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Butterflies, Busy Weekends, and Chicken Salad: Genetic Criticism and the Output of @Pentametron 蝴蝶、繁忙的周末和鸡肉沙拉：基因批评和@Pentametron的输出
Authorship Pub Date : 2018-07-16 DOI: 10.21825/AJ.V7I1.8619
Leah Henrickson
{"title":"Butterflies, Busy Weekends, and Chicken Salad: Genetic Criticism and the Output of @Pentametron","authors":"Leah Henrickson","doi":"10.21825/AJ.V7I1.8619","DOIUrl":"https://doi.org/10.21825/AJ.V7I1.8619","url":null,"abstract":"Textual analysis places great emphasis on determining the development and direction of authorial intention to illuminate a text’s layers of meaning. How, though, is one to determine the development of authorial intention in a text that appears to remove the traditional human author? This paper explores issues of authorship presented to genetic criticism (critique génétique) by algorithmically-produced texts – that is, texts produced through programmed logic in a computer rather than through direct human agency – such as those of the Twitter bot Pentametron (twitter.com/pentametron). This paper considers the perceived importance of authorship and human agency in the creation of a text. Algorithmic texts challenge contemporary notions of textual creation and development, in turn posing challenges to genetic criticism that are similar to those posed by cut-up texts in other media. This paper argues that Pentametron’s rather nonsensical algorithmic output stresses the reader’s responsibility for meaning-making, and suggests that such algorithmic texts are not so much final texts to be subjected to genetic critique themselves, but are more aptly considered to be forms of avant-texte. These avant-textes serve as inspiration for human-computer symbioses, for re-creations wherein readers make sense out of the seemingly senseless.","PeriodicalId":30455,"journal":{"name":"Authorship","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42070638","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Music for Wilde: An Annotated Listing of Musical Adaptations of Works by Oscar Wilde 王尔德的音乐:奥斯卡·王尔德作品的音乐改编的注释列表
Authorship Pub Date : 2018-07-16 DOI: 10.21825/AJ.V7I1.8617
Tine Englebert
{"title":"Music for Wilde: An Annotated Listing of Musical Adaptations of Works by Oscar Wilde","authors":"Tine Englebert","doi":"10.21825/AJ.V7I1.8617","DOIUrl":"https://doi.org/10.21825/AJ.V7I1.8617","url":null,"abstract":"An annotated listing of documented musical adaptations of works by Oscar Wilde, including detailed information on composers, lyricists, performances (venues and dates) where available.","PeriodicalId":30455,"journal":{"name":"Authorship","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46170490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tweeting the Author: Tao Lin’s Performance of Authorial Identity on Twitter 推特作者：陶林在推特上的权威身份表现
Authorship Pub Date : 2018-07-16 DOI: 10.21825/AJ.V7I1.8618
Justin Greene
{"title":"Tweeting the Author: Tao Lin’s Performance of Authorial Identity on Twitter","authors":"Justin Greene","doi":"10.21825/AJ.V7I1.8618","DOIUrl":"https://doi.org/10.21825/AJ.V7I1.8618","url":null,"abstract":"This article takes a closer look at how the American author Tao Lin uses Twitter to perform his authorial identity. Twitter serves as a primary platform for Lin to shape and reshape the public images of him as an author. Lin’s Twitter presence operates as 140-character bursts of authorial self-presentation. The tweets he chooses to post combined with his views on Twitter as a presentational platform show that Lin is conscious of his identity performance, especially online. With this knowledge, he uses the language of Twitter to enact his authorial identity and influence the representations that circulate in the literary world, but he fell short because of the dominant role print media play in images of authorship. To counteract this and gain cultural legitimacy for his online identity in the literary world, Lin resorts to remediating his Twitter profiles into a fetishized print book. Lin’s coquettish relationship with Twitter shows his audience that the platform is more than a place to generate attention for oneself; it is a site for the continual reshaping of identity on a mass scale.","PeriodicalId":30455,"journal":{"name":"Authorship","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46457646","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Robert R. Edwards, Invention and Authorship in Medieval England (Ohio State University Press, 2017) Robert R.Edwards，《中世纪英格兰的发明与作者》（俄亥俄州立大学出版社，2017）
Authorship Pub Date : 2018-07-16 DOI: 10.21825/AJ.V7I1.8616
Martin Laidlaw
{"title":"Robert R. Edwards, Invention and Authorship in Medieval England (Ohio State University Press, 2017)","authors":"Martin Laidlaw","doi":"10.21825/AJ.V7I1.8616","DOIUrl":"https://doi.org/10.21825/AJ.V7I1.8616","url":null,"abstract":"Robert R. Edwards, Invention and Authorship in Medieval England, Ohio State University Press, Columbus, 2017, 280 pp. $105.95.","PeriodicalId":30455,"journal":{"name":"Authorship","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46573928","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
L’auctorialité dans Marzi, une bande dessinée autobiographique en collaboration Marzi的艺术，一个合作的自传体漫画
Authorship Pub Date : 2017-12-21 DOI: 10.21825/AJ.V6I2.7699
Benoît Glaude
{"title":"L’auctorialité dans Marzi, une bande dessinée autobiographique en collaboration","authors":"Benoît Glaude","doi":"10.21825/AJ.V6I2.7699","DOIUrl":"https://doi.org/10.21825/AJ.V6I2.7699","url":null,"abstract":"For twelve years the autobiographical character Marzi has been growing up through short comics stories in the Spirou magazine, created in Belgium and France by a French artist, Sylvain Savoia and a Polish writer, Marzena Sowa. Realized through collaboration, such an autobiography opens up a grey area for questions concerning authorship. It shatters the notion that autobiography in comics has to be the individual work of a 'complete' author. This article considers the reception of Marzi' s authorship through internal and external perspectives, starting with the publication context of the weekly Spirou and ending with close readings of the autobiographical work. In rendering complex the autobiographical equation suggested by literary scholar Philippe Lejeune, protagonist=narrator=author, the case of Marzi shows that fictive agents such as the 'mega-narrateur' and the author are, above all, activated during the reading of the work. Depuis douze ans, le personnage autobiographique Marzi grandit dans le journal de Spirou , au fil de brefs recits de bande dessinee realises en Belgique ou en France par un dessinateur francais, Sylvain Savoia, et une scenariste polonaise, Marzena Sowa. Une telle autobiographie, realisee en collaboration, constitue un cas limite pour les questions d’auctorialite, elle bouscule l’idee que l’autobiographie en BD doit etre l’œuvre solitaire d’un « auteur complet ». Cet article envisage la reception de l’auctorialite de Marzi de points de vue externes et internes, en partant du contexte de publication de l’hebdomadaire Spirou , pour aboutir a des microlectures de l’œuvre autobiographique. En complexifiant l’equation autobiographique posee par le poeticien Philippe Lejeune, heros = narrateur = auteur, le cas de Marzi montre que les instances fictives du mega-narrateur et de l’auteur constituent avant tout des faits de reception actives par l’œuvre.","PeriodicalId":30455,"journal":{"name":"Authorship","volume":"6 1","pages":"1"},"PeriodicalIF":0.0,"publicationDate":"2017-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42040565","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
A Narrative Approach to Authorship: The Work of Evi Tampold from Her Mother/Publisher’s (and Her Own) Perspective 作者身份的叙事方法:从她母亲/出版商(和她自己)的角度看埃维·坦波德的作品
Authorship Pub Date : 2017-12-21 DOI: 10.21825/AJ.V6I2.7766
Carol Nash, Evi Tampold
{"title":"A Narrative Approach to Authorship: The Work of Evi Tampold from Her Mother/Publisher’s (and Her Own) Perspective","authors":"Carol Nash, Evi Tampold","doi":"10.21825/AJ.V6I2.7766","DOIUrl":"https://doi.org/10.21825/AJ.V6I2.7766","url":null,"abstract":"Collaborative authorship in graphic medicine is examinable from a number of perspectives.  One neglected approach is to look for developments in how an individual artist collaborates over the course of illustrating different graphic medicine novels.  In the first, the artist collaborated with her younger self in trying to regain memories of an until then forgotten past.  In the second, she worked closely with the writer to try to determine exactly what the author intended, adding a new dimension to the piece unavailable without the illustrations.  In the third still to be completed work, her illustrations are based on collaboration with only the text and a few photographs, lacking direct contact with the author.  How this artist’s three methods of collaboration have defined her collaborative authorship will be the focus.  What is unique is this study will be undertaken from the stand point of the illustrator’s publisher, who is also her mother.","PeriodicalId":30455,"journal":{"name":"Authorship","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2017-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45828898","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gaston Franssen, Rick Honings (eds.), Idolizing Authorship: Literary Celebrity and the Construction of Identity, 1800 to the Present (Amsterdam University Press, 2017) Gaston-Franssen，Rick Honings（编辑），Idolizing Authorship:文学名人与身份建构，1800至今（阿姆斯特丹大学出版社，2017）
Authorship Pub Date : 2017-12-21 DOI: 10.21825/AJ.V6I2.7010
Zita Farkas
{"title":"Gaston Franssen, Rick Honings (eds.), Idolizing Authorship: Literary Celebrity and the Construction of Identity, 1800 to the Present (Amsterdam University Press, 2017)","authors":"Zita Farkas","doi":"10.21825/AJ.V6I2.7010","DOIUrl":"https://doi.org/10.21825/AJ.V6I2.7010","url":null,"abstract":"A review of Gaston Franssen, Rick Honings (eds.), Idolizing Authorship: Literary Celebrity and the Construction of Identity, 1800 to the Present , Amsterdam University Press, Amsterdam, 2017, 282 pp. € 89.","PeriodicalId":30455,"journal":{"name":"Authorship","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2017-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43263777","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Comics and Authorship: An Introduction 漫画和作者:介绍
Authorship Pub Date : 2017-12-21 DOI: 10.21825/AJ.V6I2.7702
Maaheen Ahmed
{"title":"Comics and Authorship: An Introduction","authors":"Maaheen Ahmed","doi":"10.21825/AJ.V6I2.7702","DOIUrl":"https://doi.org/10.21825/AJ.V6I2.7702","url":null,"abstract":"If media authorship can be understood \"as a site of cultural tension\" (Johnson and Gray 2013, 10), then a deeper understanding of comics authorship will also provide clues regarding the sustaining—and constraining— of creative practices in other media ecologies and intermedial interactions (such as, for instance, adaptations). For comics, this implies combining insights from comics scholars, practitioners as well as agents involved in the publication and dissemination of comics. This issue, building on the findings of extant scholarship on authorship in comics and other media, hopes to provide incentive for further adventures into the (almost) unknown of comics authorship.","PeriodicalId":30455,"journal":{"name":"Authorship","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2017-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48503348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Ambiguous Authorities: Vertigo and the Auteur Figure 模棱两可的权威:眩晕与导演形象
Authorship Pub Date : 2017-12-21 DOI: 10.21825/AJ.V6I2.7700
Isabelle Licari-Guillaume
{"title":"Ambiguous Authorities: Vertigo and the Auteur Figure","authors":"Isabelle Licari-Guillaume","doi":"10.21825/AJ.V6I2.7700","DOIUrl":"https://doi.org/10.21825/AJ.V6I2.7700","url":null,"abstract":"This article examines authorial performance in the context of DC’s Vertigo line. In the 1990s, Vertigo gained its reputation as an innovative and progressive imprint by promoting the work of British scriptwriters, who were hailed as true author figures, despite the inherently collaborative nature of the mainstream comics industry. In a manner reminiscent of “auteur theory”, writers such as Neil Gaiman, Warren Ellis or Grant Morrison developed attractive author personas which they consistently displayed through interviews, letter columns or social media, but also, more importantly, by inserting their avatars within the comics they scripted. Upon closer examination, however, it becomes clear that their work in fact simultaneously asserts and destabilizes writerly authority, in a manner that is consistent with Linda Hutcheon’s view of postmodernity. By multiplying author figures and playfully disseminating authority, Vertigo authors question their own authorial control over the text, asserting instead the crucial role played by the reader.","PeriodicalId":30455,"journal":{"name":"Authorship","volume":"6 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2017-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41649981","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
“Things are Complicated”: Paul Cornell at Marvel and DC “事情很复杂”:保罗·康奈尔在漫威和DC
Authorship Pub Date : 2017-12-21 DOI: 10.21825/AJ.V6I2.7701
M. Flanagan
{"title":"“Things are Complicated”: Paul Cornell at Marvel and DC","authors":"M. Flanagan","doi":"10.21825/AJ.V6I2.7701","DOIUrl":"https://doi.org/10.21825/AJ.V6I2.7701","url":null,"abstract":"Paul Cornell’s work for the ‘Big Two’ U.S. comic publishers transfers a distinctly British (mostly English) sensibility into a field where cues normally revolve around American cultural iconography and values. The key to his authorship is Cornell’s homespun method. Unlike the efforts of Marvel’s UK wing in the 1970s and '80s - transplanting American characters into a postcard-like Britain - his approach explores a British dimension of the Marvel Universe that offers a challenge to the codes of that realm. Whether working with established heroes such as Captain Britain, twists on archetypes like Knight and Squire (English analogues of Batman and Robin), or superheroic ‘big guns’ like Wolverine, Cornell writes against tired, automatic canonicity. This paper mainly focuses on the directly British representations in the Cornell titles Captain Britain and MI-13 (2008-9) and Knight and Squire (2010).","PeriodicalId":30455,"journal":{"name":"Authorship","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2017-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47808605","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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