Acta Ethnographica Hungarica最新文献_第5页

Zsidó örökség. Vidéki zsidó hitközségek Magyarországon [Jewish Heritage — Rural Jewish Communities in Hungary] Zsido orokseg。vid<s:1> zsidó hitközségek Magyarországon[犹太遗产-匈牙利农村犹太社区]

Acta Ethnographica Hungarica Pub Date : 2023-06-15 DOI: 10.1556/022.2023.00008

Katalin Balogné Tóth

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Galgamácsai népmesék és mondák 1–4. [Folktales and Legends from Galgamácsa 1–4] Galgamácsa民间传说1-4。【加尔加马的民间传说1-4】

Acta Ethnographica Hungarica Pub Date : 2023-05-22 DOI: 10.1556/022.2023.00007

Éva Mikos

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Gábor, Máté: …most van ideje a marhahajtásnak! A Dél-Dunántúl pusztulása 1683–1685-ben […Now is the Time to Drive the Cattle! The Destruction of Southern Transdanubia in 1683–1685]

Acta Ethnographica Hungarica Pub Date : 2023-05-19 DOI: 10.1556/022.2023.00005

F. Végh

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Gábor, Vargyas: A megértés édes öröme. Terepmunka, politika, etika a Közép-vietnámi Felföldön [The Sweet Joy of Understanding. Fieldwork, Politics, and Ethics in the Central Vietnamese Highlands]

Acta Ethnographica Hungarica Pub Date : 2023-05-12 DOI: 10.1556/022.2023.00006

Ildikó Gyöngyvér Sárközi

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Dance Syntax and Possibility: Moving Beyond Structural Analysis 舞蹈句法与可能性:超越结构分析

Acta Ethnographica Hungarica Pub Date : 2023-01-30 DOI: 10.1556/022.2022.00024

Juan Felipe Miranda Medina, Marisol Cristel Galarza Flores, M. López-Yánez

{"title":"Dance Syntax and Possibility: Moving Beyond Structural Analysis","authors":"Juan Felipe Miranda Medina, Marisol Cristel Galarza Flores, M. López-Yánez","doi":"10.1556/022.2022.00024","DOIUrl":"https://doi.org/10.1556/022.2022.00024","url":null,"abstract":"In this work we contend that studying dance syntax systematically is essential to gain a deeper understanding of dance practices. The reason is that syntax has to do with an essential aspect of dance, music and action in general, namely possibility. To the best of our knowledge, the efforts towards a systematic method to study dance syntax are scarce. Therefore, this work proposes the method of Finite-State Automata, borrowed from computer science, and presents three case studies of progressive complexity were the method is applied: (1) learning the basics of salsa, (2) diachronically comparing hip-pushing action in Afro-Ecuadorian Bomba del Chota, and (3) characterizing improvisation in Afro-Peruvian zapateo. While the first case is didactic and introduces the method progressively, the second and third cases are based on several years of fieldwork conducted by the authors with the Afro-Ecuadorian and Afro-Peruvian communities. The precondition for the application of the method we propose is structural analysis itself; that is, that the dance can be analyzed into small movement units that are combined progressively into more complex units. In regards to syntax, however, structural analysis is only the first step. The goal is a synthesis that brings forward the possibilities that arise from structural analysis; that is, the possibilities that are available to dancers and agents in a dance event. We trust that the approach to syntax this work presents will stimulate a renewed interest for researchers in dance, music and movement in general.","PeriodicalId":34949,"journal":{"name":"Acta Ethnographica Hungarica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42408593","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Preface 前言

Acta Ethnographica Hungarica Pub Date : 2023-01-11 DOI: 10.1556/022.2021.00040

Fruzsina Cseh

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Skripnik, Ganna (ed.): Etnografіchnij Obraz Suchasnoї Ukraїni. Korpus Ekspedicіjnih Fol'klorno-Etnografіchnih Materіalіv [An Ethnographic Image of Modern Ukraine. Corpus of Expeditionary Folklore and Ethnographic Materials]. 斯克里普尼克，甘纳（编辑）：Etnografõchnij Obraz SuchasnoõUkraõni。Korpus Ekspedic jnih Fol'klorno-Etnograf technih Mater al-v[现代乌克兰的民族志图像。探险民俗和民族志材料语料库]。

Acta Ethnographica Hungarica Pub Date : 2023-01-11 DOI: 10.1556/022.2021.00041

H. Skrypnyk

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Biczó, Gábor: A „Mi” és a „Másik”. Az idegen megértésének tudománytörténeti vázlata az antropológiában a 19. század második felétől napjainkig. [The “Us” and the “Other.” A Historical Outline of the Concept of Otherness in Anthropology from the Second Half of the 19th Century to the Present] Biczó, Gábor: The "We" and the "Other".G. Gabor："我们 "与 "他者"。["我们 "与 "他者"。19世纪下半叶至今人类学中 "他者 "概念的历史概述］

Acta Ethnographica Hungarica Pub Date : 2023-01-11 DOI: 10.1556/022.2021.00037

Csaba Mészáros

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New Results of Hungarian Legal Ethnography • 匈牙利法律人种学的新成果

Acta Ethnographica Hungarica Pub Date : 2023-01-11 DOI: 10.1556/022.2022.00023

Szabina Bognár, Janka Teodóra Nagy

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A Paradox of Applied Folk Arts. The Contribution of Cooperative Folk Arts to the Construction of the Notion of the Emblematic Creator 应用民间艺术的悖论。合作民间艺术对建构象征性创造者观念的贡献

Acta Ethnographica Hungarica Pub Date : 2023-01-11 DOI: 10.1556/022.2021.00025

Bence Ament-Kovács

{"title":"A Paradox of Applied Folk Arts. The Contribution of Cooperative Folk Arts to the Construction of the Notion of the Emblematic Creator","authors":"Bence Ament-Kovács","doi":"10.1556/022.2021.00025","DOIUrl":"https://doi.org/10.1556/022.2021.00025","url":null,"abstract":"Abstract The self-definitions of today's folk artists, as well as the concept(s) of folk art of official umbrella and quality assurance organizations, are rooted in complex, interrelated processes. In my study, I focus on the post-World War II concept of folk art, which is full of contradictions, but, despite all protests, has had an undeniable impact on the folk art of today. The system of applied folk arts paradoxically fostered the prominence of individual creators, in contrast to the communication of its novel cooperatives in the decades after World War II, which emphasized communal work. These creators – often possessing truly authentic folk art knowledge (some having gained their reputation before World War II) but no longer following the peasant way of life – were depicted by the media in rural or bucolic genre situations, thereby heavily aestheticizing the concepts of folk and folk art . At the same time, socialist cultural policy also emphasized their status as artists and creators, making them key figures in the cooperatives' work for decades as lead designers, prompting them to revitalize their local motif stock. At this point, another paradox of the Applied Folk Arts Council's perspective emerges, as the representation of the folk art of emblematic regions can increasingly be seen as the representation of the style of an individual (lead designer or charismatic artist). In my opinion, considering the 19th-century roots of the process, the definition of today's folk artists' products as unique works of art and the profound respect for design skills is rooted in this perspective that focuses on the work of iconic personalities, as I also point out in my case study analyzing Tiszafüred pottery through the work of several generations, a style that was adapted by Sándor Kántor and became known as Karcag pottery.","PeriodicalId":34949,"journal":{"name":"Acta Ethnographica Hungarica","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136082365","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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