反思性教学法在加美兰苏普拉混合音乐学习中的实施

Benidiktus Candra Pamungkas, Udi Utomo, T. Florentinus
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引用次数: 0

摘要

佳美兰Soepra是一种佳美兰乐器,它的调性已经改变为全音阶,并且有更高的wadhah。佳美兰Soepra具有全音阶性,能够与当今的现代乐器相结合,能够演奏许多歌曲。甘美兰Soepra的独特性被Pater van Deinse作为SMA Kolese Loyola的音乐教育。Gamelan Soepra是一种结合反思性教学法的教育工具。反思性教学法有几个要素,即:情境、经验、反思、行动和评价。本研究旨在了解反思性教学法元素在佳美兰索普拉学习过程中的实施情况。作者收集资料的方法为观察法、访谈法和文献研究法。通过反思性教学法的学习,不仅能培养学生演奏音乐的能力(Competence),还能培养学生的良知(Compassion)、良知以及对自己选择的承诺和责任(commitment)。本研究可望为学习方法的发展,尤其是音乐学习提供参考
本文章由计算机程序翻译,如有差异,请以英文原文为准。
An Implementation of Reflective Pedagogy in Hybrid Music Learning of Gamelan Soepra
Gamelan Soepra is a gamelan instrument that has been changed in tonality to diatonic and has a higher wadhah. With its diatonic tonality, Gamelan Soepra is able to be combined with today's modern instruments and it is able to play many song. The uniqueness of the Gamelan Soepra was used by Pater van Deinse as a music education at SMA Kolese Loyola. Gamelan Soepra is a tool for educating thar is combined with reflective pedagogy as an educational method. Reflective pedagogy has several elements, namely: context, experience, reflection, action, and evaluation. This study aims to understand the implementation of the reflective pedagogy elements in the learning process of Gamelan Soepra. The methods used by the author in collecting data were observation, interview, and document study. Gamelan Soepra Learning through reflective pedagogy not only develops students' abilities in playing music (Competence), but students also are trained to hone and develop their conscience (Compassion), conscience and their commitment and responsibility to what they have chosen (Commitment). This s is study expected to be a reference for developing learning methods, especially music learning
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