Jurnal Dimensi Seni Rupa dan Desain最新文献

{"title":"ESTETIKA PADA JAKET UPCYCLE LIMBAH VISUAL SPANDUK KARYA HARITS ALFADRI DEWANTO","authors":"Ayu Krisna Gayatri Sari Dewi, I. Swandi, I. W. Mudra","doi":"10.25105/dim.v16i2.7055","DOIUrl":"https://doi.org/10.25105/dim.v16i2.7055","url":null,"abstract":"AbstractAesthetics is something related to beauty and all aspects of what is called beauty. Aesthetics is an important factor in works of art that can be accepted in society. The visual waste jacket consisting of banners by Harits Alfadri Dewanto can be seen through the design elements of the upcycle jacket. Upcycle is the concept of reusing goods that have been released into new products with a higher value than before. The latest fashion concept in its development is not only as a sustainable lifestyle but it can also be a solution for improving the prevention of waste that occurs. The research method is descriptive analytic. This study attempts to describe the aesthetics through design elements and analyze the aesthetics of the visual waste jacket banner by Harits Alfadri Dewanto through the aesthetic principle theory. The results revealed a design element in the upcycle jacket, the visual waste of the banner providing comfort to the user with the size of the jacket that supports it and the comfort of the eye that sees with the appearance of the jacket using a harmonious primary color combination AbstrakEstetika merupakan sesuatu yang berkaitan dengan keindahan dan semua aspek dari apa yang disebut keindahan. Estetika merupakan faktor yang penting dalam sebuah karya seni mampu diterima di masyarakat. Pada jaket limbah visual berupa spanduk karya Harits Alfadri Dewanto dapat estetika dilihat melalui elemen desain pada jaket upcycle. Upcycle merupakan konsep penggunaan kembali barang yang telah dibuang menjadi produk baru dengan nilai yang lebih tinggi dari pada sebelumnya. Konsep upcycle fashion dalam perkembangannya tidak hanya sebagai sebuah gaya hidup berpakaian namun dapat juga menjadi solusi atas kesenjangan penanggulangan limbah visual yang terjadi.metode penelitian adalah deskriptif analitik. Penelitian ini bertujuan mendeskripsikan estetika melalui elemen desain dan menganalisis estetika pada jaket limbah visual spanduk karya Harits Alfadri Dewanto melalui teori prinsip estetika. Hasil penelitian mengungkapkan bahwa elemen desain pada jaket upcycle limbah visual spanduk mampu memenuhi kenyamanan pada pengguna dengan ukuran jaket yang longgar dan dan kenyamanan pada mata yang melihat dengan tampilan jaket menerapkan kombinasi warna primer yang harmonis.","PeriodicalId":307454,"journal":{"name":"Jurnal Dimensi Seni Rupa dan Desain","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126185240","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PENERAPAN ORNAMEN KHAS BETAWI DALAM INTERIOR MASJID RAYA KH. HASYIM ASYARI JAKARTA BARAT","authors":"Ayesya Ainun Nabila, Ayu Safira Septiana, Githa Nabila, Resky Annisa Damayanti","doi":"10.25105/dim.v16i2.7052","DOIUrl":"https://doi.org/10.25105/dim.v16i2.7052","url":null,"abstract":"Abstract The Mosque is the buildings of worship for Muslims who can accommodate the worshipers. In the Mosque’s interior design is identical to the use of typical Middle Eastern ornaments such as calligraphy, but over time the Mosques in Indonesia have begun to apply the special ornaments of the area where the Mosque is located, for example the Great Mosque KH Hasyim Asyari which applying Betawi ornaments to the exterior and interior. Betawi ornaments themselves are identical applied to Betawi traditional houses, for example Gigi Balang ornaments that are applied to the house’s lisplang, and also Tapak Dara ornaments that are applied to railing porch railings. Nowadays the application of Betawi ornaments is not only in traditional houses but also in public buildings such as Mosques. The purpose of this research is to discuss the application of Betawi ornaments and the meanings contained in the ornaments. The results of this study are the application of Betawi special ornaments on the interior of the Great Mosque K.H Hasyim Asyari where it is placed on the walls, railings, and pillars of the Mosque. The typical Betawi ornaments that are applied are the Gigi Balang ornament, Tapak Dara, and also the shape of the Betawi traditional house roof which is designed in such a way that it becomes an ornament applied to the Mosque’s pulpit walls. It can be concluded that the application of Betawi special ornaments can not only be applied to traditional houses but also exist in other buildings with modifications in such a way but do not leave the meaning contained in the ornaments. AbstrakMasjid merupakan bangunan tempat beribadah bagi umat islam yang dapat menampung jamaah. Pada desain interior Masjid identik dengan penggunaan ornamen khas Timur Tengah seperti misalnya kaligrafi, namun seiring berjalannya waktu Masjid-Masjid yang berada di Indonesia sudah mulai menerapkan ornamen-ornamen khas daerah tempat Masjid itu berada, sebagai contoh Masjid Raya K.H Hasyim Asyari yang menerapkan ornamen Betawi pada eksterior dan interiornya. Ornamen khas Betawi sendiri identik diterapkan pada rumah adat Betawi misalnya ornamen Gigi Balang yang diterapkan pada lisplang rumah, dan juga ornamen Tapak Dara yang diterapkan pada railing pagar teras rumah. Kini penerapan ornamen Betawi tidak hanya pada rumah adat tetapi juga pada bangunan-bangunan umum seperti pada Masjid. Tujuan penelitian ini adalah untuk membahas mengenai penerapan ornamen khas Betawi dan juga makna yang terkandung dalam ornamen tersebut. Hasil dari penelitian ini adalah adanya penerapan ornamen khas Betawi pada interior Masjid Raya K.H Hasyim Asyari di mana peletakannya berada pada dinding, railing, dan pilar Masjid. Ornamen khas Betawi yang diterapkan yaitu ornamen Gigi Balang, Tapak Dara, dan juga bentuk atap rumah adat Betawi yang di desain sedemikian rupa sehingga menjadi ornamen yang diterapkan pada bagian dinding mimbar masjid. Dapat disimpulkan bahwa penerapan ornamen khas Betawi tidak hanya dapat","PeriodicalId":307454,"journal":{"name":"Jurnal Dimensi Seni Rupa dan Desain","volume":"70 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124231264","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"STUDI TATA RUANG RUMAH ADAT “SIWALUH JABU” DESA LINGGA","authors":"Erwin Ardianto Halim","doi":"10.25105/dim.v16i2.7057","DOIUrl":"https://doi.org/10.25105/dim.v16i2.7057","url":null,"abstract":"AbstractKaro traditional house is an authentic historical-cultural heritage and still stands tall. The existence of the Karo traditional house does not only function as an ordinary place to live, but has a meaning which is a medium of cultural expression of the people seen in the architecture and interior of this traditional karo house. This research is a study of spatial planning and its functions at this time. The results of the study know the spatial patterns in the traditional house of Siwaluh Jabu and find out what I am experiencing changes in the traditional house layout of Siwaluh Jabu. This has become very important in this research for the development of cultural history in the world of interior design education. AbstrakRumah adat Karo merupakan warisan sejarah-budaya yang otentik serta masih berdiri tegak. Keberadaan rumah adat Karo tidak saja berfungsi sebagai tempat tinggal biasa, namun memiliki makna yang merupakan media ekspresi kebudayaan masyarakatnya terlihat pada bentuk arsitektur dan interior rumah adat karo ini. Penelitian ini merupakan studi tata ruang dan fungsinya pada saat ini. Hasil penelitian mengetahui pola tata ruang pada rumah adat Siwaluh Jabu dan mengetahui apa saya yang menggalami perubahan pada tata ruang rumah adat Siwaluh Jabu. Hal tersebut menjadi sangat penting dalam penelitian ini untuk pengembangan ilmu sejarah budaya dalam dunia pendidikan desain interior.","PeriodicalId":307454,"journal":{"name":"Jurnal Dimensi Seni Rupa dan Desain","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126536998","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"KAJIAN DESAIN INTERIOR PADA BANGUNAN CAGAR BUDAYA Studi Kasus: Bioskop Metropole XXI Jakarta","authors":"Ade Ariani Sari Fajarwati, Y. Sofiana, S. Meliana, Octaviana Sylvia Carolin","doi":"10.25105/dim.v16i2.7053","DOIUrl":"https://doi.org/10.25105/dim.v16i2.7053","url":null,"abstract":"AbstractHeritage building is recorder history in the past for better life in the future and need conservation. The Metropole XXI cinema as a landmark building in the Cikini area, Jakarta, has been listed as A class heritage building since 1993. It was established as public entertainment space and the oldest cinema in Indonesia since it was built in 1949. The Metropole XXI architecture has the Art Deco style, as a sign of transition to the end of the Dutch colonial era. As a heritage building, it is suspected that interior design in this site is harmony with its architectural style. Research is needed to review the interior design styles found in cultural heritage buildings. This study uses qualitative method, by collecting field observation data, literature review and visual data. The data obtained were then analyzed to prove the engagement between interior design and architectural styles of cultural heritage buildings with a case study at the Metropole XXI Jakarta cinema. AbstrakBangunan cagar budaya adalah situs yang mencatat sejarah manusia di masa lalu untuk kehidupan yang lebih baik di masa depan dan membutuhkan konservasi. Bioskop Metropole XXI sebagai bangunan tengara di daerah Cikini, Jakarta, telah terdaftar sebagai gedung warisan kelas A sejak tahun 1993. Bioskop ini didirikan sebagai ruang hiburan publik dan bioskop tertua di Jakarta sejak dibangun pada tahun 1949. Arsitektur Metropole XXI memiliki gaya Art Deco, sebagai tanda transisi ke akhir era kolonial Belanda. Sebagai bangunan peninggalan, diduga desain interior di situs ini selaras dengan gaya arsitekturnya. Penelitian diperlukan untuk meninjau gaya desain interior yang ditemukan di bangunan cagar budaya. Penelitian ini menggunakan metode kualitatif, dengan mengumpulkan data observasi lapangan, tinjauan pustaka dan data visual. Data yang diperoleh kemudian dianalisis untuk membuktikan keterlibatan antara desain interior dan gaya arsitektur bangunan cagar budaya dengan studi kasus di bioskop Metropole XXI Jakarta.","PeriodicalId":307454,"journal":{"name":"Jurnal Dimensi Seni Rupa dan Desain","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115041944","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"KAJIAN TRANSFORMASI SEMANTIK DALAM PORTFOLIO DESAIN PRODUK KEWIRAUSAHAAN SOSIAL","authors":"Devanny Gumulya, Isabela Elena","doi":"10.25105/dim.v16i2.7058","DOIUrl":"https://doi.org/10.25105/dim.v16i2.7058","url":null,"abstract":"AbstractThe market is increasingly more competitive; a brand must have a strong product design identity. Famous brands such as Nike, Apple and Swatch are brands that are good at managing their portfolio strategy for a long time. These brands can form an absolute imagination in the consumer’s mind by orchestrating coherent design characters across their product portfolio. Therefore, a brand must consistently use its design elements without making it dull. Consistent but the novelty element remains essential in every product line. Social enterprise to carry out the societal mission should be able to keep up with other products on the market. Therefore, social enterprise ability to manage their product portfolio strategy is essential. Semantic transformation is the process of changing from language realm into the entity that can be physically seen through design features. It is the process of creating design feature to represent meaning. Three social enterprises: Borneo Chic, Noesa and Du’anyam were selected for semantic transformation analysis across its product portfolio, starting from the brand value into design feature from the product portfolio line. The results suggest that the meanings carried by social enterprises are locality, environmentally friendly and mission to build community capacity. These meanings are transformed into design features such as natural colour combinations, woven and weaving elements as a representation of the product made by local craftsmen and one of a kind not factory-made or mass-produced, use local material and environmentally friendly. The social enterprise is expected to innovate traditional features into something modern that fit to a modern lifestyle. Imperfections in social enterprise’s products are also anticipated because it shows that products are made by humans. AbstrakPersaingan pasar yang semakin ketat membuat sebuah brand harus memiliki identitas desain produk yang kuat. Brand-brand ternama seperti Nike, Apple dan Swatch adalah brand yang pandai mengatur strategi portofolionya sehingga dalam kurun waktu yang lama, brand-brand tersebut bisa membentuk imajinasi yang absolut akan karakter desain dari portofolio produknya. Oleh karena itu, sang brand harus secara konsisten menggunakan elemen-elemen desainnya tanpa membuatnya menjadi membosankan. Konsisten tapi unsur kebaruan tetap penting dalam setiap lini produk. Kewirausahaan sosial untuk menjalankan misi sosialnya, harus mampu bersaing dengan produk-produk lain yang ada di pasar. Oleh karena itu strategi portofolio dari kewirausahaan sosial menjadi sangat penting. Transformasi semantik adalah proses perubahan dari ranah bahasa menjadi wujud entitas yang dapat dlihat secara fisik melalui fitur-fitur desain yang diciptakan untuk merepresentasikan sebuah makna. Tiga kewirausahaan sosial berbasis desain produk: Borneo Chic, Noesa dan Dua’anyam dipilih untuk dianalisa transformasi semantiknya, bermula dari ranah bahasa brand value menjadi karakter desain dar","PeriodicalId":307454,"journal":{"name":"Jurnal Dimensi Seni Rupa dan Desain","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114589331","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ANALISA MAKNA PADA ESTETIKA KAIN TENUN GOTIA DI DESA ADAT TENGANAN PAGERINGSINGAN","authors":"I. W. D. Prayatna","doi":"10.25105/dim.v16i2.7054","DOIUrl":"https://doi.org/10.25105/dim.v16i2.7054","url":null,"abstract":"Abstrak  Weaving is a society tradition to meet the needs of ceremonies and as a creative insdustry. Gotia cloth is a scared cloth, which is used in every ceremony in the Tradisional Village of Tenganan. Gotia fabric has a special aesthetic, namely squer and rectangular motifs arising from the merging of black lines white horizontal and vertical directions with a 2.1.2.1 structure with a withebase that make its uniqueness. The uniquenessof the colors and motifs of the gotia woven cloth contains the values and philosophicial significance for the Tenganan Pageringsingan Traditional village Traditional village of Tenganan pageringsingan. The problem under this study is how the meaning contained in the aesthetic code of gotya woven pabric. This study uses a descriptions that explain the subject of research in the from of written words from the speakers and obseserved and bevavior. Data collection techniquis by interview, observation and documentation. The resulth showed that, the black and white colors in gotia cloth had connotations coantaining spiritual values which could be represented as natural balance or “Rwa Bhineda”. In Addition, the color of the concept of rwa Bhineda in Gotia woven cloth is also found in the semitric lines that intersect with eahe ch other to help the + motif called the Tapak Dara by the people in Tenganan Adat Village. Tampak Dara has the connotation of interpreting the balance in which everyting good in home yard always centered in the middle. Tampak Dara in a symbol of the union of two defferent things in life or rwa Bhineda.AbstrakMenenun merupakan tradisi masyarakat untuk memenuhi kebutuhan upacara dan sebagai industri kreatif. Kain Gotia merupakan kain sakral, yang digunakan setiap upacara di desa adat Tenganan.  Kain Gotia memiliki estetika khusus, yaitu motif persegi empat dan persegi panjang yang timbul akibat penggabungan antara garis berwarna hitam dengan arah horizontal dan vertikal dengan struktur 2.1.2.1 dengan di dasari warna putih yang menjadikan keunikannya tersendiri. Keunikan pada warna dan motif pada kain tenu gotia mengandung nilai-nilai dan makna filosofi bagi masyarakat desa adat Tenganan Pageringsingan. Penelitian ini bertujuan menganalisa makna yang Terkandung dalam kain tenun gotya di desa adat tenganan pageringsingan. Adapun masalah yang diteliti adalah Bagaimana Makna yang terkadung dalam kode estetika kain tenun gotya. Penelitian ini menggunakan metode deskriptif kualitatif melalui uraian-uraian yang menjelaskan subjek penelitian baik berupa kata-kata ungkapan tertulis dari narasumber dan perilaku yang diamati. Teknik pengumpulan data dengan cara wawancara, observasi dan dokumentasi. Hasil penelitian menunjukkan bahwa, Warna hitam dan putih dalam kain gotia memiliki konotasi mengandung nilai sepiritual yang dapat di representasikan sebagai keseimbangan alam atau rwa bineda. Selaim warna konsep Rwa Bhineda dalam kain tenun Gotia juga terdapat pada garis semitris yzng bersilingan membantuk motif (","PeriodicalId":307454,"journal":{"name":"Jurnal Dimensi Seni Rupa dan Desain","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121139134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"KENYAMANAN INAP AT CAPSULE HOSTEL SEBAGAI DESAIN COMPACT","authors":"Ahmad Muzzayin Dina Wari, S. Rahardjo, Dea Aulia Widyaevan","doi":"10.25105/dim.v16i2.7059","DOIUrl":"https://doi.org/10.25105/dim.v16i2.7059","url":null,"abstract":"AbstractThe increasing number of millennial travelers has affected the growth of backpacker accommodations in Bandung, especially those which are built in a form of capsules. Located at the city center of Bandung, “Inap at Capsule Hostel” has many facilities, all of which are installed inside the capsules and make the design compact. Although all of those facilities are dimensionally accommodated, the anthropometric comfort of the capsule is still questionable since there are spaces required for body movements. With combining the qualitative method through experiencing the capsule’s interior directly and the quantitative method through analyzing reviews from booking websites with the instrument word cloud text analysis, it is found that the compact design of Inap at Capsule Hostel still represents the anthropometric comfort regardless its limited dimension. Nevertheless, rearrangement of some lighting facilities and materials inside the capsules is suggested to improve the quality of the spatial comfort. AbstrakMeningkatnya wisatawan milenial menjadi salah satu faktor pendorong berkembangnya penginapan backpacker berbentuk kapsul di kota Bandung. Inap at Capsule Hostel yang terletak di pusat kota Bandung memiliki lima belas fasilitas yang semuanya terletak di dalam unit kapsulnya dan membuat desainnya padat. Meskipun seluruh fasilitas tersebut dapat tertampung secara dimensi, tapi hal ini belum tentu sejalan dengan kenyamanan kapsul ini saat digunakan karena tubuh manusia memiliki aktivitas gerak yang membutuhkan ruang tambahan. Dengan memadukan metode kualitatif melalui pengalaman ruang secara langsung dan metode kuantitatif melalui olahan data review dari situs pemesanan akomodasi dengan word cloud text analysis, ternyata ditemukan bahwa unit yang padat pada Inap at Capsule Hostel masih nyaman digunakan meski secara dimensi terhitung sempit bagi ruang gerak manusia. Meskipun demikian, disarankan adanya penataan ulang beberapa fasilitas pencahayaan serta penggunaan material untuk meningkatkan kualitas kenyamanan ruangnya.","PeriodicalId":307454,"journal":{"name":"Jurnal Dimensi Seni Rupa dan Desain","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124226947","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"KRITIK FOTOGRAFI: MENDESKRIPSIKAN SEBUAH FOTO DARI SISI SUBJEK, BENTUK, MEDIA DAN GAYA","authors":"S. Tahalea","doi":"10.25105/dim.v16i1.6165","DOIUrl":"https://doi.org/10.25105/dim.v16i1.6165","url":null,"abstract":"AbstractIn the formal education of bachelor photography, the knowledge and ability to criticize a photo is fundamental, this is what distinguishes bachelor photography from photography courses, the ability to criticize a photo with the aim of defining photos, interpreting photographs, explanations aesthetic or aesthetic argumentation. Referring to Terry Barrett’s writing about photo criticism, there are several stages to criticizingor interpreting a photo, namely: Describing photos, interpreting photos and evaluating photos. As an initial step, it will be explained about describing a photo. How to start describing a photo, what are the elements that can be described in a photo and how to be able to describe a photo based on the actual facts. Descriptive information includes statements about the subject matters of the photo, the media used, forms of designelements, the surrounding environment, including information about the photographer who made the photo, time of photo taking, issues and social phenomena that were popular when taking photos. Describing a photo is the first approach that can be used to analyze a photo.Abstrak Dalam keilmuan formal fotografi jenjang strata-1, pengetahuan dan kemapuan untuk mengkritik sebuah foto menjadi hal yang fundamental, hal ini yang membedakan keilmuan fotografi strata-1 dengan kursus fotografi, yaitu kemampuan untuk mengkritisi sebuah foto dengan tujuan untuk mendefinikan foto, menginterpretasi foto, penjelasan estetik maupun argumentasi estetik. Mengacu pada tulisan Terry Barret mengenai kritik foto, ada beberapa tahapan untuk mengkritisi atau memaknai sebuah foto yaitu: Mendeskripsikan foto, Menginterpretasi foto dan mengevaluasi foto. Sebagai tahap awal akan dipaparkan mengenai mendeskripsikan sebuah foto. Bagaimana memulai mendeskrisikan sebuah foto, apa saja elemen yang dapat dideskripsikan dalamsebuah foto dab bagaimana caranya agar dapat mendeskrisikan foto sesuai dengan fakta yang sebenarnya. Informasi deskriptif meliputi pernyataan tentang subject matters foto tersebut, media yang digunakan, bentuk-bentuk elemen design, lingkungan sekitar, termasuk informasi tentang fotografer yang membuat foto tersebut, waktu pengambilan foto, issue dan gejala sosial yang popular saat waktu pengambilan foto. Mendeskrisikan sebuah foto merupakan pendekatan yang paling mudah yang dapat digunakan untuk menganalisa sebuah foto.","PeriodicalId":307454,"journal":{"name":"Jurnal Dimensi Seni Rupa dan Desain","volume":"82 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115374149","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ORNAMEN ISLAM PADA BANGUNAN ARSITEKTUR MASJID DIAN AL MAHRI KUBAH EMAS DEPOK","authors":"Apsari Putri Haryani Nirmala, Oudilia Azhar Violaningtyas, Resky Annisa Damayanti","doi":"10.25105/dim.v16i1.6159","DOIUrl":"https://doi.org/10.25105/dim.v16i1.6159","url":null,"abstract":"AbstractIn the teachings of Islam the sources of the Qur’an and the Hadith are basically no rules governing the building of the Mosque other than the terms of the place that can be used in performing the Prayer, but on the other hand many Mosques are adaptive in the form of ornaments. as well as local value systems. The form of ornament that is a decorativeelement of a building is often directly related to the times and culture of the community. In terms of the ornament of the Mosque does not escape the Islamic law that is found in the Hadith and the Quran. This is the focus of this study. The method used is a descriptive qualitative beginning of the field. The results show that the shape of the ornament in the Dian Al Mahri Mosque is no indication of the animal ornament, so the ornamentation of the Mosque is acceptable to Muslims especially in Jakarta and its surroundings.Abstrak Di dalam ajaran agama Islam yang bersumberkan Al Qur’an dan Hadist pada dasarnya tidak terdapat aturan yang secara langsung mengatur mengenai bangunan Masjid selain syarat-syarat tempat yang dapat dipakai dalam melaksanakan Sholat, namun di sisi lain banyak Masjid yang bersifat adaptif dengan memasukkan bentuk ornamen serta sistem nilai setempat (lokal). Bentuk ornamen yang merupakan elemen dekorasi pada suatu bangunan sering kali berkaitan langsung dengan zaman dan budaya masyarakat. Dalam hal ornamen pada Masjid tidak lepas dari hukum Islam yang tertuang dalam Hadis dan Al Quran. Hal demikianlah yang menjadi pusat perhatian dalam penelitian ini.Metode yang digunakan adalah kualitatif deskriptif yang dimulai dari lapangan. Hasil penelitian menunjukkan bahwa bentuk ornamen pada bangunan Masjid Dian Al Mahri tidak terdapat indikasi yang menunjukkan ornamen binatang, sehingga ornamentasi pada Masjid tersebut dapat diterima oleh umat muslim terutama di Jakarta dan sekitarnya.","PeriodicalId":307454,"journal":{"name":"Jurnal Dimensi Seni Rupa dan Desain","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128834058","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"INOVASI INKREMENTAL SEBAGAI STRATEGI & KEUNGGULAN DAYA SAING DI INDUSTRI FURNITURE VIETNAM (STUDI KASUS: FULL IN INDUSTRIAL, CO., LTD)","authors":"Susi Hartanto, Aditya Cipta Sugandha","doi":"10.25105/dim.v16i1.6160","DOIUrl":"https://doi.org/10.25105/dim.v16i1.6160","url":null,"abstract":"AbstractUS-China trading wars has brought positive impact to the growth of Vietnam furniture industry, due to supplier shifts or factory relocation. Many factories benefit with the increased number of purchase orders, but some suffer with stagnancy or even loss. Price, design, quality, finishing, and other factors all play significant roles in determining a factory’s performance. Full In as a research partner, have been running in only 1/3of the production capacity, consequently for its 20 percent higher price compared to competitors with similar products, and for too ordinary designs. Cheap is not always the best strategy. Design approaches (material replacement and appearance change) and strategies (reissue iconic furniture, develop American aesthetic preference furniture,develop refreshed contemporary furniture) are ways to mark Full In’s competitive advantage. Taking advantage of the trade momentum, and by collaboration with UPH research team, there are 8 new designs that will be exhibited in Vietnam International Furniture Fair 2020. In hope, good design may attract customers who afford higher prices; Full In has competitive advantage compared to other competitors.AbstrakAdanya perang dagang US-China memberikan dampak positif bagipertumbuhan industri furniture di Vietnam karena perpindahan supplier atau relokasi pabrik. Banyak pabrik mengalami peningkatan purchase order, tetapi ada juga yang stagnan atau justru menurun. Harga, desain, kualitas, finishing, dan faktor lainnya semua saling terkait menentukan performa sebuah pabrik. Full In sebagai mitra penelitian hanya mampu berjalan 1/3 dari kapasitas produksi seharusnya karena harga 20% lebih mahal dari kompetitor dengan produk serupa dan desain yang cenderung menduplikasi. Murah tidak selalu adalah strategi terbaik. Desain dengan pendekatan mengganti material dan penampilan; strategi merilis kembali produk ikon, mengembangkan produk dengan gaya Amerika dan sentuhan kontemporer merupakan strategi dan keunggulan desain yang diaplikasikan untuk Full In. Memanfaatkan momentum dagang dan lewat kolaborasi dengan tim peneliti UPH, ada 8 desain baru yang akan dipamerkan pada Vietnam International Furniture Fair premium, Full In memiliki keunggulan daya saing dibanding  kompetitor lainnya.","PeriodicalId":307454,"journal":{"name":"Jurnal Dimensi Seni Rupa dan Desain","volume":"113 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127735044","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}