{"title":"Drugs and the Visual","authors":"B. McClanahan","doi":"10.2307/j.ctv1sr6gxt.11","DOIUrl":"https://doi.org/10.2307/j.ctv1sr6gxt.11","url":null,"abstract":"This chapter addresses drugs as a key site around which visual criminology has grown, and around which it might continue to develop. The chapter considers the ways that photography, cinema, and other forms of visual culture have interpreted and made meaning from addiction and the world of illicit drugs. Tracing the place of drugs in popular and mediated discourses of crime, harm, and justice, like the global drug war and popular campaigns against marijuana, crack cocaine, and methamphetamine, the chapter outlines how a visual criminology of drugs can help us decode a visual culture teeming with drug images. This chapter also includes an expanded discussion of some of the ethical challenges facing a visual criminology of drugs.","PeriodicalId":315748,"journal":{"name":"Visual Criminology","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130588522","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Police and the Visual","authors":"B. McClanahan","doi":"10.2307/j.ctv1sr6gxt.13","DOIUrl":"https://doi.org/10.2307/j.ctv1sr6gxt.13","url":null,"abstract":"This final thematic chapter traces the outlines of a theoretical visual criminology of police and police power. Describing the role of police images in media and visual culture, the chapter takes up body-worn cameras, police mugshots, and the always-lurking cultural figures of police and police violence. The chapter concludes with some notes on the ways that the image and the power of the visual have also been turned against police, and the ways that an imaginary of police abolition might be nurtured through visual challenges to police power.","PeriodicalId":315748,"journal":{"name":"Visual Criminology","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115595326","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Punishment, Prisons, and the Visual","authors":"B. McClanahan","doi":"10.2307/j.ctv1sr6gxt.12","DOIUrl":"https://doi.org/10.2307/j.ctv1sr6gxt.12","url":null,"abstract":"This chapter notes the ways in which the prison has been a key conceptual site in the development of visual criminology. Describing the major trends in the field, the chapter takes up prison architecture, carceral (in)visibility, and the various ways in which punishment outside of the prison is constituted and enacted visually. The chapter concludes with some thoughts on the imaginative visualities of prison abolition.","PeriodicalId":315748,"journal":{"name":"Visual Criminology","volume":"200 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114312785","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
求助内容：
应助结果提醒方式：