Escena Revista de las artes最新文献_第6页

Identidades, fronteiras e mestiçagens culturais. O caso dos residentes de Gibraltar 身份、边界和文化融合。直布罗陀居民的情况

Escena Revista de las artes Pub Date : 2022-01-01 DOI: 10.21747/21843805/tav5n1a2

Sandra Borges Gilotay, Olga Magano

引用次数: 0

Extrema-direita, xeno-populismo e colonialidade: discursos de ódio e colonização do imaginário no presente 极右、新民粹主义与殖民主义:仇恨言论与当前想象的殖民

Escena Revista de las artes Pub Date : 2022-01-01 DOI: 10.21747/21843805/tav5n1a3

Denise Osório Severo, Paula Guerra

{"title":"Extrema-direita, xeno-populismo e colonialidade: discursos de ódio e colonização do imaginário no presente","authors":"Denise Osório Severo, Paula Guerra","doi":"10.21747/21843805/tav5n1a3","DOIUrl":"https://doi.org/10.21747/21843805/tav5n1a3","url":null,"abstract":"The expansion of far-right movements constitutes a global phenomenon that has translated into the emergence and strengthening of numerous organizations, parties, and especially into the conquest of power in many countries in Europe, North America, and Latin America. In this article we will try to account for this phenomenon, first by presenting and reflecting on the different theoretical conceptions that have been held about it, namely the different related concepts used by academia, such as populism, fascism, extreme right or authoritarian neoliberalism. On a second level, we will focus our attention on Poland and Portugal. In the case of Poland, for its admittedly populist conjunctural character, ruled since2015 by the Law and Justice Party. In the case of Portugal, for its opposite character, under the management of the Socialist Party, recently reelected with 60% of the votes, but which also experiences the strengthening of extreme right-wing movements. Respecting the sociocultural and historical particularities of each, in both countries these movements are expressed both in civil society and in political society. These experiences reveal counterfaces that, despite their differences, signal approximations with the xeno-populist perspective and can shed light on the understanding of these processes. In the Polish scenario, the adoption of institutional policies and legislation against migrants, LGBTQIA+ and other minorities are notable, as well as growing manifestations of far-right movements, both based on hate speech. On the other hand, the Portuguese context, although governed by an opposite political spectrum, also experiences recent processes of strengthening of the far right. In fact, the far-right \"Chega\" party won third place in a recent election marked by tensions involving hate speech, xenophobia and nationalist perspectives","PeriodicalId":31523,"journal":{"name":"Escena Revista de las artes","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82893947","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Novas pedras nos camynhos de Walla Capelobo 瓦拉·卡佩洛博小路上的新石头

Escena Revista de las artes Pub Date : 2022-01-01 DOI: 10.21747/21843805/tav5n1a5

Carolina Cerqueira Correa, Malandro Vermelho, Walla Capelobo

引用次数: 0

A arte junta, constrói e desdobra-se 艺术连接、构建和展开

Escena Revista de las artes Pub Date : 2022-01-01 DOI: 10.21747/21843805/tav5n3ap

Paula Guerra, Ligia Dabul

引用次数: 0

Recension of the Marie Buscatto's Book, Women in Jazz: Musicality, Femininity, Marginalization 玛丽·布斯卡托的书《爵士乐中的女性:音乐性、女性气质、边缘化》的再版

Escena Revista de las artes Pub Date : 2022-01-01 DOI: 10.21747/21843805/tav5n1r1

Deniz Ilbi

引用次数: 1

A música eletrónica ambiental: da profundidade sonora aos imaginários da mente 环境电子音乐:从声音的深度到心灵的想象

Escena Revista de las artes Pub Date : 2022-01-01 DOI: 10.21747/21843805/tav5n3a3

Frederico Dinis

{"title":"A música eletrónica ambiental: da profundidade sonora aos imaginários da mente","authors":"Frederico Dinis","doi":"10.21747/21843805/tav5n3a3","DOIUrl":"https://doi.org/10.21747/21843805/tav5n3a3","url":null,"abstract":"This article departs from the definition for ambient electronic music, as an inductive element for the creation of a space to think, and presents a set of authors and sound works orientated towards a concern with space. These authors are contextualised according to the foundations of contemporary electronic music, from the mid-20th century and which are based on works that revolutionised the way in which electronic music came to be seen, up to the new expansion of electronic ambient music, with the appearance of new sonorities and new paths for this musical genre as from the 2000s, consolidating and stabilising it as a musical genre. But electronic ambient music as a genre should be seen as an overlapping of information, and not only as an interaction with an environment. Thus, we argue that the social connection of electronic ambient music to its own environment and context has changed throughout its evolution as a genre, just as this context has changed, reinforcing that the place today is a personal space, just like the listening experience associated with electronic ambient music. The present-day experience of electronic ambient music in the conception, amplification or discontinuity of places, expresses in itself the desire to exercise an internal agency or a mediation with its own surroundings, operating as a reflection of the 'I', recurring to sonorities that move the mind. An 'I' that includes the social world in which one is immersed and a representation of figurative places.","PeriodicalId":31523,"journal":{"name":"Escena Revista de las artes","volume":"5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82175456","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Art et modernisation dans la presse carioca des années 1960: la mode dans les pages du Correio da Manhã et du Jornal do Brasil 20世纪60年代里约热内卢媒体的艺术与现代化:Correio da manha和Jornal do Brasil的时尚

Escena Revista de las artes Pub Date : 2022-01-01 DOI: 10.21747/21843805/tav5n3a1

Clecius Campos Corrêa, Maria Lucia Bueno

引用次数: 0

K-pop. Os reflexos do hibridismo cultural na identidade e na música popular coreana

Escena Revista de las artes Pub Date : 2022-01-01 DOI: 10.21747/21843805/tav5n1a6

Camila Alonso Milani

引用次数: 0

Devemos apelidá-los de estudos cine-culturais? O cine-mundificar da música popular e dos estudos juvenis 我们应该称它们为电影文化研究吗?流行音乐和青年研究的电影化

Escena Revista de las artes Pub Date : 2022-01-01 DOI: 10.21747/21843805/tav5n1a1

Michael MacDonald, J. Lima

{"title":"Devemos apelidá-los de estudos cine-culturais? O cine-mundificar da música popular e dos estudos juvenis","authors":"Michael MacDonald, J. Lima","doi":"10.21747/21843805/tav5n1a1","DOIUrl":"https://doi.org/10.21747/21843805/tav5n1a1","url":null,"abstract":"This article explorescinematic research-creation, or what I call cine-worlding. Indeed, ccine-worlding has the potential to contribute to a research practice unique to popular music and youth studies, areas of cultural life characterised by their openness and innovation with new media. Being aware of these opportunities means taking advantage of the technologies currently available. But there is an obstacle. Cinematic production must come together with research. Traditional cinematic research methods, due to their costs, difficulties with peer review and lack of institutional support, have not been accepted by academia. It has been anthropology that has done the most to develop cinematic research through ethnographic film. New developments in the digital cinema ecosystem have been little explored so far. The digital cinema ecosystem, emerging since 2009, consists of relatively cheap digital cameras and smartphones, free professional-grade digital platforms, a worldwide network of film festivals and the transformation of most art-house cinemas into digital screenings. This means that digital cinema made on a laptop can be shown anywhere. We are at the best possible moment for academic filmmaking, but then why do academics do so little of it?","PeriodicalId":31523,"journal":{"name":"Escena Revista de las artes","volume":"12 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74300955","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Aleluia, Mateus Aleluia. Um recorte sobre a sua obra 哈利路亚，马太哈利路亚。你工作的剪报

Escena Revista de las artes Pub Date : 2022-01-01 DOI: 10.21747/21843805/tav5n3a4

Yatan Alves

引用次数: 0