Anglo Saxonica最新文献_第2页

A estética do medo no poema-workshop gótico “A shovel of his ashes took” (1816), de Percy Bysshe Shelley 《他的骨灰被铲走》(1816)，德·珀西·比希·雪莱

Anglo Saxonica Pub Date : 2022-01-01 DOI: 10.5334/as.51

R. Puga

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Of Cats and Crones: Hope and Ecofeminist Utopianism in Leonora Carrington’s The Hearing Trumpet 猫与老妪:利奥诺拉·卡灵顿《听觉小号》中的希望与生态女权主义乌托邦

Anglo Saxonica Pub Date : 2022-01-01 DOI: 10.5334/as.87

M. Cruz

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“The ‘Cats’ from Hell”: The Long Shadow of Poe’s Feline in the Short Fiction of Flannery O’Connor and Stephen King “来自地狱的猫”:弗兰纳里·奥康纳和斯蒂芬·金短篇小说中爱伦·坡笔下的猫的影子

Anglo Saxonica Pub Date : 2022-01-01 DOI: 10.5334/as.70

José Manuel Correoso-Rodenas

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Struggling for a New Identity: Glimpses of Nineteenth Century Womanhood in the Fiction of Gilman and Chopin 为新身份而奋斗:吉尔曼和肖邦小说中的19世纪女性一瞥

Anglo Saxonica Pub Date : 2022-01-01 DOI: 10.5334/as.49

I. Erkoçi

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The Passive Antihero in Alameddine’s I, the Divine and an Unnecessary Woman 阿拉梅丁《我，神与一个多余的女人》中的被动反英雄

Anglo Saxonica Pub Date : 2022-01-01 DOI: 10.5334/as.75

Salma Kaouthar Letaief, Yousef Abu Amrieh

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Trees as Safe Havens in Faqir’s Willow Trees Don’t Weep and Matar’s In the Country of Men 在《法基尔的柳树不会哭泣》和《玛塔尔的人类之国》中，树木是安全的避风港

Anglo Saxonica Pub Date : 2022-01-01 DOI: 10.5334/as.73

Bouchra Sadouni, Yousef Abu Amrieh

引用次数: 2

An Eligible Bachelor: Austen, Love, and Marriage in Pride and Prejudice and Eligible by Curtis Sittenfeld 一个合格的单身汉:《傲慢与偏见》中的奥斯汀、爱情和婚姻，以及柯蒂斯·西滕菲尔德的《合格》

Anglo Saxonica Pub Date : 2022-01-01 DOI: 10.5334/as.92

Carmen Gomez-Galisteo

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Victor/Victorian: Gender and Aesthetic Idealism During the Italian Risorgimento 维克多/维多利亚:意大利复兴时期的性别与审美理想主义

Anglo Saxonica Pub Date : 2021-09-29 DOI: 10.5334/as.40

Sharon Worley

{"title":"Victor/Victorian: Gender and Aesthetic Idealism During the Italian Risorgimento","authors":"Sharon Worley","doi":"10.5334/as.40","DOIUrl":"https://doi.org/10.5334/as.40","url":null,"abstract":"Henry James’ short story, Last of the Valerii (1874), articulates the author’s final assessment of the Anglo-American style. The marriage between the American heiress and impoverished Italian nobleman expresses the transition in the American economy from rural agriculture to one driven by industrial wealth and the creation of large estates. By making the Italian aristocracy the protagonists of his Anglo-Italian novels, James also provides a cursive acknowledgement of the restoration of the Italian aristocracy which was at the heart of the revolutionaries’ nationalist debate during the Italian Risorgimento. The creation of a unified and independent Italy in 1871 also included a king, Victor-Emmanuel II. The desire to acquire the habits and style of the genteel European nobility was grafted onto the new American interest in collecting the aesthetic treasures of Europe then being acquired by wealthy Americans to form the major museum collections of America. Towards the turn of the century, Anglo-Italian authors and artists lost their interest in the revolutionary cause of Italy and centennial America, and replaced this cause with a new pure aestheticism, lacking an underlying political and moral agenda. James’ novels articulate a new crisis in marriage in which men declare their independence from their dependent women. James’ reversal of the women’s movement issue approaches domestic gender roles from the male perspective. His protagonists are educated aesthetes who long for escapism from the confines of societal gender and marriage roles. The new wealth acquired by Americans towards the end of the century during the Gilded Age, afforded such perversions of traditional male duties, without overtly supporting the women’s suffrage movement and rehabilitation of women’s employment.","PeriodicalId":33655,"journal":{"name":"Anglo Saxonica","volume":"65 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79311948","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Corpses, Fire, and Dangerous Mammals: Revisiting the Symbols in Roddam’s Television Adaptation of Moby Dick by Herman Melville 尸体，火和危险的哺乳动物:重新审视罗丹改编自赫尔曼·梅尔维尔的《白鲸记》的电视符号

Anglo Saxonica Pub Date : 2021-09-29 DOI: 10.5334/as.10

Ricardo Sobreira

{"title":"Corpses, Fire, and Dangerous Mammals: Revisiting the Symbols in Roddam’s Television Adaptation of Moby Dick by Herman Melville","authors":"Ricardo Sobreira","doi":"10.5334/as.10","DOIUrl":"https://doi.org/10.5334/as.10","url":null,"abstract":"This paper aims at discussing the visual symbols as well as aspects such as the acting performances, the historical accuracy, the teleplay, and the direction in Franc Roddam’s 1998 television miniseries Moby Dick, adapted from Herman Melville’s homonymous novel (1851). The two-part television production incorporates a few symbolic elements not necessarily present in the source text. These symbols (the image of a dog, the evocation of a giant, a whale-shaped mark, a great fire and an underwater corpse) are visually associated with characters as diverse as Elijah, Ahab, Queequeg and Moby Dick. The investigation focuses thus on the possible interpretations suggested by these visual symbols and how they contribute to better our comprehension not only of these characters but also of the novel’s complex themes of death, power, evil, redemption, among others. Resumo O presente trabalho objetiva discutir os simbolos visuais bem como aspetos tais como as atuacoes, a reconstituicao de epoca, a roteirizacao e a realizacao relativamente a minisserie de televisao Moby Dick (1998), uma adaptacao da obra homonima de Herman Melville, realizada por Franc Roddam. A producao televisiva, dividida em dois episodios, incorpora certos elementos simbolicos nao necessariamente presentes no texto-fonte. Esses simbolos (a imagem de um cao, a evocacao de um gigante, uma marca em forma de baleia, um incendio de grandes proporcoes e um cadaver submerso) sao visualmente associados a personagens tao diversas quanto Elijah, Ahab, Queequeg e Moby Dick. A investigacao enfoca, portanto, as possiveis interpretacoes sugeridas por esses simbolos visuais e como eles contribuem para aprimorar a nossa compreensao de tais personagens e de temas complexos abordados no romance como a morte, o poder, o mal, a redencao, entre outros. Palavras-Chave: Estudos da Adaptacao; Literatura Americana; Herman Melville; Moby Dick; Simbolo","PeriodicalId":33655,"journal":{"name":"Anglo Saxonica","volume":"128 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88189643","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“From the vaults of my dungeon”: dos lugares da memória em Brideshead Revisited de Evelyn Waugh “从我地牢的地下室”:dos lugares da memória em故园故园德伊夫林·沃

Anglo Saxonica Pub Date : 2021-06-24 DOI: 10.5334/as.50

Cláudia Coimbra

引用次数: 0