Jihadi Audiovisuality and its Entanglements最新文献

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Artivism, Politics and Islam–An Empirical-Theoretical Approach to Artistic Strategies and Aesthetic Counter-Narratives that Defy Collective Stigmatisation 艺术主义、政治与伊斯兰——一种对抗集体污名化的艺术策略与美学反叙事的经验理论方法

Jihadi Audiovisuality and its Entanglements Pub Date : 2020-12-15 DOI: 10.3366/edinburgh/9781474467513.003.0008

Monika Salzbrunn

{"title":"Artivism, Politics and Islam–An Empirical-Theoretical Approach to Artistic Strategies and Aesthetic Counter-Narratives that Defy Collective Stigmatisation","authors":"Monika Salzbrunn","doi":"10.3366/edinburgh/9781474467513.003.0008","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474467513.003.0008","url":null,"abstract":"What are the interrelations between art and activism, activism in art and the use of art in activism in a context of growing stigmatization of Muslims? To what extend have the arts been political until today and how does political activism resort to art (poetry, performance, painting, photography, music, video etc.)? Starting from the Situationists’ movement and following Rancière’s “Politiques du sensible”, we reflect on the link between the aesthetic and the political. After a conceptual overview about artivism and political engagement as a research topic and related methodological challenges, we provide concrete examples for artistic strategies, namely how Muslims engage in various media in order to reverse stigmata and collective representations. We give insights from three research projects, “Undocumented Mobility (Tunisia-Switzerland) and Digital-Cultural Resources after the ‘Arab Spring’”, “(In)visible Islam in the City – Material and Immaterial Expressions of Muslim Practices in Urban Spaces” (both funded by the Swiss National Science Foundation) and the ERC project “ARTIVISM. Art and Activism. Creativity and Performance as Subversive Forms of Political Expression in Super-Diverse Cities”. In each case, Muslims (mostly from North Africa and from Senegal) develop music- and performance-based artivistic strategies in order to counter stigmatization and suspicion of terrorism.","PeriodicalId":346265,"journal":{"name":"Jihadi Audiovisuality and its Entanglements","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131350756","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

‘You’re Against Dawla, But You’re Listening to Their Nasheeds?’ Appropriating Jihadi Audiovisualities in the Online Streetwork Project Jamal Al-Khatib–My Path! “你反对道拉，却听他们的意见?”在网络街景项目中挪用圣战视听作品Jamal Al-Khatib-My Path!

Jihadi Audiovisuality and its Entanglements Pub Date : 2020-12-15 DOI: 10.3366/edinburgh/9781474467513.003.0010

R. Ali, Džemal Šibljaković, Felix Lippe, Ulrich Neuburg, Florian Neuburg

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引用次数: 2

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