The Journal of Media Art Study and Theory最新文献_第5页

Bringing Colonialism into the Frame: A Conversation with Heba Y. Amin 将殖民主义纳入框架:与赫巴·阿明对话

The Journal of Media Art Study and Theory Pub Date : 2021-04-25 DOI: 10.59547/26911566.3.1.07

引用次数: 0

Sonic Refusal: Indigenous Belongings without Soundtrack 声音拒绝:没有配乐的土著物品

The Journal of Media Art Study and Theory Pub Date : 2021-04-25 DOI: 10.59547/26911566.2.2.03

引用次数: 0

A Map of a Sound as a Space: Christine Sun Kim’s (LISTEN) (2016) 声音作为空间的地图:Christine Sun Kim的《LISTEN》(2016)

The Journal of Media Art Study and Theory Pub Date : 2021-04-25 DOI: 10.59547/26911566.2.2.10

引用次数: 1

Experimental Indices: Situational Assemblages of Facial Recognition 实验指标:面部识别的情境组合

The Journal of Media Art Study and Theory Pub Date : 2021-04-25 DOI: 10.59547/26911566.3.1.05

引用次数: 0

“…the table was set, and we were never dead”: On the Persistence of Colonial Listening in Germany “……桌子已经摆好了，我们从来没有死过”:论德国殖民时期的倾听

The Journal of Media Art Study and Theory Pub Date : 2021-04-25 DOI: 10.59547/26911566.2.2.09

Pedro J S Vieira de Oliveira

引用次数: 0

The Perilous Potential of the Blur: Digital Cultures Within Zones of Indistinction 模糊的危险潜力:模糊区域内的数字文化

The Journal of Media Art Study and Theory Pub Date : 2021-04-25 DOI: 10.59547/26911566.4.1.01

引用次数: 0

teamLab Borderless: Bridging Borders in Simulated Ecologies teamLab无国界:在模拟生态中架桥边界

The Journal of Media Art Study and Theory Pub Date : 2020-11-13 DOI: 10.59547/26911566.1.2.13

W. Haslem

{"title":"teamLab Borderless: Bridging Borders in Simulated Ecologies","authors":"W. Haslem","doi":"10.59547/26911566.1.2.13","DOIUrl":"https://doi.org/10.59547/26911566.1.2.13","url":null,"abstract":"This article begins by identifying the ways that spatial borders were destroyed during Australia’s Black Summer fires. It then contrasts this with the opposite, the imposition of national and state borders as physical distancing is promoted as a way to counter the virulent spread of the COVID-19 virus. This radical transformation of actual borders is further contrasted with the intersecting virtual worlds in the museum teamLab Borderless (2018). teamLab Borderless is an immersive exhibition that features simulated worlds that are animated by human contact. They bleed outside of their designated zones, blurring spatial boundaries. teamLab Borderless draws from traditions in Japanese scroll art that invite the viewer to imagine themselves within the space, creating an ultra-subjective mode of engagement. This article takes Sybille Krämer’s philosophy of media, beginning with the postal and its insistence on the distance between sender and receiver, to explore the rituals surrounding teamLab Borderless . It then elaborates on the ways that the experience of teamLab Borderless can be understood in relation to Krämer’s personal, or erotic principle of communication. It applies these modes of communication to consider the potential of interactivity to mediate between the virtual and the natural world. Ultimately, this article posits that in a culture of climate emergency, an alternative future is one where our relationship to nature is necessarily virtual.","PeriodicalId":344094,"journal":{"name":"The Journal of Media Art Study and Theory","volume":"241 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114561233","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Echoes in the Desert: Digging Out the Disappeared in the Digital Age 《沙漠中的回声:发掘数字时代的失踪者

The Journal of Media Art Study and Theory Pub Date : 2020-11-13 DOI: 10.59547/26911566.1.2.06

Irina R. Troconis

{"title":"Echoes in the Desert: Digging Out the Disappeared in the Digital Age","authors":"Irina R. Troconis","doi":"10.59547/26911566.1.2.06","DOIUrl":"https://doi.org/10.59547/26911566.1.2.06","url":null,"abstract":"This article explores the relationship between new media, memory, and materiality, through an analysis that focuses on three digital projects: Marco Williams's The Map of the Undocumented, Ivonne Ramírez’s Ellas tienen nombre (“They have a name”), and John Craig Freeman’s Border Memorial: Frontera de los Muertos. These projects were developed in response to the migration crisis at the US/Mexico border and Ciudad Juárez’s feminicide. Taking advantage of the possibilities offered by “thick mapping” and augmented reality, they locate and give visibility to the migrants who have died while crossing the Arizona desert ( The Map of the Undocumented and Border Memorial ), and to the hundreds of girls and women who have been murdered in Ciudad Juárez since 1985 ( Ellas tienen nombre ). Drawing from the works of Gabriel Giorgi, Judith Butler, Doreen Massey, and Avery Gordon, this article argues that the three projects store, mobilize, and memorialize “digital remains” that produce a form of spatial and temporal disorientation, complicating distinctions between presence and absence, materiality and immateriality, and proximity and distance. Through operations of haunting and re-membering, these remains make users “lose their grounding” and, in the process, become affected by others who, though anonymous, physically distant, missing and/or dead, feel familiar, proximate, and urgent. They thus shed light on new cartographic practices that productively reconfigure our understanding of memory, space, and global ethics, and that invite us to consider what a “geography of care and responsibility” could look like.","PeriodicalId":344094,"journal":{"name":"The Journal of Media Art Study and Theory","volume":"74 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117099637","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Between Emergence and Emergencies: An Introduction to the Special Issue ‘Media, Materiality, and Emergency’ 在紧急与紧急之间:特刊《媒介、实质性与紧急》简介

The Journal of Media Art Study and Theory Pub Date : 2020-11-13 DOI: 10.59547/26911566.1.2.01

T. Barker

引用次数: 1

The Unreal: Imaginaries of Techno-colonialism 虚幻:技术殖民主义的想象

The Journal of Media Art Study and Theory Pub Date : 2020-11-13 DOI: 10.59547/26911566.1.2.03

G. López, Hamilton Helle

引用次数: 0