{"title":"Immagini da Crooked zoo","authors":"Chen Xi","doi":"10.13128/LEA-1824-484X-24471","DOIUrl":"https://doi.org/10.13128/LEA-1824-484X-24471","url":null,"abstract":"","PeriodicalId":340115,"journal":{"name":"LEA : Lingue e Letterature d'Oriente e d'Occidente","volume":"59 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125861614","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Blending Italian “down-under”: Toward a theoretical framework and pragmatic guide for blending tertiary Italian language and culture courses through Skype-enhanced, pre-service teacher-centred telecollaboration","authors":"G. Carloni, Brian Zuccala","doi":"10.13128/LEA-1824-484X-24408","DOIUrl":"https://doi.org/10.13128/LEA-1824-484X-24408","url":null,"abstract":"This contribution draws on the article by Carloni and Zuccala (2017), that offered a preliminary discussion of a joint telecollaborative project between Italian Studies at Monash University and the University of Urbino. The present work aims at providing a theoretical, as well as pragmatic, starting point for developing a Pre-Service Teacher-centred model for a “sustainable”, cross-institutional, blended mode of delivering foreign language and culture tuition in the field of Italian","PeriodicalId":340115,"journal":{"name":"LEA : Lingue e Letterature d'Oriente e d'Occidente","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123403610","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Narrating Ethnic Relations in Sinophone Malaysian Fiction: “Wei xiang” as a Case Study","authors":"A. Paoliello","doi":"10.13128/LEA-1824-484X-24417","DOIUrl":"https://doi.org/10.13128/LEA-1824-484X-24417","url":null,"abstract":"Malaysia, as an ethnically diverse country, is the site of regular interactions among people from different ethnic groups. However, while Malay literature does not seem to be especially concerned with the portrayal of these interactions, many Sinophone Malaysian writers centre their works on these ethnic relations. Through the textual analysis of “Wei xiang” a Sinophone Malaysian short story by Ding Yun, the paper argues that Sinophone Malaysian fiction, by presenting Malaysia in its ethnic diversity, transcends the official label of sectional, ethnic or community-based literature. Moreover, the article claims that, through focusing on the struggles and the preoccupations of the Malaysian people regardless of their ethnic background, Ding Yun’s story, although not written in the national language, should be part of the Kesusasteraan Nasional Malaysia (Malaysian national literature).","PeriodicalId":340115,"journal":{"name":"LEA : Lingue e Letterature d'Oriente e d'Occidente","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124207871","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Place of Čechov’s Dramas in Peter Szondi’s \"Theory of Drama\"","authors":"G. Horváth","doi":"10.13128/LEA-1824-484X-24424","DOIUrl":"https://doi.org/10.13128/LEA-1824-484X-24424","url":null,"abstract":"The paper examines Peter Szondi’s theory of drama from two perspectives: 1. what traces of his new approach – i.e. textual interpretation – can be found in his early works; 2. to what extent are Szondi’s conclusions valid and original with respect to Cechov’s dramatic works? I identify common characteristics of Szondi’s conception of literature, formalist poetics, and phenomenological approaches. I also analyse two features of modern drama, epicization and the role of the intimate Self, through interpretations of Cechov’s dramas. I come to the conclusion that monologues acquire a narrative function in Cechov’s works, while through inner speech they also preserve the linguistic compactness characteristic of lyric poetry, i.e. the sound effects (alliteration, assonance and richly metaphorical language), which generates meaning-producing processes in the dramatic text.","PeriodicalId":340115,"journal":{"name":"LEA : Lingue e Letterature d'Oriente e d'Occidente","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128238356","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Riletture teoriche IV","authors":"Enza Biagini","doi":"10.13128/LEA-1824-484X-24393","DOIUrl":"https://doi.org/10.13128/LEA-1824-484X-24393","url":null,"abstract":"“La Nouvelle ecole litteraire en Russie par Boris Tomasevskij” / “La Nuova scuola letteraria letteraria in Russia di Boris Tomasevskij” (1928) is a further fundamental text discussing Russian Formalism (1915-1930) in which the author, who was one of the leading theoreticians and protagonists of the movement, in his presentation of the assumptions, the initial “struggles” and developments, offers readers a detailed, first hand analysis of these phenomena.","PeriodicalId":340115,"journal":{"name":"LEA : Lingue e Letterature d'Oriente e d'Occidente","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131679881","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Luca Baratta, The Age of Monsters. Nascite prodigiose nell’Inghilterra della prima età moderna: storia, testi, immagini (1550-1715) , prefazione di Maurizio Ascari, Roma, Aracne, 2017, pp. 876","authors":"Maria Teresa Chialant","doi":"10.13128/LEA-1824-484X-24451","DOIUrl":"https://doi.org/10.13128/LEA-1824-484X-24451","url":null,"abstract":"Luca Baratta’s book consists of a catalogue of forty-eight full-length documents – street literature , such as broadside ballads , pamphlets and leaflets , as well as medical writings drawn from Philosophical Transactions – that all deal with the phenomenon of monstrous births in early modern England. The volume is divided in four parts: “God’s judgment (1550-1603)”, “The Great Amazement (1603-1642)”, “The Monsters’ Wars (1642-1660)”, and “The Age of Wonders, the Age of Science (1660-1715)”. In each section, the documents are distributed according to a chronological order, with the aim to show the metamorphoses that the perceptions and representations of monsters have gone through in the course of time: from prodigies with religious implications to objects of curiosity and scientific enquiry.","PeriodicalId":340115,"journal":{"name":"LEA : Lingue e Letterature d'Oriente e d'Occidente","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130523771","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Arrigo Lora Totino, “architetto di parole”: dalle verbotetture ai cromofonemi","authors":"Teresa Spignoli","doi":"10.13128/LEA-1824-484X-24401","DOIUrl":"https://doi.org/10.13128/LEA-1824-484X-24401","url":null,"abstract":"The paper proposes an analysis of the first phase of the artistic-literary activity of Arrigo Lora Totino, from the review Antipiugiu to the “concrete turn” of the 1960s, in relation to the diffusion of concrete experimentation in Germany and Brasil, and in relation to the development of kinetic and programmed art in Italy. In particular, the characters of programmed art, described by Umberto Eco in two important contributions of the early Sixties, show a connection with the theoretical reflection of Totino and the composition of the first “verbotectures”, in relation to the concepts of seriality and variation. This is evident in works like Space and Time and in the “chromophoneme” In sleep, the dream, of which a textual analysis is carried out.","PeriodicalId":340115,"journal":{"name":"LEA : Lingue e Letterature d'Oriente e d'Occidente","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128336920","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Anticipazione da Luoma tiankong xia / Sotto il cielo di Roma , a cura di Matilde Marzi e Anna Di Toro","authors":"Chen Xi","doi":"10.13128/LEA-1824-484X-24397","DOIUrl":"https://doi.org/10.13128/LEA-1824-484X-24397","url":null,"abstract":"","PeriodicalId":340115,"journal":{"name":"LEA : Lingue e Letterature d'Oriente e d'Occidente","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115697522","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Il fondo, l’onda e il mare di Davide Puccini","authors":"M. Fanfani","doi":"10.13128/LEA-1824-484X-24433","DOIUrl":"https://doi.org/10.13128/LEA-1824-484X-24433","url":null,"abstract":"The recent book of poems by Davide Puccini ( Il fondo e L’onda , Nomos Edizioni 2016) is a fervent and intimate inventory of the world of childhood and adolescence recollected through playing, environments and objects sunk in the oblivion of the bottom of the sea or brought afloat by the waves. The past can, however, be remembered thanks to poetic words. Apart from much literary interference the poems are linked to the Author’s previous works and have a surprising recovery in the coming-of-age novel that Puccini published in 2018.","PeriodicalId":340115,"journal":{"name":"LEA : Lingue e Letterature d'Oriente e d'Occidente","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131863461","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Stabat mater. Immagini e sequenze nel moderno , a cura di Anna Dolfi, Firenze, FUP, 2018, pp. 467","authors":"A. Giusti","doi":"10.13128/LEA-1824-484X-24435","DOIUrl":"https://doi.org/10.13128/LEA-1824-484X-24435","url":null,"abstract":"This is a review of the volume Stabat mater. Immagini e sequenze nel moderno , edited by Anna Dolfi. It provides a brief description of the theme of the Stabat mater (in literature, music, art) developed in the twenty-eight essays of the volume.","PeriodicalId":340115,"journal":{"name":"LEA : Lingue e Letterature d'Oriente e d'Occidente","volume":"78 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130336435","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}