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Orthography beyond belief. A case of Stanisław Baczyński 难以置信的正字法。一个Stanisław Baczyński的案例
Acta Universitatis Lodziensis Folia Litteraria Polonica Pub Date : 2022-06-30 DOI: 10.18778/1505-9057.64.13
Anna Szawerna-Dyrszka
{"title":"Orthography beyond belief. A case of Stanisław Baczyński","authors":"Anna Szawerna-Dyrszka","doi":"10.18778/1505-9057.64.13","DOIUrl":"https://doi.org/10.18778/1505-9057.64.13","url":null,"abstract":"The article deals with the use of majuscule in religious terms in the context of editing the unfinished typescript of Stanisław Baczyński’s Propozycje. Nowa kultura – nowa cywilizacja. The author spelled the words such as Kościoł (as an institution, a population of worshippers), Boży, Chrystusowy (as possessive adjectives) inconsistently – once in uppercase, once in lowercase (the latter more frequently). The author of the article (and the editor of Baczyński’s work) analyzes orthographic norms, both present ones and those contemporary with Baczyński, and on this basis decides to leave unchanged the spelling inconsistencies in religion-related words. These inconsistencies are considered a result of the clash between the atheist worldview and the repressive function of orthography, and at the same time a proof of the author’s linguistic struggle, telling a lot not only about the creative process, but also about the idea of the work.","PeriodicalId":32744,"journal":{"name":"Acta Universitatis Lodziensis Folia Litteraria Polonica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44656441","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Ja już podarłem kilka swoich sztuk…”. From the personal archive of Adam Tarn
Acta Universitatis Lodziensis Folia Litteraria Polonica Pub Date : 2022-06-30 DOI: 10.18778/1505-9057.64.09
Magdalena Wasąg
{"title":"“Ja już podarłem kilka swoich sztuk…”. From the personal archive of Adam Tarn","authors":"Magdalena Wasąg","doi":"10.18778/1505-9057.64.09","DOIUrl":"https://doi.org/10.18778/1505-9057.64.09","url":null,"abstract":"The personal archive of Adam Tarn (1902–1975), the first editor-in-chief of the Dialog monthly and a translator, critic, novelist, and playwright, includes notes with loose ideas for plays, notes to his unfinished book on Chekhov, and minor literary attempts, which he corrected, set aside and later expanded. This material, which Tarn’s heirs kindly offered me for study, constitutes a valuable proof the creative process and the evolution of the writing of the Dialog’s editor-in-chief. In the context of Obraz ojca w czterech ramach [Father’s Image in Four Frames] (1934), Tarn’s début novel and the only one he completed, the novel Kameleon [Chameleon] is an intriguing item in the author’s collection of unfinished works. In this article I shall discuss the material contained in Tarn’s personal archive. This study offers an insight into his “internal laboratory” of writing and enables one to read it from, e.g., the biographical perspective. The dating of the collected material can be only approximated. The earliest surviving prose attempt written in French probably came from the interwar period, while the final notes were composed during his émigré period after 1968, when Tarn was working on his unfinished book on Chekhov.","PeriodicalId":32744,"journal":{"name":"Acta Universitatis Lodziensis Folia Litteraria Polonica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42289728","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Transformations of linguistic forms in Anna Kamieńska’s work on Notatnik Anna Kamieńska关于Notatnik的著作中语言形式的转换
Acta Universitatis Lodziensis Folia Litteraria Polonica Pub Date : 2022-06-30 DOI: 10.18778/150v057.64.12
Jagoda Zarzycka
{"title":"Transformations of linguistic forms in Anna Kamieńska’s work on Notatnik","authors":"Jagoda Zarzycka","doi":"10.18778/150v057.64.12","DOIUrl":"https://doi.org/10.18778/150v057.64.12","url":null,"abstract":"This article is an attempt at answering the question about Anna Kamieńska editorial work on Notatnik. The discussion of the creative process applies to a manuscript fragment of the journal from the period 31 Oct 1971–15 Feb 1972, the work published in instalments in the 1970s in the W drodze periodical, and the book releases published in the 1980s. The analysis of editorial changes applies to selected linguistic forms. Those include, e.g., replacement of nouns with pronouns, diminutives with neutral forms or acronyms, questions with ascertainment, and the elimination of particles and first-person singular in verbs and pronouns. All of the listed interventions led to a shortening of passages and assigning them the nature of aphorisms.","PeriodicalId":32744,"journal":{"name":"Acta Universitatis Lodziensis Folia Litteraria Polonica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49607125","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Two editions of Sny i kamienie by Magdalena Tulli 玛格达莱娜·图利的两个版本的《神》
Acta Universitatis Lodziensis Folia Litteraria Polonica Pub Date : 2022-06-30 DOI: 10.18778/1505-9057.64.23
P. Wąsowski
{"title":"Two editions of Sny i kamienie by Magdalena Tulli","authors":"P. Wąsowski","doi":"10.18778/1505-9057.64.23","DOIUrl":"https://doi.org/10.18778/1505-9057.64.23","url":null,"abstract":"The author offers a juxtaposition of two editions of Sny i kamienie [Dreams and Stones] by Magdalena Tulli in the context of Italo Calvino’s Invisible Cities and urbanology. In the text he analyses the differences between the editions and discusses the origins of the modifications of the novel implemented by the writer. Those modifications sometimes facilitate while other times hinder the identification of the sources of her thinking, i.e., her reflection on urbanity. Sny i kamienie is a novel that constitutes a record of the experiences of the modernist transformation of two cities, Warsaw and Milan. The reading of Sny i kamienie is difficult at several levels: firstly, due to its treatise-like style and the narrator’s role of a seemingly uncritical eulogist of the urban planning order; secondly, due to a blurring of the traces of contaminations of various experiences: of Warsaw, of Milan, and that of a reader; and thirdly, due to a lack in Polish culture of any traditions of this type of prose text devoted to the city. The essay constitutes an attempt at reconstructing the possible contexts of the novel and how they influenced the alterations implemented by the writer in the more recent edition.","PeriodicalId":32744,"journal":{"name":"Acta Universitatis Lodziensis Folia Litteraria Polonica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42733875","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ortografia nie do wiary. Wątpliwe bluźnierstwo i bóg 矫形术令人难以置信。怀疑的亵渎与上帝
Acta Universitatis Lodziensis Folia Litteraria Polonica Pub Date : 2022-06-30 DOI: 10.18778/1505-9057.64.14
Maciej Tramer
{"title":"Ortografia nie do wiary. Wątpliwe bluźnierstwo i bóg","authors":"Maciej Tramer","doi":"10.18778/1505-9057.64.14","DOIUrl":"https://doi.org/10.18778/1505-9057.64.14","url":null,"abstract":"Po śmierci Władysława Broniewskiego Mieczysław Grydzewski zwrócił uwagę na, jego zdaniem, kontrowersyjny zapis słowa „bóg” w bardzo dobrze znanym polskiemu czytelnikowi wierszu Zagłębie Dąbrowskie. Laickie poglądy poeta deklarował na długo przed debiutem. Przez cały okres swojej działalności literackiej konsekwentnie stosował zapis korzystający z małej litery w pisowni słowa „bóg”. Nie czynił tego wbrew regułom, lecz pomimo zasad przyjętych przez polską ortografię. Zamiarem nie było bluźnierstwo, lecz wyłączenie się z opresywnej reguły uznający istnienie monoteistycznego „boga” jako bezdyskusyjny pewnik. Po przełomie 1989 roku część edytorów i badaczy uznała nawet stosowany przez Broniewskiego zapis jako wymuszony przez stalinowską i peerelowską cenzurę i starała się dokonać korekty.","PeriodicalId":32744,"journal":{"name":"Acta Universitatis Lodziensis Folia Litteraria Polonica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47687846","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
„Write as your ear hears it”: Text and pretext in the polyphonic reportages of Svetlana Alexievich “听什么写什么”:斯维特拉娜·阿列克谢耶维奇复调报告文学中的文本与借口
Acta Universitatis Lodziensis Folia Litteraria Polonica Pub Date : 2022-06-30 DOI: 10.18778/1505-9057.64.10
Anna Karonta
{"title":"„Write as your ear hears it”: Text and pretext in the polyphonic reportages of Svetlana Alexievich","authors":"Anna Karonta","doi":"10.18778/1505-9057.64.10","DOIUrl":"https://doi.org/10.18778/1505-9057.64.10","url":null,"abstract":"The article analyzes the process of incorporation of the witnesses’ verbal testimonies into the public sphere, of which polyphonic reportage is a part. This genre has become known mainly thanks to Svetlana Alexievich, whose works are based entirely on recorded conversations and interviews. Listening to the witnesses enables the reporter facing the dominant discourse of the past to reach out to others, the process of discovering and textualizing of which can be described with reference to the folk tradition of collective singing.","PeriodicalId":32744,"journal":{"name":"Acta Universitatis Lodziensis Folia Litteraria Polonica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49209091","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reversals and partings. Over the manuscripts for Włodzimierz Odojewski’s Nie można cię zostawić samego o zmierzchu and Jeżeli jeszcze kiedyś będę… (from the writer’s Poznań archive) 反转和分割。在Włodzimierz Odojewski的《你不能在黄昏时离开你》和《如果我曾经是》的手稿上…（来自作家的波兹南档案）
Acta Universitatis Lodziensis Folia Litteraria Polonica Pub Date : 2022-06-30 DOI: 10.18778/1505-9057.64.19
J. Borowczyk
{"title":"Reversals and partings. Over the manuscripts for Włodzimierz Odojewski’s Nie można cię zostawić samego o zmierzchu and Jeżeli jeszcze kiedyś będę… (from the writer’s Poznań archive)","authors":"J. Borowczyk","doi":"10.18778/1505-9057.64.19","DOIUrl":"https://doi.org/10.18778/1505-9057.64.19","url":null,"abstract":"The study retraces and investigates Włodzimierz Odojewski’s (1930–2016) process of writing two short stories between 1976 and 1993 by interrogating the manuscripts (handwritten and typed) from the writer’s personal archive, maintained by the Faculty of Polish and Classical Philology of the Adam Mickiewicz University in Poznań. To document the genesis of the stories, the author draws on analytical methods proposed by French text geneticists (Pierre-Marc De Biasi, Jean Bellemin-Noël) and American scholar John Bryant (author of the fluid text concept). The investigation is focused on selected clusters of revisions made in Odojewski’s manuscripts – edits made to the title and the opening paragraphs, alongside various deletions, corrections, and additions. The investigation is premised on the argument that in the course of a long creative act, writers typically strive for compositions that most precisely reflect the nuances of their characters’ mental states and the settings of their stories. As performed by Odojewski, the creative act serves as an example of the inherent volatility of writing, which ultimately produces highly fluid characters.","PeriodicalId":32744,"journal":{"name":"Acta Universitatis Lodziensis Folia Litteraria Polonica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48087050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Pasjonująca gra. Ballada o szachiście i inne „ciekawe piosenki” Wojciecha Młynarskiego napisane z Jerzym Wasowskim w okresie stanu wojennego (1982–1983) 一场激动人心的比赛。Wojciech Młynarski与Jerzy Wasowski在戒严期间创作的关于国际象棋选手的歌谣和其他“有趣的歌曲”（1982–1983）
Acta Universitatis Lodziensis Folia Litteraria Polonica Pub Date : 2021-12-30 DOI: 10.18778/1505-9057.63.03
J. Wiśniewski
{"title":"Pasjonująca gra. Ballada o szachiście i inne „ciekawe piosenki” Wojciecha Młynarskiego napisane z Jerzym Wasowskim w okresie stanu wojennego (1982–1983)","authors":"J. Wiśniewski","doi":"10.18778/1505-9057.63.03","DOIUrl":"https://doi.org/10.18778/1505-9057.63.03","url":null,"abstract":"Wśród kompozytorów, z którymi współpracował Wojciech Młynarski – błyskotliwy  autor  tekstów  piosenek  i przenikliwy  satyryk,  librecista  i  tłumacz, a także utalentowany piosenkarz – znalazł się zupełnie wyjątkowy twórca, często nazywany „polskim Gershwinem” – Jerzy Wasowski. W rezultacie ich blisko dwudziestoletniej  współpracy,  przerwanej  przez  śmierć  Wasowskiego w 1984 roku, powstało około trzydziestu piosenek, będących najczęściej utworami o kabaretowo-satyrycznym charakterze albo mających postać „śpiewanych felietonów”. Wśród dokonań spółki Młynarski–Wasowski znalazło się wiele „małych arcydzieł”, będących przykładami mistrzowskich powiązań słowa z muzyką. Utwory, które napisali razem w ostatnim okresie współpracy, zostały w specjalny sposób zapamiętane przez Młynarskiego. Piosenki te powstawały w szczególnym momencie historii PRL – podczas karnawału „Solidarności” i w okresie stanu wojennego.","PeriodicalId":32744,"journal":{"name":"Acta Universitatis Lodziensis Folia Litteraria Polonica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48816737","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Beckett’s Dystopian Trilogy, Part I: The Irrelevance of Godot 贝克特的反乌托邦三部曲，第一部分:戈多的无关紧要
Acta Universitatis Lodziensis Folia Litteraria Polonica Pub Date : 2021-12-30 DOI: 10.18778/1505-9057.63.01
S. Gontarski
{"title":"Beckett’s Dystopian Trilogy, Part I: The Irrelevance of Godot","authors":"S. Gontarski","doi":"10.18778/1505-9057.63.01","DOIUrl":"https://doi.org/10.18778/1505-9057.63.01","url":null,"abstract":"The article concentrates on a variety of textual alterations introduced to Samuel Beckett’s Waiting for Godot either in the process of translation by the author or by the third parties. In a close reading of these changes the article follows the philosophy of human degradation and connects it both with Beckett’s own ideas on the matter and with a broad cultural context of the epoch. Apart from this philological and cultural analysis, the article advances a thesis that the main theme of Beckett play is not necessarily the absence of Godot/God, or a figure of authority, but the fact of humanity slowly descending into stagnation, depletion of energy and hope as well as physical deprivation. Therefore the article offers an interesting study of Beckett from textual and cultural perspectives, but it also makes a contribution to the genetic criticism of his oeuvre.","PeriodicalId":32744,"journal":{"name":"Acta Universitatis Lodziensis Folia Litteraria Polonica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44224644","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Finis coronat opus? O zakończeniach artykułów literaturoznawczych
Acta Universitatis Lodziensis Folia Litteraria Polonica Pub Date : 2021-12-30 DOI: 10.18778/1505-9057.63.06
K. Chyła, Krzysztof Garczarek, Izabela Poręba
{"title":"Finis coronat opus? O zakończeniach artykułów literaturoznawczych","authors":"K. Chyła, Krzysztof Garczarek, Izabela Poręba","doi":"10.18778/1505-9057.63.06","DOIUrl":"https://doi.org/10.18778/1505-9057.63.06","url":null,"abstract":"Niniejszy szkic stanowi próbę namysłu nad zagadnieniem rzadko dotąd obecnym w kręgu polskiej refleksji filologicznej. Skupiamy w nim uwagę na zakończeniach 18 wybranych artykułów literaturoznawczych. Właśnie w konkluzjach, jako mających zwieńczyć bądź streścić wywód i zakorzenić tekst w pamięci odbiorców, twórcy poradników i opracowań dotyczących dyskursu naukowego dostrzegają znaczenie fundamentalne. To przeświadczenie zdają się podzielać sami uczeni, obierający przy tworzeniu finałów różne strategie. W tekstach publikowanych od 2015 do 2019 r. wyodrębniamy tego typu strategii około 15: od apologii wybranego pisarstwa po propozycje dalszych ścieżek rozwoju konkretnych badań, od efektownej puenty po cytat z pracy, którą stworzył poprzednik. Jak ujawnia nasza analiza, podsumowanie tekstu naukowego nie jest jedynie miejscem wykorzystania konwencjonalnych retorycznych zabiegów. Staje się też przyczynkiem do zrozumienia roli przypisywanej własnej twórczości przez badaczy/badaczki literatury.","PeriodicalId":32744,"journal":{"name":"Acta Universitatis Lodziensis Folia Litteraria Polonica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42344806","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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