发布求助
文献互助 智能选刊 最新文献

Studia Musicologica最新文献

筛选
英文 中文
Beethoven “in drei Charakterbildern:” Three Beethoven Images from the Interwar Hungary 匈牙利内战时期的三个贝多芬形象
IF 0.1 3区 艺术学
Studia Musicologica Pub Date : 2021-04-13 DOI: 10.1556/6.2020.00008
Péter Bozó
{"title":"Beethoven “in drei Charakterbildern:” Three Beethoven Images from the Interwar Hungary","authors":"Péter Bozó","doi":"10.1556/6.2020.00008","DOIUrl":"https://doi.org/10.1556/6.2020.00008","url":null,"abstract":"In my study, I show how three different figures of the interwar Hungary saw Beethoven. The first of them, Dénes Bartha (1908–1993), was a musicologist and became an international specialist of Viennese Classicism. In the context of contemporary Hungarian literature, his first Beethoven monograph (1939) represents an emphatically anti-Romantic attitude. In the second part, I examine the popular image of the composer, on the basis of the planned operetta Beethoven (1929–1931) by Zsolt Harsányi, an author of popular biographical novels, and Mihály Nádor (1882–1944), a successful operetta composer. This piece follows the example of Das Dreimäderlhaus, and its music was compiled from Beethoven’s melodies by Nádor. In the third part I examine an essay about Beethoven by an important musician of the period, Ernst von Dohnányi (1877–1960), who was, according to Bartók, a leading Beethoven performer of his age. Although the text of his “Romanticism in Beethoven’s Piano Sonatas” was written during his émigré years (draft: 1948, revision: 1955), it summarizes well what the leading figure of the interwar Budapest musical life might have thought about Beethoven’s music.","PeriodicalId":34943,"journal":{"name":"Studia Musicologica","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43656164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Memory About Skopje and Beethoven’s Symphony No. 9 关于斯科普里的记忆与贝多芬第九交响曲
IF 0.1 3区 艺术学
Studia Musicologica Pub Date : 2021-04-13 DOI: 10.1556/6.2020.00005
J. Papazova
{"title":"The Memory About Skopje and Beethoven’s Symphony No. 9","authors":"J. Papazova","doi":"10.1556/6.2020.00005","DOIUrl":"https://doi.org/10.1556/6.2020.00005","url":null,"abstract":"In 2013, the International Skopje Summer Festival (founded in 1980) was traditionally opened on June 21, the World Day of Music, with Beethoven’s Symphony No. 9. The opening ceremony had a symbolic message: the performance of the symphony marked the 50th anniversary of the devastating earthquake in Skopje in 1963. This musical event was the starting-point of the research which is aimed at presenting a contemporary redefinition of Beethoven’s musical legacy and to analyze the meaning of the composition in the context of memory about a particular urban environment. At the same time the primary topic for analysis was expanded with the recent cultural-political project titled “Skopje 2014,” realized in the last decade, with purpose to obtain a more dynamical level of discussion that marks the relationship between music and memory in the urban history of Skopje.","PeriodicalId":34943,"journal":{"name":"Studia Musicologica","volume":"61 1","pages":"59-71"},"PeriodicalIF":0.1,"publicationDate":"2021-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41797080","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Premiere of Beethoven’s Symphony No. 9 in Belgrade 贝多芬第九交响曲在贝尔格莱德首演
IF 0.1 3区 艺术学
Studia Musicologica Pub Date : 2021-04-13 DOI: 10.1556/6.2020.00004
Marijana Dujović
{"title":"The Premiere of Beethoven’s Symphony No. 9 in Belgrade","authors":"Marijana Dujović","doi":"10.1556/6.2020.00004","DOIUrl":"https://doi.org/10.1556/6.2020.00004","url":null,"abstract":"The premiere of Beethoven’s Symphony No. 9 in Belgrade, capital of Serbia, was in 1910. The situation in Belgrade, around 1910 in the field of musical culture, and culture in general, was not so good as in other parts of Europe. In a society with not so many professional musicians, where amateurs were the main carriers of musical life, the young composer and conductor Stanislav Binički, who had come back from his studies in Munich decided to organize with a group of enthusiasts the premiere of Beethoven’s Ninth Symphony. In this article I will represent the musical situation in the capital around 1910 and show what this premiere brought to audiences and musicians in Belgrade.","PeriodicalId":34943,"journal":{"name":"Studia Musicologica","volume":"61 1","pages":"51-57"},"PeriodicalIF":0.1,"publicationDate":"2021-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49485600","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Antiphonale Varadinense, s. XV, vol. 1: Proprium de tempore; vol. 2: Proprium de sanctis et commune sanctorum; vol. 3. Tanulmányok / Essays Antiphonal Varadinense，第十五章，第1卷：时间的道具；第2卷：圣人和普通圣人的礼仪；第3卷。Tanulmányok/随笔
IF 0.1 3区 艺术学
Studia Musicologica Pub Date : 2021-04-13 DOI: 10.1556/6.2020.00013
Roman Hankeln
{"title":"Antiphonale Varadinense, s. XV, vol. 1: Proprium de tempore; vol. 2: Proprium de sanctis et commune sanctorum; vol. 3. Tanulmányok / Essays","authors":"Roman Hankeln","doi":"10.1556/6.2020.00013","DOIUrl":"https://doi.org/10.1556/6.2020.00013","url":null,"abstract":"","PeriodicalId":34943,"journal":{"name":"Studia Musicologica","volume":"61 1","pages":"169-172"},"PeriodicalIF":0.1,"publicationDate":"2021-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48651085","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Untying the “Musical Sphinx:” Beethoven’s Symphony No. 9 in Nineteenth-Century Pest-Buda 揭开“音乐狮身人面像”：贝多芬在《十九世纪害虫布达》中的第九交响曲
IF 0.1 3区 艺术学
Studia Musicologica Pub Date : 2021-04-13 DOI: 10.1556/6.2020.00003
P. Horváth
{"title":"Untying the “Musical Sphinx:” Beethoven’s Symphony No. 9 in Nineteenth-Century Pest-Buda","authors":"P. Horváth","doi":"10.1556/6.2020.00003","DOIUrl":"https://doi.org/10.1556/6.2020.00003","url":null,"abstract":"It is well known that Beethoven’s Ninth was followed by a temporary crisis in the genre of the symphony: the next generation found it difficult to get away from the shadow of this monumental piece. The Ninth was first performed in Hungary in 1865, more than 40 years after the world-premiere. We should add, however, that during the first half of the nineteenth century, no professional symphonic orchestra and choir existed in Pest-Buda that would have coped with the task. Although the Hungarian public was able to hear some of Beethoven’s symphonies already by the 1830s – mainly thanks to the Musical Association of Pest-Buda – in many cases only fragments of symphonies were performed. The Orchestra of the Philharmonic Society, founded in 1853, was meant to compensate for the lack of symphonic concerts. This paper is about the performances of Beethoven’s symphonies in Pest-Buda in the nineteenth century, and it especially it focuses on the reception of Symphony No. 9 in the Hungarian press, which cannot be understood without taking into consideration the influence of the Neudeutsche Schule (New German School).","PeriodicalId":34943,"journal":{"name":"Studia Musicologica","volume":"61 1","pages":"33-50"},"PeriodicalIF":0.1,"publicationDate":"2021-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44173552","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Beethoven’s Anniversary in Sarajevo in 1927 1927年贝多芬在萨拉热窝的周年纪念
IF 0.1 3区 艺术学
Studia Musicologica Pub Date : 2021-04-13 DOI: 10.1556/6.2020.00010
Fatima Hadžić
{"title":"Beethoven’s Anniversary in Sarajevo in 1927","authors":"Fatima Hadžić","doi":"10.1556/6.2020.00010","DOIUrl":"https://doi.org/10.1556/6.2020.00010","url":null,"abstract":"In 1927, Europe marked the centennial of the death of one of its greatest composers, Ludwig van Beet ho­ ven. At the same time, Bosnia and Herzegovina within the Kingdom of Serbs, Croats and Slovenes (later the Kingdom of Yugoslavia) was building the foundations of its musical institutions and trying to follow up with the more advanced cultural centers of the new state, Zagreb, Ljubljana, and Belgrade. The main feature of Bosnian musical life of the time (1918–1941) pertains to the establishment of the new musical institutions such as the National Theater (Narodno pozorište) and the Sarajevo Philharmonic Orchestra (Sarajevska filharmonija), the fundamental institutions of musical culture in Bosnia and Herzegovina even today. This paper aims at providing an insight into the presence of Beethoven’s works in concert repertoires in Sarajevo (1918–1941), especially of the Sarajevo Philharmonic Orchestra but also to point out the special occasion of Beethoven’s anniversary in 1927. The Sarajevo Philharmonic Orchestra was the only musical institution of this kind, and the most important musical society for the development of musical culture of the time; consequently, the research is based on the analysis of the society’s concert repertoire and reviews from the daily newspapers.","PeriodicalId":34943,"journal":{"name":"Studia Musicologica","volume":"61 1","pages":"129-147"},"PeriodicalIF":0.1,"publicationDate":"2021-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42702201","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Heroism, Resistance, and Sentiment: Two Events Full of Beethovenian Drama 英雄主义、反抗与情感:两个充满贝多芬戏剧色彩的事件
IF 0.1 3区 艺术学
Studia Musicologica Pub Date : 2021-04-13 DOI: 10.1556/6.2020.00006
Alexandros Charkiolakis
{"title":"Heroism, Resistance, and Sentiment: Two Events Full of Beethovenian Drama","authors":"Alexandros Charkiolakis","doi":"10.1556/6.2020.00006","DOIUrl":"https://doi.org/10.1556/6.2020.00006","url":null,"abstract":"Beethoven’s music has set the tone during different and diverse events in human history. It has been used in order to pinpoint major historical events, but it has been also used in order to represent ideas such as friendship of nations, freedom, and many others. There are two events though when the music of Beet­ ho ven has meant more than a fine and glorious tune for the Athenian public. These two events occurred under totally different circumstances, with the first being an incident involving a Fidelio performance during World War II in occupied Athens, and the second having to do with the death of the legendary conductor Dimitri Mitropoulos and his urn containing his ashes arriving in Athens. Although the two incidents are historically unconnected, they are very much underlined by the Beethovenian values rep­ resented within the actual score. In this study, I will present the historical framework of both events but also taking a step further will dare to connect these with values that have been attributed to Beethoven’s music in terms of fundamental representation.","PeriodicalId":34943,"journal":{"name":"Studia Musicologica","volume":"61 1","pages":"73-80"},"PeriodicalIF":0.1,"publicationDate":"2021-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42841189","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From Propagandistic Exploitation to Post-Communist Sensationalism: Beethoven Reception in Twentieth- and Twenty-First-Century Romania 从宣传剥削到后共产主义耸人听闻:贝多芬在二十世纪和二十一世纪罗马尼亚的接受
IF 0.1 3区 艺术学
Studia Musicologica Pub Date : 2021-04-13 DOI: 10.1556/6.2020.00009
Florinela Popa
{"title":"From Propagandistic Exploitation to Post-Communist Sensationalism: Beethoven Reception in Twentieth- and Twenty-First-Century Romania","authors":"Florinela Popa","doi":"10.1556/6.2020.00009","DOIUrl":"https://doi.org/10.1556/6.2020.00009","url":null,"abstract":"This paper mainly investigates the way Beethoven’s image was turned, during the totalitarian political regimes of twentieth-century Romania, into a tool of propaganda. Two such ideological annexations are striking: one took place in the period when Romania, as Germany’s ally during World War II and led by Marshall Ion Antonescu, who was loyal to Adolf Hitler, to a certain extent copied the Nazi model (1940–1944); the other, much longer, began when Communists took power in 1947 and lasted until 1989, with some inevitable continuations. The beginnings of contemporary Romanian capitalism in the 1990s brought, in addition to an attempt to depoliticize Beethoven by means of professional, responsible musicological enquiries, no longer grounded in Fascist or Communist ideologies, another type of approach: sensationalist, related to the “identification” of some of Beethoven’s love interests who reportedly lived on the territory of present-day Romania.","PeriodicalId":34943,"journal":{"name":"Studia Musicologica","volume":"61 1","pages":"113-128"},"PeriodicalIF":0.1,"publicationDate":"2021-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48624201","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sacrosanctity or Duty? The Reception of Beethoven’s Fidelio in the Context of the Cultural-Political Situation in the Second Half of the Nineteenth Century in Pressburg 神圣还是职责？19世纪下半叶普雷斯堡文化政治语境下对贝多芬《费德里奥》的接受
IF 0.1 3区 艺术学
Studia Musicologica Pub Date : 2021-04-13 DOI: 10.1556/6.2020.00007
Jana Laslavíková
{"title":"Sacrosanctity or Duty? The Reception of Beethoven’s Fidelio in the Context of the Cultural-Political Situation in the Second Half of the Nineteenth Century in Pressburg","authors":"Jana Laslavíková","doi":"10.1556/6.2020.00007","DOIUrl":"https://doi.org/10.1556/6.2020.00007","url":null,"abstract":"Staging Beethoven’s Fidelio in the second half of the nineteenth century in Pressburg drew on a long- standing Beethoven tradition prevalent in the town. Also, it stood at the center of protests against the growing influence of Hungarian theater in the newly constructed theater building since Fidelio was performed always at a time when the renewal of an agreement with a German-speaking director was being decided on (1889, 1892, 1895). The opera was staged with the participation of the choral societies and musical associations of the town. Its performances were held close to the annual festive masses of the most well-known association of Pressburg, the Church Music Association of St. Martin’s Cathedral (Germ. Kirchenmusikverein bei der Dom-, Kollegiats- und Stadtpfarrkirche zu St. Martin, Hung. Szent Márton Pozsonyi Egyházi Zeneegylet), where Beethoven’s Missa solemnis was performed. This enhanced the efforts of the supporters of the German theater to call Beethoven’s œuvre a carrier of “true art” and humanism and use it as a symbol of cultural identity in the discussions led about preserving the German season in the Municipal Theater (Germ. Stadttheater, Hung. Városi Színház).","PeriodicalId":34943,"journal":{"name":"Studia Musicologica","volume":"61 1","pages":"81-97"},"PeriodicalIF":0.1,"publicationDate":"2021-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45963857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Beethoven Off-Center: Introduction 贝多芬偏离中心:介绍
IF 0.1 3区 艺术学
Studia Musicologica Pub Date : 2021-04-13 DOI: 10.1556/6.2020.00001
T. Marković
{"title":"Beethoven Off-Center: Introduction","authors":"T. Marković","doi":"10.1556/6.2020.00001","DOIUrl":"https://doi.org/10.1556/6.2020.00001","url":null,"abstract":"","PeriodicalId":34943,"journal":{"name":"Studia Musicologica","volume":"61 1","pages":"1-5"},"PeriodicalIF":0.1,"publicationDate":"2021-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45339155","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信