Acta Universitatis Nicolai Copernici Nauki HumanistycznoSpoleczne Zabytkoznawstwo i Konserwatorstwo最新文献_第3页

Handel pigmentami miedziowymi ze złóż świętokrzyskich w świetle źródeł archiwalnych 从档案来源看西维托克日斯基矿床的铜颜料贸易

Acta Universitatis Nicolai Copernici Nauki HumanistycznoSpoleczne Zabytkoznawstwo i Konserwatorstwo Pub Date : 2021-12-05 DOI: 10.12775/aunc_zik.2021.010

M. Witkowski, Sylwia Svorová Pawełkowicz

{"title":"Handel pigmentami miedziowymi ze złóż świętokrzyskich w świetle źródeł archiwalnych","authors":"M. Witkowski, Sylwia Svorová Pawełkowicz","doi":"10.12775/aunc_zik.2021.010","DOIUrl":"https://doi.org/10.12775/aunc_zik.2021.010","url":null,"abstract":"W regionie geograficznym Gór Świętokrzyskich, w pobliżu Kielc, znajdowały się dwa ważne w okresie staropolskim ośrodki wydobycia rud miedzi – położona w Paśmie Chęcińskim Miedzianka oraz leżąca w obecnej aglomeracji kieleckiej Miedziana Góra. Artykuł porusza zagadnienie handlu pigmentami miedziowymi (azurytem, malachitem i grynszpanem) pochodzącymi z przedmiotowych złóż na przestrzeni XVI–XVIII w. W źródłach archiwalnych informacje na temat handlu materiałami artystycznymi pojawiają się w dokumentach prawnych dotyczących przywilejów górniczych oraz aktach gospodarczych, w tym rachunkach dworów królewskich i biskupich, a także lustracjach dóbr królewskich i majątków biskupstwa krakowskiego oraz krakowskiej kapituły katedralnej. Cenne wiadomości o funkcjonowaniu kopalń pozyskano również z fragmentarycznie zachowanych w odpisach chęcińskich ksiąg żupniczych oraz akt miejskich, gdzie zawarte są również szczegóły dotyczące zarówno sprzedawców, jak i ich dłużników. Zebrane informacje wskazują, że pigmenty ze złóż świętokrzyskich wykorzystywano do dekoracji zamków królewskich w Krakowie i Warszawie oraz zamku wielkoksiążęcego w Wilnie, a niektóre z nich, jak np. malachit, eksportowano do Europy Zachodniej.","PeriodicalId":34807,"journal":{"name":"Acta Universitatis Nicolai Copernici Nauki HumanistycznoSpoleczne Zabytkoznawstwo i Konserwatorstwo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48894831","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

„Muzeum” w XVIII wieku. Z dziejów semantyki pojęcia 18世纪的“博物馆”。从语义学的历史看

Acta Universitatis Nicolai Copernici Nauki HumanistycznoSpoleczne Zabytkoznawstwo i Konserwatorstwo Pub Date : 2021-12-04 DOI: 10.12775/aunc_zik.2021.001

Michał Mencfel

{"title":"„Muzeum” w XVIII wieku. Z dziejów semantyki pojęcia","authors":"Michał Mencfel","doi":"10.12775/aunc_zik.2021.001","DOIUrl":"https://doi.org/10.12775/aunc_zik.2021.001","url":null,"abstract":"Przedmiotem studium są znaczenia, jakie nadawano pojęciu „muzeum” w XVIII wieku. Analizie poddano definicje terminu „muzeum” zawarte w traktatach kolekcjonerskich oraz przede wszystkim w słownikach i encyklopediach. Teksty źródłowe pochodzą w większości z niemieckiego i francuskiego obszaru językowego, gdyż w nich szczególnie wyraźnie zaznaczyło się zjawisko zmiany zbioru desygnatów nazwy „muzeum”, a zarazem były one nośnikami nieco odmiennych tradycji. \u0000Wskazuje się na trzy główne przemiany, jakie dokonały się w rozumieniu słowa „muzeum” w XVIII wieku. Po pierwsze, „muzeum” zaczęło w sposób konsekwentny oznaczać przestrzeń realną, a nie również wirtualną (dyskursywną). Po drugie, zaczęło ono oznaczać przestrzeń raczej publiczną niż prywatną. Po trzecie – przestrzeń kolekcjonerską, ekspozycyjną, służącą w pierwszym rzędzie doświadczeniu sensualnemu, a nie przestrzeń wiedzy, służącą przede wszystkim doświadczeniu intelektualnemu. W konsekwencji złożonych procesów kulturowych stopniowo ukształtowało się rozumienie nazwy „muzeum” jako realnej i publicznej przestrzeni ekspozycyjnej.","PeriodicalId":34807,"journal":{"name":"Acta Universitatis Nicolai Copernici Nauki HumanistycznoSpoleczne Zabytkoznawstwo i Konserwatorstwo","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44888458","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Kościół Trynitarzy w Wilnie. Uwagi o jego budowaniu 维尔纽斯的三位一体教堂。关于其建设的意见

Acta Universitatis Nicolai Copernici Nauki HumanistycznoSpoleczne Zabytkoznawstwo i Konserwatorstwo Pub Date : 2021-04-27 DOI: 10.12775/AUNC_ZIK.2019.001

Karol Guttmejer

引用次数: 0

Nieznane dzieło Pacina di Bonaguidy ze zbiorów prywatnych – przyczynek do badań nad malarstwem florenckiego Trecenta

Acta Universitatis Nicolai Copernici Nauki HumanistycznoSpoleczne Zabytkoznawstwo i Konserwatorstwo Pub Date : 2021-04-27 DOI: 10.12775/AUNC_ZIK.2020.001

Jagoda Agnieszka Marciniak

{"title":"Nieznane dzieło Pacina di Bonaguidy ze zbiorów prywatnych – przyczynek do badań nad malarstwem florenckiego Trecenta","authors":"Jagoda Agnieszka Marciniak","doi":"10.12775/AUNC_ZIK.2020.001","DOIUrl":"https://doi.org/10.12775/AUNC_ZIK.2020.001","url":null,"abstract":"The paper is aimed at presenting the results of an art expertise of a painting unknown and unpublished until 2018, which was found in private collection. On the basis of these studies, it was concluded that the painting was most likely created by Pacino di Buonaguida, a Florentine painter and illuminator, active between 1303 and 1340. The depicted scene was identified as The Greeting of Saint Proculus by the Pope. The painting may be linked to a retable attributed to Pacino di Buonaguida and placed inside the church of San Procolo, located in Via de’ Giraldo in Florence. This masterpiece constitutes probably a hitherto unknown part of the Legend of Saint Proculus, bishop of Ternia and patron of the church, which belongs to a set of seven representations recognized in the literature so far. All the pieces share the painting style (including characteristic typification of figures and focus on details), iconography, dimensions, technique of execution and framing system. The article also attempts to determine the original location of paintings in the altarpiece, since their shapes and sizes allow for many interpretations and reconstructions. While the most widespread thesis maintains that they formed a predella of the altarpiece, made up of seven scenes, there are indications that the series of the Legend of Saint Proculus was more complex. Assuming the existence of a link between the aforementioned painting and the altarpiece of Saint Proculus in the church of San Procolo in Florence, this work would be the only one created by Pacino di Buonaguida to be found in Polish collections. The identification of an unknown work constitutes an incentive to research the artist’s creation, thus significantly altering the existing recognition of the retable situated in the church of San Procolo and opening up new possibilities for its interpretation.","PeriodicalId":34807,"journal":{"name":"Acta Universitatis Nicolai Copernici Nauki HumanistycznoSpoleczne Zabytkoznawstwo i Konserwatorstwo","volume":"51 1","pages":"7"},"PeriodicalIF":0.0,"publicationDate":"2021-04-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44562057","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Tarcza zegarowa z pierwszej połowy XVII wieku z Muzeum Warmii i Mazur w Olsztynie – zagadnienia historyczno-stylistyczne oraz technologiczno-konserwatorskie. Olsztyn Warmia和Mazury博物馆17世纪上半叶的钟表表盘——历史、风格和技术保护问题。

Acta Universitatis Nicolai Copernici Nauki HumanistycznoSpoleczne Zabytkoznawstwo i Konserwatorstwo Pub Date : 2019-11-25 DOI: 10.12775/aunc_zik.2018.008

Paula K. Śwituszak, Ewa Pięta, J. Olszewska-Świetlik, J. Adamczyk, C. Paluszkiewicz

引用次数: 0

Zastosowanie żeli gellan do konserwacji zabytków papierowych wrażliwych na działanie wody: badania i praktyka 盖兰凝胶在水敏纸纪念碑保护中的应用研究与实践

Acta Universitatis Nicolai Copernici Nauki HumanistycznoSpoleczne Zabytkoznawstwo i Konserwatorstwo Pub Date : 2018-06-20 DOI: 10.12775/AUNC_ZIK.2017.016

Jolanta Czuczko, Aleksandra Cybul, D. Wojciechowska

引用次数: 0

Polichromie ścienne Jerzego Nowosielskiego w cerkwi w Górowie Iławeckim – zagadnienia technologii i techniki malarskiej 耶日·诺沃舍尔斯基在戈若维茨基教堂的墙壁多色——技术和绘画技术问题

Acta Universitatis Nicolai Copernici Nauki HumanistycznoSpoleczne Zabytkoznawstwo i Konserwatorstwo Pub Date : 2018-06-19 DOI: 10.12775/AUNC_ZIK.2017.013

Magdalena Kapka

{"title":"Polichromie ścienne Jerzego Nowosielskiego w cerkwi w Górowie Iławeckim – zagadnienia technologii i techniki malarskiej","authors":"Magdalena Kapka","doi":"10.12775/AUNC_ZIK.2017.013","DOIUrl":"https://doi.org/10.12775/AUNC_ZIK.2017.013","url":null,"abstract":"The artistic output of Jerzy Nowosielski includes works of various subject matter and technique. An important part of his works is monumental painting in the temples of the Roman and Greek Catholic and Orthodox denominations . Among these are wall paintings in built in the Gothic style Greek Catholic Church in Gorowo Ilaweckie, that the painter made in 1984-1985. The article presents selected issues of technology and techniques of polychrome, whose interpretation was based on the results of the following: observation of the paintings in visible and UV light , analysis of the photographs taken in near infrared, UV-fluorescence, energy-dispersive X-ray spectroscopy (XRF), Scanning Electron Microscopy with Energy Dispersive X-ray Spectroscopy (SEM-EDS), Fourier Transform Infrared Spectroscopy (FTIR), microscopic analysis of cross-sections of paint layer samples (standard VIS- and UV- fluorescence microscopy). Identification of pigments was carried out also using the interpretation of photographs taken in the technique \"false color\" and microchemical analysis of acquired samples of paint layers . These studies helped to define specific features of Jerzy Nowosielski painting, related to the choice of painting materials and methods of their use, especially those that determine the uniqueness of his style and makes his works instantly recognizable.","PeriodicalId":34807,"journal":{"name":"Acta Universitatis Nicolai Copernici Nauki HumanistycznoSpoleczne Zabytkoznawstwo i Konserwatorstwo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49602418","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Transformation of Political-Economic System in Poland and New Values of Built Heritage 波兰政治经济体制转型与建筑遗产的新价值

Acta Universitatis Nicolai Copernici Nauki HumanistycznoSpoleczne Zabytkoznawstwo i Konserwatorstwo Pub Date : 2018-06-19 DOI: 10.12775/AUNC_ZIK.2017.005

J. Krawczyk

{"title":"Transformation of Political-Economic System in Poland and New Values of Built Heritage","authors":"J. Krawczyk","doi":"10.12775/AUNC_ZIK.2017.005","DOIUrl":"https://doi.org/10.12775/AUNC_ZIK.2017.005","url":null,"abstract":"Transformation of political-economic system in Poland and the dispute about values of built heritage This paper concerns post-1989 changes and modifications of Polish built heritage. For Poland, the year of the fall of the Iron Curtain marked the beginning of political and economic transformation: a transition from a socialist state and a member of the Soviet Bloc to a capitalist state integrated with the European Union. The implementation of democratic institutions and procedures, and the rise of free-market economy based on private property, has nurtured profound changes in the standard of living, which in turn triggered significant transformations of the traditional cultural landscape. Along with the development of pluralistic society, new ideas and approaches arose in the heritage sphere. The phenomenon described by Pierre Nora * This article has been developed from a conference paper given during the session “Re-Writing History in the Time of Late Capitalism: Uses and Abuses of Built Heritage”, at the conference “What does heritage change?” held in Montreal on June 3–8, 2016 and organized by the Association of Critical Heritage Studies. Transformation of Political-Economic System in Poland...","PeriodicalId":34807,"journal":{"name":"Acta Universitatis Nicolai Copernici Nauki HumanistycznoSpoleczne Zabytkoznawstwo i Konserwatorstwo","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41360119","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Historia budowlana późnoromańskiego kościoła w Tulcach koło Poznania w świetle badań architektonicznych 从建筑研究的角度看波兹南附近Tulce晚期罗马式教堂的建筑历史

Acta Universitatis Nicolai Copernici Nauki HumanistycznoSpoleczne Zabytkoznawstwo i Konserwatorstwo Pub Date : 2018-06-19 DOI: 10.12775/AUNC_ZiK.2017.001

K. Zimna-Kawecka, M. Prarat

{"title":"Historia budowlana późnoromańskiego kościoła w Tulcach koło Poznania w świetle badań architektonicznych","authors":"K. Zimna-Kawecka, M. Prarat","doi":"10.12775/AUNC_ZiK.2017.001","DOIUrl":"https://doi.org/10.12775/AUNC_ZiK.2017.001","url":null,"abstract":"he aim of this paper is to present a structural history of the late Romanesque church in Tulce (district Poznan). Noninvasive architectural research of the building was conducted in 2014. Its results were then confronted with the literature on the subject. On this basis it was possible to identify structural changes since the moment the church was built until the 20 th century. The original church was made of brick in Monk bond and Gothic bond. It consisted of three parts: a squarely closed chancel, nave and extension in the western part – probably of the same size as the chancel. Comparative analysis enabled to date the church for around the half of the 13 th century. Later on, in the medieval period, it was reinforced with the buttresses and had the pinnacles rebuilt. The greatest alternations took place in the 18 th century. Partly Romanesque walls were then dismantled and the whole church was extended towards the west. Original windows were either bricked up or enlarged. The initial entrance was also bricked up and there was a tower established above the new part of the main frame. Regardless of the numerous changes, the original form was well preserved as well as the structure of the church, which allowed the reconstruction. Also the analysis of the walls made it possible to follow the 13 th century building process. Therefore, the monument possesses great authentic and historical values, especially in terms of recognition of medieval architecture in Greater Poland (Wielkopolska). This was the base for evaluating the elements from the later periods as they should be submitted to conservational protection as well as the initial structure.","PeriodicalId":34807,"journal":{"name":"Acta Universitatis Nicolai Copernici Nauki HumanistycznoSpoleczne Zabytkoznawstwo i Konserwatorstwo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45682756","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Patrocinium publicum Juliusa Schottländera 公共赞助人Juliusa Schottländera

Acta Universitatis Nicolai Copernici Nauki HumanistycznoSpoleczne Zabytkoznawstwo i Konserwatorstwo Pub Date : 2018-06-19 DOI: 10.12775/aunc_zik.2017.004

B. Grzegorczyk

引用次数: 0