Anglo Saxonica最新文献

Robinson Crusoe with a Cellphone: A Task-Based Proposal for Higher Secondary Education 带着手机的鲁滨逊漂流记》：基于任务的高中教育建议书

Anglo Saxonica Pub Date : 2024-04-25 DOI: 10.5334/as.127

María Dolores Rueda Montero

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引用次数: 0

Baroque and Female Body: From Ecstasy to Madness in Henry James’s What Maisie Knew 巴洛克与女性身体:亨利·詹姆斯的《梅奇所知》从狂喜到疯狂

Anglo Saxonica Pub Date : 2023-01-01 DOI: 10.5334/as.111

Mohamad Mosavat

{"title":"Baroque and Female Body: From Ecstasy to Madness in Henry James’s What Maisie Knew","authors":"Mohamad Mosavat","doi":"10.5334/as.111","DOIUrl":"https://doi.org/10.5334/as.111","url":null,"abstract":"Henry James’s critics suggest numerous form-conscious reasons for his serpentine meaning-making aesthetics. Seeing the undecidability of James’s proto-modernist narrative on a par with that of the baroque aesthetics, this paper cites the inscribable essence of the female body in James’s materialism as one undiscussed reason. In the theories of écriture feminine or feminine writing, the female writer’s integrity with her body serves as the source of logic for the writing practice that revolts against phallogocentric conventions. In search of a concrete example for this assertion, I celebrate the content-conscious contemporaneity between James’s What Maisie Knew and New Woman writing in light of four common motifs: the psycho-ethical analysis of (1) the protagonist’s melancholic mother-daughter relationship and (2) her quest for truth paves the way for the essentialist insight into (3) the privilege of feminine aesthetics and (4) the emancipated motion of the New Woman’s body. The secondary objective of this paper is to celebrate the ideological return of the baroque in James’s proto-modernism through such topoi as imperfect beauty, motion, and madness so as to introduce the meaning-making role of the body in his impressionistic integrity of subject and object.","PeriodicalId":33655,"journal":{"name":"Anglo Saxonica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82732892","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Reframing Identity and Building a Nomadic Home through Mestiza Consciousness in Brincando el charco. Portrait of a Puerto Rican 在布林坎多埃尔查科，通过梅斯蒂萨人意识重构身份和建立游牧家园。波多黎各人的肖像

Anglo Saxonica Pub Date : 2023-01-01 DOI: 10.5334/as.106

Orianna Calderón-Sandoval

引用次数: 0

Email Romance? Elif Batuman’s The Idiot as the Narrative of an “Unloving” Relationship 电子邮件浪漫?埃利夫·巴图曼的《白痴》是对一段“不相爱”关系的叙述

Anglo Saxonica Pub Date : 2023-01-01 DOI: 10.5334/as.122

Spandita Das

引用次数: 0

M. NourbeSe Philip’s She Tries her Tongue, her Silence Softly Breaks and the Possibilities of Language 诺贝斯·菲利普的《她试着开口，她的沉默被轻轻地打破，语言的可能性》

Anglo Saxonica Pub Date : 2023-01-01 DOI: 10.5334/as.81

Beatriz Marques Gonçalves