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Congolese Women's War Trauma in Lynn Nottage's Ruined 林恩·诺塔奇的废墟中刚果妇女的战争创伤
Misriqiya Pub Date : 2023-03-01 DOI: 10.21608/misj.1999.298771
Sally Mahfouz El Serafi, Mona Wahsh, N. Haikal
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引用次数: 0
Identity Process and the Challenges of Immigration: Reading Chimamanda Ngozi Adichie’s Americanah (2013) 身份认同过程与移民挑战:阅读奇曼达·恩戈齐·阿迪奇的《美国人》(2013)
Misriqiya Pub Date : 2023-03-01 DOI: 10.21608/misj.2023.189238.1041
Yasmine M. Ahmed
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引用次数: 0
(// Kaggen) A god of Southern Africa during the late Stone Age (10000 BC - 500 AD) (// Kaggen)非洲南部石器时代晚期(公元前10000年-公元500年)的神
Misriqiya Pub Date : 2023-03-01 DOI: 10.21608/misj.2023.192617.1042
A. Ali
{"title":"(// Kaggen) A god of Southern Africa during the late Stone Age (10000 BC - 500 AD)","authors":"A. Ali","doi":"10.21608/misj.2023.192617.1042","DOIUrl":"https://doi.org/10.21608/misj.2023.192617.1042","url":null,"abstract":"","PeriodicalId":34817,"journal":{"name":"Misriqiya","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68552730","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Detection and mapping of land use land cover with Support vector machines SVM-based change monitoring using Landsat and Sentinel-2 data. The case of Quseir, Red Sea 基于支持向量机支持向量机的土地利用和土地覆盖变化监测，利用Landsat和Sentinel-2数据。红海的库西尔一案
Misriqiya Pub Date : 2022-12-05 DOI: 10.21608/misj.2022.273084
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引用次数: 0
"Dancing as if Language no Longer Existed": Politics of Songs and Dance in Lynn Nottage's Ruined “舞蹈仿佛语言不再存在”:林恩·诺塔奇《废墟》中的歌舞政治
Misriqiya Pub Date : 2022-10-01 DOI: 10.21608/misj.2023.185293.1040
M. Salama
{"title":"\"Dancing as if Language no Longer Existed\": Politics of Songs and Dance in Lynn Nottage's Ruined","authors":"M. Salama","doi":"10.21608/misj.2023.185293.1040","DOIUrl":"https://doi.org/10.21608/misj.2023.185293.1040","url":null,"abstract":"","PeriodicalId":34817,"journal":{"name":"Misriqiya","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47608123","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Environmental Injustice in Helon Habila’s Oil on Water (2011) Helon Habila的《水上石油》中的环境不公(2011)
Misriqiya Pub Date : 2022-10-01 DOI: 10.21608/misj.2023.181039.1039
Heba A. Abd-ElWahab
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引用次数: 0
African American Female Exposure to Triple Oppression in Lynn Nottage’s “Intimate Apparel” 从林恩·诺塔奇的“贴身服饰”看非裔美国女性对三重压迫的暴露
Misriqiya Pub Date : 2022-10-01 DOI: 10.21608/misj.2022.135358.1034
ٌُRania Mohmed Radwan El Sayed, Mona Wahsh
{"title":"African American Female Exposure to Triple Oppression in Lynn Nottage’s “Intimate Apparel”","authors":"ٌُRania Mohmed Radwan El Sayed, Mona Wahsh","doi":"10.21608/misj.2022.135358.1034","DOIUrl":"https://doi.org/10.21608/misj.2022.135358.1034","url":null,"abstract":"","PeriodicalId":34817,"journal":{"name":"Misriqiya","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49181412","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The White Lady painting in Namibia and its counterpart in Algeria (4000 ± 500 BC) (A comparative study in African rock art) 纳米比亚的白夫人画和阿尔及利亚的白夫人画(公元前4000±500年)(非洲岩石艺术的比较研究)
Misriqiya Pub Date : 2022-01-01 DOI: 10.21608/misj.2022.107878.1029
A. Ali
{"title":"The White Lady painting in Namibia and its counterpart in Algeria (4000 ± 500 BC) (A comparative study in African rock art)","authors":"A. Ali","doi":"10.21608/misj.2022.107878.1029","DOIUrl":"https://doi.org/10.21608/misj.2022.107878.1029","url":null,"abstract":"","PeriodicalId":34817,"journal":{"name":"Misriqiya","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68552574","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Power Corruption in Es’kia Mphahlele’s Chirundu (1979) Es’kia Mphahlele《Chirundu》中的权力腐败（1979）
Misriqiya Pub Date : 2022-01-01 DOI: 10.21608/misj.2022.99492.1027
A. Sène
{"title":"Power Corruption in Es’kia Mphahlele’s Chirundu (1979)","authors":"A. Sène","doi":"10.21608/misj.2022.99492.1027","DOIUrl":"https://doi.org/10.21608/misj.2022.99492.1027","url":null,"abstract":"African politicians and writers were together in the fight for the sovereignty of their countries but soon after the independences, they parted. The point is that African politicians, who took over from the colonizers, disappointed their people by their governing system which was characterized by power abuse, corruption, dictatorship, ignorance of their populations’ expectations, injustice and immorality among other vices. Instead of really serving the masses, the new rulers were serving themselves. Thus, many novels appeared in the sixties and the seventies in which African writers criticized the disappointing behaviour of postcolonial African political leaders. One of these novels is Es’kia Mphahlele’s Chirundu (1979) where the author also denounces colonial rule. From a postcolonialist perspective, the paper explores power corruption in Mphahlele’s Chirundu. Based on postcolonialism, racism, sociology and culture as theories, the study will analyze on the one hand the denunciation of colonial rule and on the other hand the disappointing behaviour of African postcolonial rulers and its causes.","PeriodicalId":34817,"journal":{"name":"Misriqiya","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47493722","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Meaning Gaps and The Task of Translating Poetry: Notes on Lucille Clifton’s Translation of “Afrique” By David Diop 意义差距与诗歌翻译任务——记克利夫顿对大卫·迪奥普《非洲》的翻译
Misriqiya Pub Date : 2022-01-01 DOI: 10.21608/misj.2022.121580.1032
A. Konate
{"title":"Meaning Gaps and The Task of Translating Poetry: Notes on Lucille Clifton’s Translation of “Afrique” By David Diop","authors":"A. Konate","doi":"10.21608/misj.2022.121580.1032","DOIUrl":"https://doi.org/10.21608/misj.2022.121580.1032","url":null,"abstract":"Translation is the reproducing of the meaning of the source languageculture through the closest natural equivalent, says Eugene Nida. Beyond the reproduction of the equivalent, some other detail, and not the least, must be factored in the process of translation. This is all the truer when it comes to translating poetry. If prose may be translated without absolute regard to the form, the same does not hold for poetry. The task of translator requires that the receiving end of the process of translating take advantage of the aesthetics enjoyed in the source language. When translating so essential a poem in African literature of French expression, Lucille Clifton, an African-American poetess and translator, seemed to not having been able to escape this snare. There are some meaning gaps in her translation of David Diop’s “Afrique”. This can be seen in instances where some area-specific terms in Sub-Saharan Africa used in the original. This note on translation seeks to lay bare the lacunas and attempts to fill them up with some suggestions.","PeriodicalId":34817,"journal":{"name":"Misriqiya","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48164649","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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