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Latente Revista de Historia y Estética audiovisual最新文献

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El Molino y la Cruz. Entre la metapintura y las narraciones transmedia 磨坊和十字架。在元叙事和跨媒体叙事之间
Latente Revista de Historia y Estética audiovisual Pub Date : 1900-01-01 DOI: 10.25145/j.latente.2022.20.06
Clementina Calero Ruiz
{"title":"El Molino y la Cruz. Entre la metapintura y las narraciones transmedia","authors":"Clementina Calero Ruiz","doi":"10.25145/j.latente.2022.20.06","DOIUrl":"https://doi.org/10.25145/j.latente.2022.20.06","url":null,"abstract":"Polish director Lech Majewski based his film «The Mill and the Cross» on two different sources: Michael Francis Gibson’s homonymous dissertation and The Procession to Calvary, Brueghel’s oil-on-panel masterpiece. The filmmaker paints a picture within another, a humongous, slow and silent tableaux vivant because slow is the creative process as well. Only the conversation between the painter and the art dealer, in which the first one explains the ways his painting has been made, breaks the quietness.","PeriodicalId":339824,"journal":{"name":"Latente Revista de Historia y Estética audiovisual","volume":"67 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133372035","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
De Oklahoma! a Tick, Tick...Boom! La evolución del musical desde la Edad de Oro hasta las obras rock de Jonathan Larson 俄克拉何马州!滴答，滴答，砰!音乐剧从黄金时代到乔纳森·拉尔森的摇滚作品的演变
Latente Revista de Historia y Estética audiovisual Pub Date : 1900-01-01 DOI: 10.25145/j.latente.2022.20.09
Virginia E. Higueras Rodríguez
{"title":"De Oklahoma! a Tick, Tick...Boom! La evolución del musical desde la Edad de Oro hasta las obras rock de Jonathan Larson","authors":"Virginia E. Higueras Rodríguez","doi":"10.25145/j.latente.2022.20.09","DOIUrl":"https://doi.org/10.25145/j.latente.2022.20.09","url":null,"abstract":"Musical films do not evolve in parallel with the theatrical musicals on Broadway. It creates a gap of about a decade between the musicals on Broadway and those produced in Hollywood. In 2021 Lin-Manuel Miranda, director of the film Tick, Tick... Boom! revives Jonathan Larson, heir to the influences of the musicals of Richard Rodgers & Oscar Hammerstein II, and Stephen Sondheim","PeriodicalId":339824,"journal":{"name":"Latente Revista de Historia y Estética audiovisual","volume":"abs/1812.07367 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132420661","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ciego de Ávila (Cuba): retrospectiva escénica. El Teatro Iriondo
Latente Revista de Historia y Estética audiovisual Pub Date : 1900-01-01 DOI: 10.25145/j.latente.2019.17.09
Gerardo F. Fuentes Pérez, Real Academia Canaria de Bellas Artes de San Miguel Arcángel
{"title":"Ciego de Ávila (Cuba): retrospectiva escénica. El Teatro Iriondo","authors":"Gerardo F. Fuentes Pérez, Real Academia Canaria de Bellas Artes de San Miguel Arcángel","doi":"10.25145/j.latente.2019.17.09","DOIUrl":"https://doi.org/10.25145/j.latente.2019.17.09","url":null,"abstract":"espanolPor su situacion geografica, Ciego de Avila fue un nudo de comunicaciones entre el oriente y el occidente de Cuba, logrando una prosperidad economica gracias al impulso de la industria azucarera a mediados del siglo xix. Es a partir de este momento cuando la actividad teatral se va a convertir en una de las principales necesidades culturales de aquella poblacion pujante que convirtio el arte de la escena en su propia propaganda social, de modo que promovieron la creacion de companias y grupos locales, logrando con ello convertirse en uno de los espacios teatrales mas importantes de la isla; el Iriondo y el Principal son los locales de mayor actividad teatral y cinematografica. EnglishDue to its geographical location, Ciego de Avila was a communicative point between the East and the West of Cuba, achieving economic prosperity thanks to the increase of the sugar industry in the mid-19th century. From this time on, the theatrical activity is going to become one of the main cultural needs of that thriving population that used artistic activities as their own social propaganda. With this action, they promoted the creation of local companies and theatrical groups, which made of Ciego de Avila one of the most important theatrical spaces in Cuba; the Iriondo and the Principal are the places where most theatrical and cinematographic activities took place.","PeriodicalId":339824,"journal":{"name":"Latente Revista de Historia y Estética audiovisual","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122801365","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Las horas: estudio comparativo entre La señora Dalloway de Virginia Woolf, Las horas de Michael Cunningham y Las horas de Stephen Daldry 时间:弗吉尼亚·伍尔夫的《达洛维夫人》、迈克尔·坎宁安的《时间》和斯蒂芬·达德利的《时间》的比较研究
Latente Revista de Historia y Estética audiovisual Pub Date : 1900-01-01 DOI: 10.25145/j.latente.2019.17.04
Sandra Medina Rodríguez
{"title":"Las horas: estudio comparativo entre La señora Dalloway de Virginia Woolf, Las horas de Michael Cunningham y Las horas de Stephen Daldry","authors":"Sandra Medina Rodríguez","doi":"10.25145/j.latente.2019.17.04","DOIUrl":"https://doi.org/10.25145/j.latente.2019.17.04","url":null,"abstract":"espanolEn 2002 Stephen Daldry estrenaba el film Las horas, inspirado en el libro homonimo publicado en 1998 por Michael Cunningham. Cunningham, a su vez, habia escrito su obra para homenajear a la autora inglesa Virginia Woolf y, mas concretamente, su novela La senora Dalloway. En el presente estudio, como principal objetivo, analizaremos los artificios y engranajes que operan en la intertextualidad de las tres obras. Identificaremos las estrategias narrativas empleadas en cada una de ellas y evidenciaremos tanto las diferencias como las semejanzas entre las tres. Profundizaremos en los dispositivos de los que se sirve el cine para trasladar a la gran pantalla los textos narrativos tanto de Woolf como de Cunningham. EnglishIn 2002 Stephen Daldry premiered the film The hours, inspired by the homonymous book published in 1998 by Michael Cunningham. Cunningham, in turn, had written his work to honor the english author Virginia Woolf and, more specifically, his novel Mrs. Dalloway. In the present study, as the main objective, we will analyze the artifices and gears that operate in the intertextuality of the three works. We will identify the narrative strategies used in each of them and we will demonstrate both the differences and the similarities between the three. We will deepen into the devices that the cinema uses to transfer the narrative texts of both Woolf and Cunningham to the big screen.","PeriodicalId":339824,"journal":{"name":"Latente Revista de Historia y Estética audiovisual","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133157269","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Revista Latente nº 19, año 2021 潜在杂志nº19,2021年
Latente Revista de Historia y Estética audiovisual Pub Date : 1900-01-01 DOI: 10.25145/j.latente.2021.19
Domingo Solá Antequera
{"title":"Revista Latente nº 19, año 2021","authors":"Domingo Solá Antequera","doi":"10.25145/j.latente.2021.19","DOIUrl":"https://doi.org/10.25145/j.latente.2021.19","url":null,"abstract":"","PeriodicalId":339824,"journal":{"name":"Latente Revista de Historia y Estética audiovisual","volume":"28 2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123595396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fealdad y belleza en las representaciones del villano en el cine mudo europeo y estadounidense 欧洲和美国无声电影中反派形象的丑陋与美丽
Latente Revista de Historia y Estética audiovisual Pub Date : 1900-01-01 DOI: 10.25145/j.latente.2022.20.05
D. Fuentefría Rodríguez
{"title":"Fealdad y belleza en las representaciones del villano en el cine mudo europeo y estadounidense","authors":"D. Fuentefría Rodríguez","doi":"10.25145/j.latente.2022.20.05","DOIUrl":"https://doi.org/10.25145/j.latente.2022.20.05","url":null,"abstract":"This paper proposes a brief anthological review of the main representations of the villain in European and American silent films, from 1910, covering their most characteristic faces, scenes and keys, under the aesthetic notions of beauty and ugliness. The text addresses evil from different perspectives as a construction element of antagonistic images, differentiating when it proceeds between representations based on reality, or totally fictional, teratological or non-teratological, in addition to abounding in the aspects of the characterization and aesthetic construction of the evil one, with some notes on the subsequent influence of specific characters. The face as a frontal or opaque mirror of evil, plus a review of the female villains at this stage, finally find their own space throughout the compilation.","PeriodicalId":339824,"journal":{"name":"Latente Revista de Historia y Estética audiovisual","volume":"115 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117313020","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cine, interculturalidad y políticas de género. Giulia Colaizzi (ed.) (2021), Madrid: Cátedra, Signo e imagen. 192 pp. 电影、跨文化和性别政治。Giulia Colaizzi(编辑)(2021)，马德里:主席，标志和形象。192 pp。
Latente Revista de Historia y Estética audiovisual Pub Date : 1900-01-01 DOI: 10.25145/j.latente.2022.20.13
Joana Rodríguez Pérez
{"title":"Cine, interculturalidad y políticas de género. Giulia Colaizzi (ed.) (2021), Madrid: Cátedra, Signo e imagen. 192 pp.","authors":"Joana Rodríguez Pérez","doi":"10.25145/j.latente.2022.20.13","DOIUrl":"https://doi.org/10.25145/j.latente.2022.20.13","url":null,"abstract":"","PeriodicalId":339824,"journal":{"name":"Latente Revista de Historia y Estética audiovisual","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121783868","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Resistencias y disidencias en el cine español: el compromiso con la realidad, por Ernesto Pérez Morán y José Luis Sánchez Noriega (eds.). (2021). Madrid: Ediciones Complutenses 西班牙电影中的抵抗与异议:对现实的承诺，Ernesto perez moran和jose Luis sanchez Noriega(合编)。(续约)。马德里:康普卢腾斯出版社
Latente Revista de Historia y Estética audiovisual Pub Date : 1900-01-01 DOI: 10.25145/j.latente.2022.20.12
Gonzalo M. P avés Borges
{"title":"Resistencias y disidencias en el cine español: el compromiso con la realidad, por Ernesto Pérez Morán y José Luis Sánchez Noriega (eds.). (2021). Madrid: Ediciones Complutenses","authors":"Gonzalo M. P avés Borges","doi":"10.25145/j.latente.2022.20.12","DOIUrl":"https://doi.org/10.25145/j.latente.2022.20.12","url":null,"abstract":"","PeriodicalId":339824,"journal":{"name":"Latente Revista de Historia y Estética audiovisual","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125001680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mitos fundacionales de Roma en el cine y la televisión 电影和电视中罗马的基本神话
Latente Revista de Historia y Estética audiovisual Pub Date : 1900-01-01 DOI: 10.25145/j.latente.2022.20.02
Óscar Lapeña Marchena
{"title":"Mitos fundacionales de Roma en el cine y la televisión","authors":"Óscar Lapeña Marchena","doi":"10.25145/j.latente.2022.20.02","DOIUrl":"https://doi.org/10.25145/j.latente.2022.20.02","url":null,"abstract":"In these pages we want to deal with the projection on cinema and television screens of different mythical episodes linked to the founding of the city of Rome. If it were compared to other episodes or characters in its history, the scant interest it has aroused is striking, at least from a quantitative point of view. We will deal with those productions that have focused on the figure of Aeneas and his journey through the Mediterranean, the twins Romulus and Remus, the episode of the kidnapping of the Sabine women and the fight between Horace and Curiaceous.","PeriodicalId":339824,"journal":{"name":"Latente Revista de Historia y Estética audiovisual","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116777677","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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