Catharsis Pub Date : 2020-12-23 DOI: 10.15294/catharsis.v9i3.45298

Wahyu Iskandar, Muhammad Ibnan Syarif, W. Wadiyo

{"title":"Wayang Klitik: Form and Function in the Bersih Sendang Ceremony in Wonosoco Village","authors":"Wahyu Iskandar, Muhammad Ibnan Syarif, W. Wadiyo","doi":"10.15294/catharsis.v9i3.45298","DOIUrl":"https://doi.org/10.15294/catharsis.v9i3.45298","url":null,"abstract":"Wayang klitik is one of the traditional performances that are sacred as a means of bersih sendang ceremonial which is still sustainable today in Wonosoco Village, Undaan District, Kudus Regency. The purpose of this research is to examine the form of puppets and their functions in the bersih sendang ceremony. This study uses qualitative methods with interview data collection techniques, observation and document study. The data validity technique is based on credibility criteria, using data triangulation . Analysis of data is done through data collection, data reduction , data presentation, and data verification. The results of the study, regarding the shape of the wayang klitik made of flat wood formed according to the puppet character, carved and colored with simple decorative techniques, the puppet groups can be distinguished from face color , face shape , accessories, and body position. Wayang klitik in the bersih sendang ceremony has three functions, they are a personal function, a social function and a practical physical function. Personal function as a form of expression wayang klitik maker from realize his idea, social function as a means of rituals in the bersih sendang ceremony, entertainment exciting, educational media to the public, means of communication to God and dhanyang village, and physical function wayang klitik as props/puppets that portray the characters in the story that are playing.","PeriodicalId":30818,"journal":{"name":"Catharsis","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48828305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Wedding Music Industry: An Adaptation of Andy Irawan Music during the Covid-19 Pandemic 婚礼音乐产业:新冠疫情期间安迪·伊拉万音乐的改编

Catharsis Pub Date : 2020-12-01 DOI: 10.15294/catharsis.v9i3.45347

Violinna Wynsa Natalia, W. Wadiyo, Udi Utomo

引用次数: 0

The Value of Creative Character of Guci Dance Through The Extracurricular Art of Dance 从课外舞蹈艺术看古茨舞蹈创作品格的价值

Catharsis Pub Date : 2020-12-01 DOI: 10.15294/catharsis.v9i3.45220

Yusnita Ferawati, H. Hartono, T. Triyanto

引用次数: 2

The Cultural Messages of Pyramid House in Palembang 巨港金字塔屋的文化信息

Catharsis Pub Date : 2020-12-01 DOI: 10.15294/CATHARSIS.V9I3.45644

Ario Bungsu, T. Triyanto, T. Rohidi

引用次数: 0

An Implementation of Reflective Pedagogy in Hybrid Music Learning of Gamelan Soepra 反思性教学法在加美兰苏普拉混合音乐学习中的实施

Catharsis Pub Date : 2020-12-01 DOI: 10.15294/catharsis.v9i3.44612

Benidiktus Candra Pamungkas, Udi Utomo, T. Florentinus

{"title":"An Implementation of Reflective Pedagogy in Hybrid Music Learning of Gamelan Soepra","authors":"Benidiktus Candra Pamungkas, Udi Utomo, T. Florentinus","doi":"10.15294/catharsis.v9i3.44612","DOIUrl":"https://doi.org/10.15294/catharsis.v9i3.44612","url":null,"abstract":"Gamelan Soepra is a gamelan instrument that has been changed in tonality to diatonic and has a higher wadhah. With its diatonic tonality, Gamelan Soepra is able to be combined with today's modern instruments and it is able to play many song. The uniqueness of the Gamelan Soepra was used by Pater van Deinse as a music education at SMA Kolese Loyola. Gamelan Soepra is a tool for educating thar is combined with reflective pedagogy as an educational method. Reflective pedagogy has several elements, namely: context, experience, reflection, action, and evaluation. This study aims to understand the implementation of the reflective pedagogy elements in the learning process of Gamelan Soepra. The methods used by the author in collecting data were observation, interview, and document study. Gamelan Soepra Learning through reflective pedagogy not only develops students' abilities in playing music (Competence), but students also are trained to hone and develop their conscience (Compassion), conscience and their commitment and responsibility to what they have chosen (Commitment). This s is study expected to be a reference for developing learning methods, especially music learning","PeriodicalId":30818,"journal":{"name":"Catharsis","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42074962","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Jonggan Dayak Kanayatn Dance: Study of Educational Values in The Learning Process in Elementary Schools 宗干大乐Kanayatn舞蹈:小学学习过程中的教育价值研究

Catharsis Pub Date : 2020-05-31 DOI: 10.15294/catharsis.v8i4.37181

Mukhlisin Mukhlisin, H. Hartono, R. Lanjari

{"title":"Jonggan Dayak Kanayatn Dance: Study of Educational Values in The Learning Process in Elementary Schools","authors":"Mukhlisin Mukhlisin, H. Hartono, R. Lanjari","doi":"10.15294/catharsis.v8i4.37181","DOIUrl":"https://doi.org/10.15294/catharsis.v8i4.37181","url":null,"abstract":"The learning process is inseparable from the educational values that occurs during the learning and teaching activities taking place, and also in the learning process of Jonggan Dayak Kanayatn Dance. This study examined the educational value in the learning process of Jonggan Dayak Kanayatn Dance in elementary schools. This research used qualitative method and educational approach. Data collection used observation, interview and document study technique. Data analysis procedures used data reduction, data presentation and data verification. Analysis of the educational value in the learning process of Jonggan Dayak Kanayatn Dance used Rosyadi and Hasbullah Analysis. The validity of the data in this study used triangulation of data sources. The results of the study were: 1). Religious Value; 2). Discipline Value; 3). Responsibility Value; 4). Independence Value; 5). Tolerance Value and Hard Work Value. Specifically, the findings in the Jonggan Dayak Kanayatn Dance learning process, there was an educational value that is reflected in the Jonggan Dayak Kanayatn Dance learning process in Elementary Schools. The benefits of the results of this study can be used as a reference in dance learning in particular and in learning other arts in general.","PeriodicalId":30818,"journal":{"name":"Catharsis","volume":"9 1","pages":"58-64"},"PeriodicalIF":0.0,"publicationDate":"2020-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42573528","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Values of Jaranan Pogogan Art Teguh Rahayu at Sugihwaras Village, Prambon Sub-District, Nganjuk Regency. jananan Pogogan艺术的价值Teguh Rahayu, Sugihwaras村，Prambon街道，Nganjuk摄政。

Catharsis Pub Date : 2020-05-31 DOI: 10.15294/catharsis.v8i4.37936

Wahyu Prasetyo Bekti, S. Sunarto, Udi Utomo

{"title":"The Values of Jaranan Pogogan Art Teguh Rahayu at Sugihwaras Village, Prambon Sub-District, Nganjuk Regency.","authors":"Wahyu Prasetyo Bekti, S. Sunarto, Udi Utomo","doi":"10.15294/catharsis.v8i4.37936","DOIUrl":"https://doi.org/10.15294/catharsis.v8i4.37936","url":null,"abstract":"Jaranan Pogogan art Teguh Rahayu have its own uniqueness. The uniqueness lies in the presentation performed on stage, and is presented by two male dancers who dress up like a pretty woman. A dancer is as a Sasra and another dancer is as Pogog. The purpose of this research is to analyse the values of the art performance of Jaranan Pogogan Teguh Rahayu. This study used a descriptive qualitative approach with a case study model at the art performance of Jaranan Pogogan Teguh Rahayu. This research was conducted in Sugihwaras village, Prambon Sub-district, Nganjuk Regency. The data in this research is classified as two, namely primary data and secondary data. The data collection techniques in this study are field observations, interviews, documents, and library studies. The triangulation is used as the process in the validity of the data of this study. Technique of analysis data used data reduction, data presentation and conclusion and verification. The results showed that there are four values contained in the Pogogan Teguh Rahayu Arts Museum, they are as follows; the value of deity, the value of goodness, the value of righteousness, and the value of beauty. This analysis uses some value on the Pogogan Teguh Rahayu Art which the values reflected in daily activities.","PeriodicalId":30818,"journal":{"name":"Catharsis","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42620851","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Aesthetic Usage Response of Baju Kurung in Palembang City Government Tourism Office in Emphasizing Regional Identity 巨港市政府旅游局巴朱古隆在强调地域认同中的美学使用回应

Catharsis Pub Date : 2020-05-31 DOI: 10.15294/catharsis.v9i1.39732

Efriyeni Chaniago, Tjetjep Rohendi Rohidi, T. Triyanto

{"title":"The Aesthetic Usage Response of Baju Kurung in Palembang City Government Tourism Office in Emphasizing Regional Identity","authors":"Efriyeni Chaniago, Tjetjep Rohendi Rohidi, T. Triyanto","doi":"10.15294/catharsis.v9i1.39732","DOIUrl":"https://doi.org/10.15294/catharsis.v9i1.39732","url":null,"abstract":"BajuKurung is a traditional dress of the Malay community in several countries namely Malaysia, Indonesia, Brunei Darussalam, and southern Thailand. The traditional clothes worn by Palembang women including in the form of bajukurung. In the development era of bajukurung replaced by modern clothes. The modification of bajukurung is now made according to the tastes of customers with a variety of shapes and accessories. This study aims to analyze the aesthetic response to the rules of wearing Palembang's traditional clothing in service in the form of patterns, motifs, textures, and colors of clothes worn by employees. Through this interdisciplinary approach by using qualitative method. The data is presented in the descriptive form. The object of study was the employee's bajukurung in Palembang Government Tourism office. The research data sources are primary and secondary data. The data collection techniques are conducted by observation, interview, and document study. The analysis procedure is conducted by data reduction, data presentation, and data verification. The analysis was conducted with the aesthetic formalism theory, the validity of the data by triangulation of data sources. The results showed that the aesthetic response of the employees was expressed through patterns, motifs, colors, and textures of the bajukurung material that were modified with the addition of beads, sequins, and ribbons. The aesthetic response of the user to the style modification of the kurung displays the beauty of clothes but does not eliminate the original form. Modifications to the clothes do not interferethe activities of the employees while working.","PeriodicalId":30818,"journal":{"name":"Catharsis","volume":"9 1","pages":"38-49"},"PeriodicalIF":0.0,"publicationDate":"2020-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45002361","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Religious Messages in Rapa’i Tuha Aceh Song Lyrics 拉帕伊图哈亚齐歌曲歌词中的宗教信息

Catharsis Pub Date : 2020-05-31 DOI: 10.15294/catharsis.v8i4.37199

Kembang Ayu Agustya, Udi Utomo, T. Triyanto

{"title":"Religious Messages in Rapa’i Tuha Aceh Song Lyrics","authors":"Kembang Ayu Agustya, Udi Utomo, T. Triyanto","doi":"10.15294/catharsis.v8i4.37199","DOIUrl":"https://doi.org/10.15294/catharsis.v8i4.37199","url":null,"abstract":"Rapa’i Tuha music comes from Aceh, there are many religious messages conveyed through song lyrics. The purpose of this study was to analyze the religious messages contained in the lyrics of the Rapa’i Tuha Aceh music song. This research used a communication approach using qualitative research methods. Data collection techniques were using observation, interviews and documentation. Data analysis procedures were carried out through data reduction, presentation and verification. Data validity used triangulation of data sources, methods and theories. Analysis of religious messages in song lyrics in Rapa’i Tuha music used communication analysis by Effendy, namely the presence of messages and communicators, recipients of messages and the presence of media. The results of this study indicated that the Rapa’i Tuha contains religious messages namely the message of faith and the message of morals. Specifically, the findings in this study were that there was a message of faith which means everything that should be trusted, believed and faithful as a Muslim. As well as moral messages which are reflected in the behavior patterns of our fellow human beings where all of these religious messages are contained in song lyrics in Rapa’i Tuha Aceh music.","PeriodicalId":30818,"journal":{"name":"Catharsis","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42204916","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Sada Sabai Dance in Komering Culture of East OKU Regency 佐田纱白舞蹈在东洋町Komering文化中的应用

Catharsis Pub Date : 2020-05-31 DOI: 10.15294/catharsis.v9i1.38475

Ika Aditia Candra Buana, H. Hartono, T. Triyanto

{"title":"Sada Sabai Dance in Komering Culture of East OKU Regency","authors":"Ika Aditia Candra Buana, H. Hartono, T. Triyanto","doi":"10.15294/catharsis.v9i1.38475","DOIUrl":"https://doi.org/10.15294/catharsis.v9i1.38475","url":null,"abstract":"Sada Sabai dance as one of South Sumatra's traditional art works, especially in East Ogan Komering Ulu Regency is very closely related to Komering culture. Sada Sabai dance is one of the characteristics of the Komering culture that dwells in the South Sumatra region, created based on the spirit of the Komering community when holding a traditional wedding ceremony. Sada Sabai dance is one form of art that is used by many Komering people who are presented during the traditional wedding ceremony. The problem raised in this study aims to analyze the characteristics of the Sada Sabai dance that developed in the Komering culture. The method used is a qualitative method with a case study research design. Data collection techniques include observation, interview and document study. The results showed that Sada Sabai dance was a symbol of the harmony between the bride and groom family, so that in the past Sada Sabai dance was only danced by married families. This phenomenon was clearly seen when the groom's family and the bride danced on the stage how the two of them looked very close to each other. Then, the movement in Sada Sabai dance emphasized improvisation and exploration as its main approach and the main characteristic lied in the middle fingers of the dancers.","PeriodicalId":30818,"journal":{"name":"Catharsis","volume":"9 1","pages":"19-27"},"PeriodicalIF":0.0,"publicationDate":"2020-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49506725","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

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