{"title":"DANIEL DAY-LEWIS: AKTOR PSIKO-FISIKAL YANG MENGHIDUPKAN TOKOH MELALUI SUARA DAN AKSEN","authors":"Susandro Susandro, A. H","doi":"10.22146/jksks.75148","DOIUrl":"https://doi.org/10.22146/jksks.75148","url":null,"abstract":"","PeriodicalId":31594,"journal":{"name":"Jurnal Kajian Seni","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42340909","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"SIMULAKRA PADA FOTO IKLAN BANK DANAMON KARYA ANDRY DILINDRA","authors":"Teuku Ade Nur Shofwan","doi":"10.22146/jksks.73999","DOIUrl":"https://doi.org/10.22146/jksks.73999","url":null,"abstract":"Perkembangan teknologi fotografi terus memainkan perannya dalam merepresentasikan perubahan dan dapat berfungsi sebagai kendaraan komunikasi massa dan propaganda. Karakteristik dari medium seni dua dimensi ini juga dapat dipergunakan dalam berbagai hal, salah satunya pada dunia periklanan. Iklan merupakan representasi dari segudang pengalaman emosional yang pernah manusia alami, juga bentuk lain dari sebuah penggambaran harapan. Psikologi harapan dan emosional adalah senjata utama yang setiap hari menyerang masyarakat dari berbagai sisi kehidupan ekonomi kapitalistik. Akibatnya, iklan menjadi semacam katarsis di tengah himpitan kebutuhan yang terus meningkat. Baudrillard memandang sistem objek konsumen dan sistem komunikasi pada dasar periklanan, adalah sebagai pembentukan ‘sebuah kode signifikansi,’ yang mengontrol objek dan individu di tengah masyarakat. Kode tersebut dapat dianalisis melalui studi kasus pada seri iklan Bank Danamon yang merupakan karya fotografer iklan bernama Andry Dilindra. Pada iklan tersebut seolah-olah menawarkan kemudahan, namun pada sisi lain, juga merupakan gambaran kondisi pelipatan ruang-waktu yang dapat bermanifestasi menjadi pelipatan gaya hidup dalam kehidupan sosial. Pelipatan ruang-waktu yang ditunjukkan pada iklan ini menjadi sebuah ekstasi bagi manusia yang menjadikan dirinya dikuasai eskalasi dan berada dalam proses perputaran di luar kontrol yang kehilangan kebermaknaan dan esensi. Ia merupakan kode signifikansi yang mencengkram dunia sosial dan mencapai tahap fraktal dimana kondisi manusia tidak lagi dapat mendeteksi perbedaan antara yang nyata dan imajiner atau menciptakan dunia yang disebut Baudrillard sebagai ekstasis. Semuanya hanya hiperrealitas.","PeriodicalId":31594,"journal":{"name":"Jurnal Kajian Seni","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44095517","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
N. Nurhasanah, R. Fauzan, Tubagus Umar Syarif Hadi Wibowo
{"title":"PERKEMBANGAN KESENIAN PEPETAN WEWE DI DESA KIARA KECAMATAN WALANTAKA KOTA SERANG TAHUN 2009-2017","authors":"N. Nurhasanah, R. Fauzan, Tubagus Umar Syarif Hadi Wibowo","doi":"10.22146/jksks.72749","DOIUrl":"https://doi.org/10.22146/jksks.72749","url":null,"abstract":"","PeriodicalId":31594,"journal":{"name":"Jurnal Kajian Seni","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68034359","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"MUSIC INTERACTION AND MOVEMENT IN JAVANESE DANCE: CASE STUDY ON BEKSAN BEDHAYA GANDAKUSUMA MANGKUNEGARAN STYLE","authors":"Sriyadi Sriyadi","doi":"10.22146/jksks.81501","DOIUrl":"https://doi.org/10.22146/jksks.81501","url":null,"abstract":"The music and movement patterns in Javanese dance occupy a significant position, which both of them have an integral relationship in forming the construction of a dance. It represented through the relationship between dance music and the technique of composing and executing movement patterns. This article examines the integral relationship between dance music and movement patterns to determine the importance of these two components in the formation of Javanese dance . The case study chosen to show this integral relationship is the Mangkunegaran style of Bêdhåyå Gåndåkusumå dance. The bêdhåyå dance is the result of absorption carried out by K.G.P.A.A. Mangkunegara VII (1916-1944) through a learning system at Kridha Beksa Wirama Yogyakarta. This research uses an ethnochoreological approach in the form of qualitative research. The position of dance as a multidimensional object in the ethnochoreological approach is seen through the choreographic dimension, which is expected to be able to describe the integral relationship between dance music and movement patterns in forming a Javanese dance construction. Data collection techniques were carried out through participatory observation, literature study, and interviews. Based on research results in the Bêdhåyå Gåndåkusumå dance, the technique for composing movement patterns always pay attention to the instrument colotomy of dance music. Gêndhing rhythms have contributed to realizing the aesthetic stability of the execution of a series of movements.","PeriodicalId":31594,"journal":{"name":"Jurnal Kajian Seni","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43297210","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"FILM DOKUMENTER PARTISIPATIF: MENERAPKAN METODE MOST SIGNIFICANT CHANGE (MSC) STORIES DALAM FILM DOKUMENTER","authors":"Z. M. Muktaf, Budi Dwi Arifianto","doi":"10.22146/jksks.81631","DOIUrl":"https://doi.org/10.22146/jksks.81631","url":null,"abstract":"","PeriodicalId":31594,"journal":{"name":"Jurnal Kajian Seni","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44766744","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"KAJIAN VISUAL TRANSFORMASI DIGITAL MEDIA KOMPAS MELALUI COVER EDISI NFT-RECONNECTION","authors":"Pungky Febi Arifianto, Sri Wulandari","doi":"10.22146/jksks.77367","DOIUrl":"https://doi.org/10.22146/jksks.77367","url":null,"abstract":"","PeriodicalId":31594,"journal":{"name":"Jurnal Kajian Seni","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47660881","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Lagu-Lagu Daerah Indonesia pada Panggung Musik Nasional 1950-1960an","authors":"R. Irawan","doi":"10.22146/jksks.77104","DOIUrl":"https://doi.org/10.22146/jksks.77104","url":null,"abstract":"Lagu-lagu daerah telah memainkan peranan penting sebagai representasi keindonesiaan dalam ranah musik. Ia tidak hanya menjadi musik hiburan, namun juga diterima sebagai artikulasi kemajemukan dan kekayaan suku bangsa dan budaya Indonesia. Artikel ini bertujuan untuk menelusuri, kapan dan bagaimana lagu-lagu daerah muncul dan mendapatkan maknanya sebagai identitas keindonesiaan. Menggunakan pendekatan historis serta metode kajian literatur, lensa pengamatan diarahkan pada rentang 1950-1960an sebagai kurun di mana isu budaya daerah intensif memenuhi ruang-ruang diskurs nasional sebagai implikasi kebijakan budaya pemerintah Orde Lama pada masa Demokrasi Terpimpin. Hasil penelusuran mendapati bahwa kebijakan budaya pada kurun Demokrasi Terpimpin telah mendorong lembaga-lembaga kesenian, musisi dan industri rekaman memobilisasi lagu-lagu daerah Indonesia untuk tampil ke tengah panggung musik nasional sebagai identitas musik Indonesia sekaligus sebagai counter culture musik popular barat. Pada kurun itu untuk pertamakalinya, lagu-lagu yang hari ini dikenal sebagai lagu daerah direkam secara modern dalam bentuk piringan hitam oleh berbagai musisi dan perusahaan rekaman dalam negeri.","PeriodicalId":31594,"journal":{"name":"Jurnal Kajian Seni","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44638817","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Stereotip Sinden Sunda: Keadilan Perempuan dalam Berekspresi Seni","authors":"Shelvira Alyya Putri Anjani, Hery Supriaza","doi":"10.22146/jksks.72221","DOIUrl":"https://doi.org/10.22146/jksks.72221","url":null,"abstract":"Sinden is an artistic practice in the field of singing that focuses on traditional songs, one of which is Sundanese kawih. Sinden has a very attached stereotype of a negative connotation as a seductive woman. In this case, the research focuses on the views of a female sinden actor regarding the development and response of society in the social sphere to sinden as a woman. This study aims to look at the current society’s views on the practice of sinden, especially in Sundanese land. The research approach used is qualitative with exploratory descriptive method by describing the results of data analysis that has been obtained in the field. Collecting data through interviews and literature studies to strengthen the data and research results. The results found that currently the negative view of sinden is shifting towards a high view and appreciation from the community. People’s assessments that are currently developing are more concerned with the quality and abilities of sinden, not personally. As well as the emergence and support of the world of art education for sinden is getting wider. So that the stereotype of women who have bad grades has faded.","PeriodicalId":31594,"journal":{"name":"Jurnal Kajian Seni","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41340460","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Pilihan Komponis Piano Indonesia terhadap Struktur dan Bentuk Musik sebagai Upaya Menghadirkan Kebaruan dalam Penyusunan Karya","authors":"Hendrik Leonard Simanjuntak","doi":"10.22146/jksks.77071","DOIUrl":"https://doi.org/10.22146/jksks.77071","url":null,"abstract":"","PeriodicalId":31594,"journal":{"name":"Jurnal Kajian Seni","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46835073","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}