

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Latin American and Caribbean Ethnic Studies Pub Date : 2022-06-13 DOI: 10.1080/17442222.2022.2065625

Emilio J. Gallardo-Saborido

引用次数: 0

Art, folklore, and industry: popular arts and indigenismo in Mexico, 1920–1946 艺术、民间传说与工业:1920-1946年墨西哥的流行艺术与本土主义

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Latin American and Caribbean Ethnic Studies Pub Date : 2022-05-18 DOI: 10.1080/17442222.2022.2064099

Haydeé López Hernández

{"title":"Art, folklore, and industry: popular arts and indigenismo in Mexico, 1920–1946","authors":"Haydeé López Hernández","doi":"10.1080/17442222.2022.2064099","DOIUrl":"https://doi.org/10.1080/17442222.2022.2064099","url":null,"abstract":"ABSTRACT The construction of popular arts in Mexico is a process that is generally attributed to the proposals of the plastic artists of the post-revolutionary period. Here, I explore some of these (Exposición Nacional de Artes Populares, 1921; y Museo de Artes Populares, 1930–1942), along with others not yet analyzed by historiography, mainly developed by anthropologists (at the Museo Nacional, 1920–1924; in the Misión Universitaria del Instituto de Investigaciones Estéticas de la Universidad Nacional, 1936–1937; and in the Departamento de Asuntos Indígenas, 1936–1946). The goal is to show their affinities (a purist and primitivist notion) but, above all, to highlight their differences regarding the aesthetic (art), cultural (folklore), and identity (Mexican, indigenous, national) valuation of the objects (industry/crafts), as well as the need for its conservation vs. transformation. I argue that, far from being a linear and homogeneous history derived exclusively from post-revolutionary plastic arts, it is a heterogeneous process that was not consolidated into a single centralized and institutionalized project until the middle of the century, within the framework of the modernization of the Mexican State and the inter-American indigenism.","PeriodicalId":35038,"journal":{"name":"Latin American and Caribbean Ethnic Studies","volume":"17 1","pages":"495 - 518"},"PeriodicalIF":0.6,"publicationDate":"2022-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44109736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

In the shadow of Cuauhtémoc: commemorative sculptures, indigenous heroes, and indigenismo in Mexico and Brazil, 1944-1958 在Cuauhtémoc的阴影下：1944-1958年墨西哥和巴西的纪念雕塑、土著英雄和土著主义

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Latin American and Caribbean Ethnic Studies Pub Date : 2022-04-28 DOI: 10.1080/17442222.2022.2041349

L. Giraudo

{"title":"In the shadow of Cuauhtémoc: commemorative sculptures, indigenous heroes, and indigenismo in Mexico and Brazil, 1944-1958","authors":"L. Giraudo","doi":"10.1080/17442222.2022.2041349","DOIUrl":"https://doi.org/10.1080/17442222.2022.2041349","url":null,"abstract":"ABSTRACT This article addresses the Brazilian interpretation of the Day of the Indian, a hemispheric indigenista celebration created in 1940 and observed in Brazil since 1944. It especially focuses on the prominence of the figure of Cuauhtémoc after the Mexican government sent a monument of the ‘Aztec hero’ to Brazil in 1922. The arrival of the Cuauhtémoc monument in Rio de Janeiro triggered a debate about who Brazil’s Indian hero should be, which continued until 1965 when a sculpture of the ‘Indian’ Araribóia was placed in Niteroi, on the other side of the Guanabara Bay. In the Day of the Indian ritual, the figure of Araribóia achieves some importance, but no autochthonous local figure could displace the mighty Cuauhtémoc and his status as Amerindian hero. The analysis of these specific stagings suggests a strong connection between the public displays of the ‘Indian heroes’ and the concomitant processes of national institutionalization and international recognition of Brazilian indigenismo. In the end, the heroic figures promoted by the Day of the Indian were not the Indians, but the indigenistas themselves. Their model, General Rondon, would be recognized in 1958, the year of his death, as ‘Indigenist hero.’","PeriodicalId":35038,"journal":{"name":"Latin American and Caribbean Ethnic Studies","volume":"17 1","pages":"399 - 422"},"PeriodicalIF":0.6,"publicationDate":"2022-04-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41677637","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Yuyarinchik ninchik: un diálogo colectivo sobre arte indígena e indigenismos Yuyarinchik Ninchik：关于土著艺术和土著主义的集体对话

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Latin American and Caribbean Ethnic Studies Pub Date : 2022-04-19 DOI: 10.1080/17442222.2022.2065624

Angélica Alomoto, María Elena Bedoya, Elvira Espejo, José Luis Macas, Alberto Muenala

引用次数: 0

‘Real Bahamians’ and ‘paper Bahamians’: Haitians as perpetual foreigners “真正的巴哈马人”和“纸巴哈马人”：海地人永远是外国人

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Latin American and Caribbean Ethnic Studies Pub Date : 2022-03-28 DOI: 10.1080/17442222.2022.2058446

Charmane M. Perry

{"title":"‘Real Bahamians’ and ‘paper Bahamians’: Haitians as perpetual foreigners","authors":"Charmane M. Perry","doi":"10.1080/17442222.2022.2058446","DOIUrl":"https://doi.org/10.1080/17442222.2022.2058446","url":null,"abstract":"ABSTRACT In the Bahamas, children born to undocumented migrants grow up without citizenship but are entitled to apply for it upon their eighteenth birthday. However, due to the stigma of having Haitian origin, Bahamians of Haitian descent continue to be othered racially and ethnically even after eventually becoming Bahamian citizens. In this essay, I argue that second-generation Haitian Bahamians are viewed as perpetual foreigners by mainstream Bahamians and continuously struggle to access the benefits of cultural and legal Bahamian citizenship. Structural and individual practices of ‘othering’ and exclusion have created notions of a two-tier system of citizenship in the Bahamas where some people are considered to be ‘real Bahamians’ and others are considered to be ‘paper Bahamians.’ Using semi-structured interviews with second-generation Haitian Bahamians with and without citizenship, participants reveal the ways they continue – or expect to continue – to experience discrimination and exclusion from Bahamian citizenship because of their Haitian ethnicity. Second-generation Haitians are often treated as perpetual foreigners and practices of individual and structural discrimination reproduce inequality and reflect the failure to fully integrate Haitians into Bahamian society.","PeriodicalId":35038,"journal":{"name":"Latin American and Caribbean Ethnic Studies","volume":"18 1","pages":"122 - 140"},"PeriodicalIF":0.6,"publicationDate":"2022-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49198369","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

América Indígena and inter-American visual indigenismo, 1941–1951 美洲土著和美洲视觉土著主义，1941 - 1951

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Latin American and Caribbean Ethnic Studies Pub Date : 2022-03-08 DOI: 10.1080/17442222.2022.2050501

Deborah Dorotinsky

{"title":"América Indígena and inter-American visual indigenismo, 1941–1951","authors":"Deborah Dorotinsky","doi":"10.1080/17442222.2022.2050501","DOIUrl":"https://doi.org/10.1080/17442222.2022.2050501","url":null,"abstract":"ABSTRACT This article focuses on the visual imagery within the journal América Indígena published by the Inter-American Indigenist Institute (IAII). I analyze how the images published there operate as symbolic capital in the formation of an indigenista visual culture. I hold that the images published by the IAII’s journal significantly contributed to the consolidation of an indigenista discourse and the establishment of an inter-American indigenista visuality. This article examines three types of images used by the IAII’s journal highlighting the ideological agendas they played in the articulation of inter-American indigenismo. First, I analyze the emblematic image designed by Carlos Mérida that represented the IAII institutional identity. Second, I analyze some woodcuts designed by artists active at the Taller de Gráfica Popular (TGP, Popular Graphic Workshop). Their images gave the journal an homogenous editorial visual identity even though the publication attempted to recognize the diversity and plurality of indigenista perspectives. Finally, I focus my attention on photographs taken by different practitioners – explorers, anthropologists, state-allied photographers, and photographers working for tourism offices and publicity. This work allowed inter-American indigenous diversity to reach (or be exported to) international audiences; it also facilitated the plurality of agendas taken up by indigenistas during the 1940s.","PeriodicalId":35038,"journal":{"name":"Latin American and Caribbean Ethnic Studies","volume":"17 1","pages":"445 - 472"},"PeriodicalIF":0.6,"publicationDate":"2022-03-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45758964","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Interrogating the constitutive silences of whiteness: racial categorizations and spatial racialization in Argentina 质疑白人的结构性沉默:阿根廷的种族分类和空间种族化

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Latin American and Caribbean Ethnic Studies Pub Date : 2022-03-07 DOI: 10.1080/17442222.2022.2046650

María V. Barbero

引用次数: 0