Victorian Popular Fictions最新文献

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Interpreting Issues of Heredity and Inheritance in Holmesian Children through Criminal Anthropology and Degeneration Theory 从犯罪人类学和退化理论解读霍尔姆斯儿童的遗传和继承问题
Victorian Popular Fictions Pub Date : 2023-07-03 DOI: 10.46911/pgju8675
Camilla Del Grazia
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引用次数: 0
Reviews of The Commodification of Identity in Victorian Narrative: Autobiography, Sensation, and the Literary Marketplace by Sean Grass 评《维多利亚叙事中身份的商业化:自传、感觉与文学市场》肖恩·格拉斯
Victorian Popular Fictions Pub Date : 2023-07-03 DOI: 10.46911/yckv8512
K. Nogue
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引用次数: 0
Degenerative Doctoring: Coercion, Experimentation and Ethics in Arthur Machen’s Gothic Horror 堕落的医疗:亚瑟·梅琴的哥特式恐怖小说中的强迫、实验和伦理
Victorian Popular Fictions Pub Date : 2023-07-03 DOI: 10.46911/bzop1116
Thomas G. Cole II
{"title":"Degenerative Doctoring: Coercion, Experimentation and Ethics in Arthur Machen’s Gothic Horror","authors":"Thomas G. Cole II","doi":"10.46911/bzop1116","DOIUrl":"https://doi.org/10.46911/bzop1116","url":null,"abstract":"In “The Inmost Light” and The Great God Pan Arthur Machen demonstrates a medicalised sexism through unethical human experimentation performed on women by doctors who experiment no matter the cost. In Machen’s stories, the sensationalism is meant to create a feeling of horror and disgust that hinges on the cruelty the public had begun to associate with experimental medical science. The narratives also engage with nineteenth-century perspectives on degeneration, women, and rape. Machen’s use of a sexualised rape metaphor dehumanises women and retains a gendered doctor-patient relationship. In light of this gendered relationship, this article considers Machen’s use of elements drawn from the Gothic in relation to the depiction of medicalised sexism and medical ethics in two pieces of his popular fiction.","PeriodicalId":34865,"journal":{"name":"Victorian Popular Fictions","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41393407","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Threads of Identity: Fashion, Finery, and Performance in Ellen Wood’s East Lynne and Wilkie Collins’s No Name 身份线索:Ellen Wood的《East Lynne》和Wilkie Collins的《No Name》中的时尚、精致和表演
Victorian Popular Fictions Pub Date : 2023-07-03 DOI: 10.46911/lqae9908
Emma Butler-Way
{"title":"Threads of Identity: Fashion, Finery, and Performance in Ellen Wood’s East Lynne and Wilkie Collins’s No Name","authors":"Emma Butler-Way","doi":"10.46911/lqae9908","DOIUrl":"https://doi.org/10.46911/lqae9908","url":null,"abstract":"As Polonius tells his son in Hamlet, “the apparel oft proclaims the man” (I.iii.72). This article takes this idea and re-situates it within the sartorial and cultural contexts of the mid-nineteenth century in order to examine the construction and performance of identity in Ellen Wood’s East Lynne (1861) and Wilkie Collins’s No Name (1862). This article draws, in particular, on Mariana Valverde’s 1989 examination of what she terms the “ideology of finery” – a distinctly class-based notion that plays on anxieties that surrounded the blurring of class lines as fashion became increasingly democratised as the Victorian era progressed. This article argues that the use of “finery” as a pejorative term throughout East Lynne has an intrinsic effect upon how the contemporary readers’ responses to Barbara Hare and Isabel Carlyle were shaped. This idea of “finery” also appears in No Name, as Magdalen Vanstone’s scepticism and cynicism regarding sartorially-defined class distinctions is contrasted with her maid Louisa’s horror at the prospect of wearing a silk gown. Ultimately, this article examines how fashion – the manipulation thereof, its class-based connotations, and its ability to shape character – is inherent to the narratives of East Lynne and No Name.","PeriodicalId":34865,"journal":{"name":"Victorian Popular Fictions","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46242723","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Fast lapsing back into barbarism”: Social Evolution, the Myth of Progress and the Gothic Past in Late-Victorian Invasion and Catastrophe Fiction “迅速倒退回野蛮”:维多利亚晚期入侵与灾难小说中的社会进化、进步神话与哥特过去
Victorian Popular Fictions Pub Date : 2023-07-03 DOI: 10.46911/hnuv4351
Ailise Bulfin
{"title":"“Fast lapsing back into barbarism”: Social Evolution, the Myth of Progress and the Gothic Past in Late-Victorian Invasion and Catastrophe Fiction","authors":"Ailise Bulfin","doi":"10.46911/hnuv4351","DOIUrl":"https://doi.org/10.46911/hnuv4351","url":null,"abstract":"While neo-barbarian dystopian futures are typically associated with contemporary popular culture, they were not, in fact, uncommon in late-Victorian popular fiction, especially in the politically charged, future-oriented popular fiction subgenres of invasion fiction and catastrophe fiction. Focusing on a representative tale from each subgenre – George Griffith’s Olga Romanoff (1894) and Richard Jefferies’ After London (1885) – this article shows how they made innovative use of the gothic to show the future following a large-scale war or natural disaster as a decline back into an exaggerated version of the barbaric past. Reworking the familiar gothic trope of doomed inheritance, the tales showed nemesis occurring not on an individual or familial level, but on an extensive societal scale in keeping with their sweeping narratives of mass death and its aftermath. In presenting a post-catastrophe relapse to barbarism, the tales were extrapolating from the social evolution theories of Herbert Spencer and Walter Bagehot which, though delineating the forward tendency of western social progress, allowed the fearful corollary that in periods of crisis advanced societies might also regress. While popular fiction’s engagement with theories of biological degeneration has been well researched, engagements with these theories of societal reversion have received less attention. Applying them to invasion and catastrophe fiction elucidates how the tales used their regressive futures to warn hubristic nineteenth-century modernity about its potential comeuppance if it continued to either aggressively militarise or unthinkingly exploit the non-human world, two major negative social tendencies which were the source of considerable contemporary anxiety.","PeriodicalId":34865,"journal":{"name":"Victorian Popular Fictions","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46855763","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reappraising Penny Fiction 重新评价便士小说
Victorian Popular Fictions Pub Date : 2023-01-01 DOI: 10.46911/dhbv6145
S. Basdeo, Rebecca Nesvet
{"title":"Reappraising Penny Fiction","authors":"S. Basdeo, Rebecca Nesvet","doi":"10.46911/dhbv6145","DOIUrl":"https://doi.org/10.46911/dhbv6145","url":null,"abstract":"This Introduction to the Special Volume of Victorian Popular Fictions Journal titled “Reappraising Penny Fiction” defines penny fiction, surveys its prehistory, and reconstructs its emergence in the nineteenth-century British media and globally. The article then engages with the ongoing scholarly debate about “penny dreadfuls” and theorises how misconceptions about the genre developed and were circulated by critics and scholars. Finally, the article introduces the central questions and themes of the special issue, as well as the individual articles. Victorian penny fiction has long been considered disturbing yet compelling; we hope that our volume reveals why that is so.","PeriodicalId":34865,"journal":{"name":"Victorian Popular Fictions","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70654305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editor, Reader, and Value for Money in Young Folks 年轻人的编辑、读者和物有所值
Victorian Popular Fictions Pub Date : 2023-01-01 DOI: 10.46911/rqqu4030
Madeline B. Gangnes
{"title":"Editor, Reader, and Value for Money in Young Folks","authors":"Madeline B. Gangnes","doi":"10.46911/rqqu4030","DOIUrl":"https://doi.org/10.46911/rqqu4030","url":null,"abstract":"Our Young Folks Weekly Budget (1871–97) is among the longest-running Victorian periodicals designed for child readers. Beginning as a halfpenny weekly, it soon doubled its price to establish its format as a children’s story paper similar to The Boy’s Own Paper (1879–1939) and comparable children’s weeklies. Throughout its publication, Young Folks displays an explicit concern with value for money, balancing assertions of quality with a desire to maintain its price. This article explores some of the ways in which the paper’s editors built their community of readers, explained changes to the paper’s length, format, and price and incorporated reader contributions to promote circulation. Through an examination of interactions between “the Editor” (James Henderson’s editorial team) and readers of Young Folks, this article charts a concerted effort to keep readers persuaded that every change made to the paper was in service of value to the consumer. At a time when periodicals strove to satisfy readers’ appetites for high-quality content while also keeping prices low, Young Folks employed specific strategies to remain a penny weekly that adapted to significant changes in its readership for over two decades.","PeriodicalId":34865,"journal":{"name":"Victorian Popular Fictions","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70654454","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Founded on Fact”: Paratextual Politics in Penny Fiction “基于事实”:便士小说中的超文本政治
Victorian Popular Fictions Pub Date : 2023-01-01 DOI: 10.46911/cxkv6018
S. Raine
{"title":"“Founded on Fact”: Paratextual Politics in Penny Fiction","authors":"S. Raine","doi":"10.46911/cxkv6018","DOIUrl":"https://doi.org/10.46911/cxkv6018","url":null,"abstract":"In the preface of James Malcolm Rymer’s The Night Adventurer (1846), the writer claims that, contrary to popular opinion, the “masses” were attracted to stories on “account of their truthfulness” rather than “wild, romantic literature” (1846: Preface). Indeed, the ‘factual’ basis for penny serials was so marketable that numerous prefaces, author notes and newspaper advertisements emphasised how these serials were “founded on fact.” While there were sensationalist purposes for using factual biographies of criminals, the use of non-fictional sources has, I argue, a far more philanthropic social purpose which outlines the radical politics of the authors. For penny fiction, which was often deemed as harmless and derivative content, the authority the paratext proffered was vital in demonstrating its active engagement with social and political issues. Penny fiction authors used paratextual space to create authority, establishing affinity between author and reader in order to disseminate and support the moral of the fictional narrative in a more effective way. Writers exploited the unique, composite style of penny fiction, pioneered by George W. M Reynolds in The Mysteries of London (1844–6), to disseminate their political agendas, educate their readership and assert themselves as writers of serious literature.","PeriodicalId":34865,"journal":{"name":"Victorian Popular Fictions","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70654359","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Review of Amy Matthewson, Cartooning China: Punch, Power, & Politics in the Victorian Era 《中国漫画:维多利亚时代的冲击、权力与政治》书评
Victorian Popular Fictions Pub Date : 2023-01-01 DOI: 10.46911/xmlr4843
Weihao Gao
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引用次数: 0
What’s in a Name? Mr. and Mrs. Lovett and the Politics of Penny Fiction 名字里有什么?洛维特夫妇和便士小说的政治
Victorian Popular Fictions Pub Date : 2023-01-01 DOI: 10.46911/kjwl9326
Rebecca Nesvet
{"title":"What’s in a Name? Mr. and Mrs. Lovett and the Politics of Penny Fiction","authors":"Rebecca Nesvet","doi":"10.46911/kjwl9326","DOIUrl":"https://doi.org/10.46911/kjwl9326","url":null,"abstract":"","PeriodicalId":34865,"journal":{"name":"Victorian Popular Fictions","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70653919","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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