{"title":"How Screendance Was Invented While We Were Busy Claiming It Wasn’t","authors":"Katja Vaghi","doi":"10.18061/IJSD.V10I0.6528","DOIUrl":"https://doi.org/10.18061/IJSD.V10I0.6528","url":null,"abstract":"Many screendance authors seem to worry about the marginalized state of the practice and its lack of a solid scholarly discourse. This leitmotif goes against my perception of screendance as one of the fastest growing fields in dance, both in practice and theory. This short provocation considers some reasons for this feeling of lack and, by juxtaposing them with reflections on the advent of new institutionalized courses in screendance, invites us to revise our perception of the field. Screendance has finally reached a critical mass of works and research to ‘stand by itself.’","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49091166","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Editorial: Screendance Now","authors":"Harmony Bench, S. Ellis","doi":"10.18061/IJSD.V10I0.6850","DOIUrl":"https://doi.org/10.18061/IJSD.V10I0.6850","url":null,"abstract":"Editorial for IJSD volume 10.","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48492274","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dance’s Duet with the Camera: Motion Pictures. Edited by Telory D. Arendell and Ruth Barnes. 2016. London: Palgrave MacMillan. 263 pp. Hardcover $99.99. ISBN 978-1-137-59609-3","authors":"Elisa Frasson","doi":"10.18061/IJSD.V10I0.6825","DOIUrl":"https://doi.org/10.18061/IJSD.V10I0.6825","url":null,"abstract":"A review of Dance’s Duet with the Camera: Motion Pictures edited by Telory D. Arendell and Ruth Barnes.","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49315514","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Dance-In and the Re/production of White Corporeality","authors":"Anthea Kraut","doi":"10.18061/IJSD.V10I0.6514","DOIUrl":"https://doi.org/10.18061/IJSD.V10I0.6514","url":null,"abstract":"This essay examines the figure of the “dance-in,” a stand-in who dances in place of a star prior to filming, focusing on two women who acted as surrogates and dance coaches for the mid-twentieth century white film star Betty Grable: a white woman named Angie Blue and an African American woman named Marie Bryant. Bringing together film studies theories of indexicality, performance studies theories of surrogation, and critical race theories of flesh and body, I argue that the dance-in helps expose how the fiction of white corporeality as a bounded and autonomous mode of being is maintained.","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48332307","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Consuming Dance: Choreography and Advertising by Colleen Dunagan. 2018. Oxford: Oxford University Press. 264 pp.48 screen stills. Paperback $29.95. Hardcover $99.00. ISBN: 9780190491376","authors":"Xiomara Forbez","doi":"10.18061/IJSD.V10I0.6826","DOIUrl":"https://doi.org/10.18061/IJSD.V10I0.6826","url":null,"abstract":"A review of Consuming Dance: Choreography and Advertising by Colleen Dunagan.","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45373740","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"IJSD Volume 10 2019 Screendance Now: Full Issue","authors":"Harmony Bench, S. Ellis","doi":"10.18061/IJSD.V10I0.6899","DOIUrl":"https://doi.org/10.18061/IJSD.V10I0.6899","url":null,"abstract":"No abstract available.","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41644526","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Pathways, Histories, and ScreenDance Diaries: Sarah Elgart in Conversation","authors":"Sarah Elgart, Harmony Bench","doi":"10.18061/IJSD.V10I0.6831","DOIUrl":"https://doi.org/10.18061/IJSD.V10I0.6831","url":null,"abstract":"An interview of Sarah Elgart by Harmony Bench, which took place via Skype on January 11, 2019.","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41728371","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Digital Dance Criticism: Screens as Choreographic Apparatus","authors":"K. Mattingly","doi":"10.18061/IJSD.V10I0.6524","DOIUrl":"https://doi.org/10.18061/IJSD.V10I0.6524","url":null,"abstract":"Prior to the introduction of websites and social media, professional dance criticism circulated through print publications: newspapers, magazines, and journals. This article examines the current proliferation of screens as platforms for criticism and how they—mobile devices, laptops, televisions, and computers—shift the frameworks that writers and readerships use to engage with dance. I use the concept of a choreographic apparatus to show how digital technologies generate symbiotic relationships between online contexts and contemporary performance. By focusing on three sites—thINKingDANCE, On the Boards TV, and Amara Tabor-Smith’s House/Full of Black Women—I analyze how these platforms challenge widespread assumptions about the disappearance of dance critics.","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42183348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Making Video Dance: A Step-by-Step Guide to Creating Dance for the Screen (2nd ed), by Katrina McPherson. 2018. London and New York: Routledge. 280 pp. Black and white images. $120 hardcover. ISBN 978-1-13-869912-0. $31.96 paperback. ISBN 978-1-13-869913-7. Website: www.makingvideodance.com.","authors":"Rob Gee","doi":"10.18061/IJSD.V10I0.6851","DOIUrl":"https://doi.org/10.18061/IJSD.V10I0.6851","url":null,"abstract":"Review of Making Video Dance: A Step-by-Step Guide to Creating Dance for the Screen (2nd ed), by Katrina McPherson.","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41386224","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Trans-Screens of Gender and Jewishness in Jill Soloway's Transparent: Post-Network TV and the Screendance Scene","authors":"Hannah Schwadron","doi":"10.18061/IJSD.V10I0.6522","DOIUrl":"https://doi.org/10.18061/IJSD.V10I0.6522","url":null,"abstract":"This essay analyzes the artful insertion of screendance scenes in Season Two of Jill Soloway’s Amazon hit, Transparent (2014- ), highlighting how bodies and camera choreograph affective connections core to the plot in this televisual portrait of a Jewish American family. In doing so, I underscore a layered screenic trans-ness that conjoins circular manipulations of time and bodily action to overlay transgender and transhistorical experiences as co-constitutive themes.","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46946328","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}