The Memory About Skopje and Beethoven’s Symphony No. 9

IF 0.1 3区 艺术学 Q4 Arts and Humanities
J. Papazova
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引用次数: 0

Abstract

In 2013, the International Skopje Summer Festival (founded in 1980) was traditionally opened on June 21, the World Day of Music, with Beethoven’s Symphony No. 9. The opening ceremony had a symbolic message: the performance of the symphony marked the 50th anniversary of the devastating earthquake in Skopje in 1963. This musical event was the starting-point of the research which is aimed at presenting a contemporary redefinition of Beethoven’s musical legacy and to analyze the meaning of the composition in the context of memory about a particular urban environment. At the same time the primary topic for analysis was expanded with the recent cultural-political project titled “Skopje 2014,” realized in the last decade, with purpose to obtain a more dynamical level of discussion that marks the relationship between music and memory in the urban history of Skopje.
关于斯科普里的记忆与贝多芬第九交响曲
2013年,国际斯科普里夏季音乐节(创立于1980年)传统上在6月21日世界音乐日开幕,演奏贝多芬第九交响曲。开幕式有一个象征性的信息:演奏交响乐是为了纪念1963年斯科普里毁灭性地震50周年。这一音乐事件是研究的起点,旨在对贝多芬的音乐遗产进行当代重新定义,并分析该作品在特定城市环境记忆背景下的意义。与此同时,分析的主要主题扩展到最近的文化政治项目“斯科普里2014”,该项目在过去十年中实现,目的是获得一个更动态的讨论水平,标志着斯科普里城市历史中音乐与记忆之间的关系。
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来源期刊
Studia Musicologica
Studia Musicologica Arts and Humanities-Music
CiteScore
0.10
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