发布求助
文献互助 智能选刊 最新文献

Current Musicology最新文献

筛选
英文 中文
Stockton, Will and D. Gilson (eds.). 2020. The 33 1/3 B-Sides: New Essays by 33 1/3 Authors on Beloved and Underrated Albums. New York: Bloomsbury 斯托克顿，威尔和D.吉尔森(编)。2020. 33又1/3的b面:33又1/3的作者在心爱和被低估的专辑上的新文章。纽约:布卢姆茨伯里派
Current Musicology Pub Date : 2021-01-27 DOI: 10.52214/CM.V107I.7204
R. Davila
{"title":"Stockton, Will and D. Gilson (eds.). 2020. The 33 1/3 B-Sides: New Essays by 33 1/3 Authors on Beloved and Underrated Albums. New York: Bloomsbury","authors":"R. Davila","doi":"10.52214/CM.V107I.7204","DOIUrl":"https://doi.org/10.52214/CM.V107I.7204","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":34202,"journal":{"name":"Current Musicology","volume":"107 1","pages":"226-233"},"PeriodicalIF":0.0,"publicationDate":"2021-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44473196","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Edwards, Brent Hayes. 2017. Epistrophies: Jazz and the Literary Imagination. Cambridge, MA: Harvard University Press Edwards，Brent Hayes。2017.书信集：爵士乐与文学想象。马萨诸塞州剑桥：哈佛大学出版社
Current Musicology Pub Date : 2021-01-27 DOI: 10.52214/CM.V107I.7208
Jacob Reed
{"title":"Edwards, Brent Hayes. 2017. Epistrophies: Jazz and the Literary Imagination. Cambridge, MA: Harvard University Press","authors":"Jacob Reed","doi":"10.52214/CM.V107I.7208","DOIUrl":"https://doi.org/10.52214/CM.V107I.7208","url":null,"abstract":"-\u0000 ","PeriodicalId":34202,"journal":{"name":"Current Musicology","volume":"107 1","pages":"190-196"},"PeriodicalIF":0.0,"publicationDate":"2021-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48585019","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Redmond, Shana. 2020. Everything Man: The Form and Function of Paul Robeson. Durham, NC: Duke University Press 沙娜，雷德蒙。2020年，《万物人：保罗·罗伯逊的形式与功能》。北卡罗来纳州达勒姆：杜克大学出版社
Current Musicology Pub Date : 2021-01-27 DOI: 10.52214/CM.V107I.7187
Aldwyn Hogg
{"title":"Redmond, Shana. 2020. Everything Man: The Form and Function of Paul Robeson. Durham, NC: Duke University Press","authors":"Aldwyn Hogg","doi":"10.52214/CM.V107I.7187","DOIUrl":"https://doi.org/10.52214/CM.V107I.7187","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":34202,"journal":{"name":"Current Musicology","volume":"107 1","pages":"219-225"},"PeriodicalIF":0.0,"publicationDate":"2021-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46264781","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fulcher, Jane F. 2018. Renegotiating French Identity: Musical Culture and Creativity in France during Vichy and the German Occupation. Oxford: Oxford University Press Fulcher，Jane F.2018。法国身份的重新谈判：维希和德国占领时期法国的音乐文化和创造力。牛津：牛津大学出版社
Current Musicology Pub Date : 2021-01-27 DOI: 10.52214/CM.V107I.7196
Zachary Stewart
{"title":"Fulcher, Jane F. 2018. Renegotiating French Identity: Musical Culture and Creativity in France during Vichy and the German Occupation. Oxford: Oxford University Press","authors":"Zachary Stewart","doi":"10.52214/CM.V107I.7196","DOIUrl":"https://doi.org/10.52214/CM.V107I.7196","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":34202,"journal":{"name":"Current Musicology","volume":"107 1","pages":"181-189"},"PeriodicalIF":0.0,"publicationDate":"2021-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46463612","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
My Intersecting Quests as a Disabled Independent Scholar 我作为一名残疾独立学者的交叉问题
Current Musicology Pub Date : 2021-01-27 DOI: 10.52214/CM.V107I.7844
Tekla Babyak
{"title":"My Intersecting Quests as a Disabled Independent Scholar","authors":"Tekla Babyak","doi":"10.52214/CM.V107I.7844","DOIUrl":"https://doi.org/10.52214/CM.V107I.7844","url":null,"abstract":"This colloquy, by graduate-student-led collective Project Spectrum, attempts to map out existing discussions around inclusion and equity in music academia, with a specific focus on identifying and analyzing the structures in academia that work against minoritized and historically excluded scholars.  \u0000Tekla Babyak asks us to re-imagine what is on the other side of the pipeline. In her colloquy contribution, she shares her advocacy experience in fighting for both independent scholars’ and disabled scholars’ seat at the proverbial table. She imagines an academic discipline that would readily accept, acknowledge, and uplift independent scholars—instead of considering them half- or failed scholars for their lack of institutional affiliation. And she imagines an academic discipline that would readily include disabled scholars, not for their exceptionality in achieving scholarship, but for their ability to contribute to a more diverse and inclusive intellectual milieu. She critiques the ableism endemic to the academic pipeline, an ableism that veils the physical and also emotional, mental, and spiritual obstructions in our discipline’s path to so-called success.","PeriodicalId":34202,"journal":{"name":"Current Musicology","volume":"107 1","pages":"158-162"},"PeriodicalIF":0.0,"publicationDate":"2021-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42257488","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Fischlin, Daniel and Eric Porter (eds). 2020. Playing for Keeps: Improvisation in the Aftermath. Durham: Duke University Press. Fischlin，Daniel和Eric Porter（编辑）。2020年，《继续演奏：余波即兴演奏》。达勒姆：杜克大学出版社。
Current Musicology Pub Date : 2021-01-27 DOI: 10.52214/CM.V107I.6886
Mike Ford
{"title":"Fischlin, Daniel and Eric Porter (eds). 2020. Playing for Keeps: Improvisation in the Aftermath. Durham: Duke University Press.","authors":"Mike Ford","doi":"10.52214/CM.V107I.6886","DOIUrl":"https://doi.org/10.52214/CM.V107I.6886","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":34202,"journal":{"name":"Current Musicology","volume":"107 1","pages":"210-218"},"PeriodicalIF":0.0,"publicationDate":"2021-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48993413","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Song Form and the Mainstreaming of Hip-Hop Music 歌曲形式与嘻哈音乐的主流化
Current Musicology Pub Date : 2021-01-01 DOI: 10.52214/CM.V107I.7177
B. Duinker
{"title":"Song Form and the Mainstreaming of Hip-Hop Music","authors":"B. Duinker","doi":"10.52214/CM.V107I.7177","DOIUrl":"https://doi.org/10.52214/CM.V107I.7177","url":null,"abstract":"Song form in North American hip-hop music has evolved along the genre’s journey from its origins as a live musical practice, through its commercial ascent in the 1980s and 1990s, to its dominance of mainstream popular music in the 21st century. This paper explores the nature and evolution of song form in hip-hop music and uses them as a musical lens to view the gradual and ongoing mainstreaming of this genre. With the help of a corpus of 160 hip-hop songs released since 1979, I describe and unpack section types common to hip-hop music­—verses, hooks, and instrumentals—illustrating how these sections combine in different formal paradigms, such as strophic and verse-hook. I evaluate the extent to which formal structures in hip-hop music can be understood as products of the genre’s live performance culture; one with roots in African American oral vernacular traditions such as toasting. Finally, I discuss how form in hip-hop music has increasingly foregrounded the hook (chorus): the emergence of the verse-hook song form, an increase in sung hooks (often by singers outside the hip-hop genre), the earlier arrival of hook sections in songs, and the greater share of a song’s duration occupied by hooks. Viewing hip-hop music’s evolution through this increasing importance of the hook provides a clear representation of the genre’s roots outside of, and assimilation into, mainstream popular music; one of many Black musical genres to have traversed this path (George, 1988).","PeriodicalId":34202,"journal":{"name":"Current Musicology","volume":"107 1","pages":"93-135"},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70832927","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Knapp. Raymond. 2018. Making Light: Haydn, Musical Camp, and the Long Shadow of German Idealism. Durham: Duke University Press. 克纳普。雷蒙德。2018。制造光明:海顿、音乐阵营与德国理想主义的长影。杜伦:杜克大学出版社。
Current Musicology Pub Date : 2020-07-22 DOI: 10.7916/CM.V106ISPRING.6771
J. Churchill
{"title":"Knapp. Raymond. 2018. Making Light: Haydn, Musical Camp, and the Long Shadow of German Idealism. Durham: Duke University Press.","authors":"J. Churchill","doi":"10.7916/CM.V106ISPRING.6771","DOIUrl":"https://doi.org/10.7916/CM.V106ISPRING.6771","url":null,"abstract":"","PeriodicalId":34202,"journal":{"name":"Current Musicology","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43841118","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fast, Susan and Craig Jennex. 2019. Popular Music and the Politics of Hope: Queer and Feminist Interventions. New York: Routledge. 苏珊·詹尼克斯和克雷格·詹尼克斯，2019年。流行音乐和希望的政治:酷儿和女权主义的干预。纽约:劳特利奇出版社。
Current Musicology Pub Date : 2020-07-22 DOI: 10.7916/CM.V106ISPRING.6770
Runchao Liu
{"title":"Fast, Susan and Craig Jennex. 2019. Popular Music and the Politics of Hope: Queer and Feminist Interventions. New York: Routledge.","authors":"Runchao Liu","doi":"10.7916/CM.V106ISPRING.6770","DOIUrl":"https://doi.org/10.7916/CM.V106ISPRING.6770","url":null,"abstract":"","PeriodicalId":34202,"journal":{"name":"Current Musicology","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44281984","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Crawley, Ashon. 2020. The Lonely Letters. Durham: Duke University Press. 阿斯顿·克劳利，2020。《孤独的信》杜伦:杜克大学出版社。
Current Musicology Pub Date : 2020-07-22 DOI: 10.7916/CM.V106ISPRING.6761
Jesse Chevan
{"title":"Crawley, Ashon. 2020. The Lonely Letters. Durham: Duke University Press.","authors":"Jesse Chevan","doi":"10.7916/CM.V106ISPRING.6761","DOIUrl":"https://doi.org/10.7916/CM.V106ISPRING.6761","url":null,"abstract":"","PeriodicalId":34202,"journal":{"name":"Current Musicology","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47935274","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信